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2020 in cinemas

Ema y Gastón (2019)
Pablo Larraín
Chile
107′
Ema (Mariana Di Girolamo), a young dancer, decides to separate from Gastón (Gael García Bernal) after giving back Polo, the son they both adopted and were unable to raise. In a desperate search through the streets of the port city of Valparaíso, Ema seeks love affairs in order to overcome her guilt. However, she has a secret plan to recover everything she’s lost.
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You Will Die At 20 (2019)
Amjad Abu Alala
Sudan
102′
Sudan, province of Aljazira, nowadays - When Muzamil was born, a prophecy by the holy man of the village predicts that he will die when he is 20 years old. Muzamil’s father cannot stand the doom and travels away from home. Sakina, as a single mother, raises her son with over protection. One day, Muzamil turns 19.
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Liyana (2019)
Aaron & Amanda Kopp
Swaziland
76′
LIYANA is a story born in the imaginations of five orphaned children in the Kingdom of Swaziland. The film follows the children, Zweli, Sibusiso, Phumlani, Mkhuleko, and Nomcebo, as they collaborate to tell the original tale of Liyana, a fictional character whose early life bears remarkable similarities to their own. The world that the children imagine for Liyana is brought to life in an innovative style of animated artwork. This hybrid film weaves documentary scenes together with the animated adventure. LIYANA is executive produced by British-Zimbabwean actress, Thandie Newton, with artwork from rising Nigerian talent, Shofela Coker. Under the guidance of acclaimed South African storyteller, Gcina Mhlophe, the children transform their darkest memories and brightest dreams into fuel for their fairytale. After an idyllic early childhood, Liyana’s world is shattered when her father contracts HIV and both of her parents die. Inspired by a recent real-life robbery, the children decide that there will be a frightening attack at Liyana’s family homestead. In the aftermath of this terrible night, the girl and her trusty sidekick, the family bull, embark on a dangerous, beautiful, and often humorous quest into the wilderness. Hunger, wild animals, and treacherous terrain stand between Liyana and an uncertain fate. As our young storytellers move their fictional character forward through trial and temptation, we periodically return to intimate documentary scenes of the children’s lives in Swaziland - nightly rituals, herding cattle, and a trip to a local clinic for an HIV test. The children’s creative journey is echoed throughout the film by allegorical scenes of the group hiking down a steep ravine in search of a mysterious river. These intertwining narrative strands work together to draw connections between Liyana and the children. As the real and imagined worlds begin to converge the children must choose what kind of story they will tell - in fiction, and in their own lives.
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The Sleepwalkers (2019)
Paula Hernández
Argentina
107′
A woman, Luisa, and her 14 year-old daughter, a sleepwalker in the teenage awakening. A marriage at the edge of a silenced crisis. A ritualistic and endogamic family: grandmother, siblings, and cousins. Summer, sweat, alcohol. Naked bodies, bodies in transition and their gazes upon those new bodies. A New Year’s celebration in the family’s ancestral country home is the necessary trap to awaken the sleepwalkers.
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And Then We Danced (2019)
Levan Akin
Georgia
113′
Merab has been training since a young age at the National Georgian Ensemble with his dance partner Mary. His world is suddenly turned upside down when the charismatic and carefree Irakli arrives and becomes both his strongest rival and desire. In this conservative setting Merab finds himself having to break free and risk it all.
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Canción sin nombre (2019)
Melina León
Peru
97′
Peru, at the height of the political crisis of the 1980’s. Georgina is a young woman from the Andes whose newborn daughter is stolen at a fake health clinic. Her desperate search for the child leads her to the headquarters of a major newspaper, where she meets Pedro Campos, a lonely journalist who takes on the investigation. Based on a true story.
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Iniciales S.G. (2019)
Rania Attieh, Daniel Garcia
Argentina
97′
An aging, Argentine, Serge Gainsbourg wannabe struggles to deal with a career he can't seem to get on track, an affair he doesn't want, and a crime he didn't mean to commit.
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Sibyl (2019)
Justine Triet
France
101′
Sibyl, a jaded psychotherapist, returns to her first passion: writing. But her newest patient Margot, a troubled up-and-coming actress, proves to be a source of inspiration that is far too tempting. Fascinated almost to the point of obsession, Sibyl becomes more and more involved in Margot’s tumultuous life, reviving volatile memories that bring her face to face with her past.
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O Fim do Mundo (2019)
Basil Da Cunha
Switzerland
104′
Spira comes home from a juvenile detention center and reconnects with his loved ones in Reboleira (Lisbon), a slum on the verge of being destroyed. Kikas makes it clear that he’s not welcome.
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Insumisas (2018)
Fernando Pérez, Laura Cazador
Switzerland
95′
Santiago de Cuba, January 19th, 1819. Coming from Lausanne, Enrique Faber, a Swiss doctor and surgeon, arrives on the island, a Spanish province, hoping to find his son, who has been kidnapped…
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Corpus Christi (2019)
Jan Komasa
Poland
115′
A pious 20-year-old juvenile delinquent is sent to work at a sawmill in a small town; on arrival, he dresses up as a priest and accidentally takes over the local parish. The arrival of this young, charismatic preacher is an opportunity for the local community to begin the healing process after a tragedy that happened a year prior.
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Hexenkinder (2019)
Edwin Beeler
Switzerland
97′
The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.
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