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Cinema's Choice: LUNA Frauenfeld

Cinema Luna is one of the few cinemas in the country that only shows art house films in their original version. It is run by the Frauenfelder FilmfreundInnen association, which began to revive cinema culture in the Thurgau province in the 1980s with film nights and Solothurn selection shows. Later the open-air cinema week and the rolling cinema were added. In 1994 the Cinema Luna was created in an old hairdressing salon, and in 2011 it moved into a new building with two auditoriums right next to Frauenfeld station. In the digital Luna on filmingo, programmer Christof Stillhard presents his selection.

The Party (2017)
Sally Potter
United Kingdom
71′
In a private home, various individuals think they’re coming together for a party. A series of revelations results in a huge crisis that throws their belief systems, and their values into total disarray.
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Porto (2016)
Gabe Klinger
Portugal
73′
Jake and Mati are two outsiders in the northerly Portuguese city of Porto who once experienced a brief connection. A mystery remains about the moments they shared, and in searching through memories, they relive the depths of a night uninhibited by the consequences of time.
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Adam (2019)
Maryam Touzani
Morocco
101′
Abla runs a modest local bakery from her home in Casablanca where she lives alone with her 8 year old daughter Warda. Their routine of housework and homework is interrupted one day by a knock on the door. It is Samia, a young woman looking for a job and a roof over her head. The little girl is immediately taken with the newcomer but her mother initially refuses to allow a pregnant stranger into their lives.
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Blind Dates (2013)
Levan Koguashvili
Georgia
99′
Sandro is a forty-something teacher and still lives with his parents, who constantly meddle in his private life. He shows little interest in the blind dates his friend Iva pressures him to go on. On an outing to the Black Sea, he falls in love with the hairdresser Manana. When her husband Tengo is released from jail early, Sandro’s predicament takes on absurd dimensions. He gets caught up in wild family disputes and feels compelled to move Natia, pregnant with Tengo’s child, into his parents’ home. Wrong conclusions and misunderstandings are the driving force of this melancholy comedy, in which everyone meddles with everything but no one really listens, which only leads to yet further confusion. When in doubt, they all argue together with true ferocity, the situation invariably ending in intense outbursts. Levan Koguashvili’s second feature is thus in keeping with the best traditions of Georgian cinema. The narrative tone stays calm, as the events come thick and fast. Unsentimental, with various ellipses and allusions, and shot with wonderful colour compositions and an incredible feel for space, architecture and cityscapes, the film ultimately attains extraordinary profundity.
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Cold War (2018)
Paweł Pawlikowski
Poland
88′
In the ruins of post-war Poland, Wiktor (Tomasz Kot) and Zula (Joanna Kulig) fall deeply, obsessively and destructively in love. As performing musicians forced to play into the Soviet propaganda machine, they dream of escaping to the creative freedom of the West. But one day, as they spot their chance to make a break for Paris, both make a split decision that will mark their lives forever.
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God's Own Country (2017)
Francis Lee
United Kingdom
105′
Spring. Yorkshire. Young farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker for lambing season ignites an intense relationship that sets Johnny on a new path.
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A Separation (2011)
Asghar Farhadi
Iran
123′
Simin wants to leave Iran with her husband Nader and daughter Termeh. She has already made all the necessary arrangements. Nader, however, is having second thoughts. He is worried about leaving behind his father, who is suffering from Alzheimer’s. For this reason he decides to call off the trip altogether. As a result of Nader’s decision, Simin decides to sue for divorce at the family court. When her request is rejected, however, she refuses to live with Nader, moving instead into her parents’ home. Termeh decides to stay with her father, hoping that her mother will soon come back to live with them.Nader finds it difficult to cope with the new situation - not least because it turns out to be so time-consuming. And so he hires a young woman named Razieh to look after his father. This young woman is pregnant and has accepted the job without her husband’s knowledge. One day, Nader arrives home to find that not only has his father been left alone, he has also been tied to a table! When Razieh returns, a blazing row ensues, the tragic consequences of which not only shatter Nader’s life, but also the image his daughter Termeh has of her father.
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«An 18-year-old student starts filming the demos in the euphoria of the first Syrian protests. Five years later, she leaves the completely bombed-out city of Aleppo with her husband and child as one of the last. There are few pleas against the war and for the solidarity of the oppressed as forceful as this film diary.»

filmingo offers a curated selection of arthouse films for streaming by subscription or individual rental. Run by the Swiss foundation trigon-film.

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