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Cinema's Choice: CIRCOLO DEL CINEMA Bellinzona

Il Circolo del Cinema, fondato alla sua base nel 1949, si occupa di coltivare la storia e i generi cinematografici e di presentare nuovi film di grande rilievo. L'obiettivo è quello di promuovere l'arte del cinema attraverso la sua coltivazione. Il Circolo è collegato in rete con altre sedi come i cineclub di Lugano, Locarno e del Mendrisiotto. Ogni anno vengono organizzate più di 70 proiezioni. Michele dell'Ambrogio presenta qui una selezione per il periodo di chiusura delle sale.

Portrait of a Lady on Fire (2019)
Céline Sciamma
France
121′
On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman. An intense relationship develops between the two.
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Baghdad in My Shadow (2019)
Samir Jamal Aldin
Switzerland
104′
A failed author, a wife in hiding, a clandestine gay IT-specialist meet in an Iraqi café in London. Incited by a radical Sheik, the author's nephew attacks them and turns their lives upside down.
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Alps (2011)
Yorgos Lanthimos
Greece
93′
A Nurse, a Paramedic, a Gymnast and her Coach have formed a service for hire. They stand in for dead people by appointment, hired by the relatives, friends, or colleagues of the deceased. The company is called Alps while their leader, the Paramedic, calls himself Mont Blanc. Although the Alps members operate under a discipline regime demanded by their leader, the Nurse doesn’t.
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Rojo (2018)
Benjamín Naishtat
Argentina
105′
Argentina in 1975: While a wave of political violence is overrunning the country, lawyer Claudio Mora keeps his usual pace - until one evening in a restaurant he gets into an argument with a strange man with dramatic consequences. The next day Mora has almost forgotten the incident. But then a private detective appears and begins to ask uneasy questions.
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Tokyo Story (1953)
Yasujiro OZU
Japan
137′
The Hirayamas travel from their hometown of Onomichi to Tokyo to visit their adult children. But the younger generation make them feel more in the way than welcome. It also emerges that their son’s career as a doctor and their daughter’s as a hairdresser are nowhere near as successful as the couple were led to believe from afar. The only one who really makes an effort to spend time with them is their daughter-in-law, Noriko, the widow of the Hirayama’s son who went missing in the war. On the journey home, mother Hirayama is taken seriously ill and the couple have to make an unscheduled stop in Osaka, where another of their adult children lives. In a succinct, objective and non-judgemental manner, Yasujirō Ozu uses images which are as simple as they are magnificent to tell the story of family estrangement and the isolation inherent in modern society. Ozu himself considered Tōky ō Monogatari his "masterpiece" and the 1963 Retrospective of the Berlin International Film Festival, the "film-historical screenings", was dedicated to him. This is the international premiere of the digitally restored version made by Japanese production company Shochiku.
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