Filmmaking in Iran

In Iran, conditions for filmmaking are harsh. Nevertheless there is much appreciation of Iranian cinema all over the world.

About Elly (2009)
Asghar Farhadi
Iran
114′
After having spent many years in Germany, Ahmad returns to his native Iran for a holiday. His friends from his student days organise a three-day break on the Caspian Sea. One of the party, a fun-loving woman named Sepideh takes the matter in hand. Unbeknown to the rest of the group, she has also invited a young woman named Elly, who is a nursery school teacher at her daughter’s kindergarten. Ahmad has just emerged from an unhappy marriage and is now divorced from his German wife. He would very much like to begin a new life with an Iranian woman. His friends are aware of his desire and it gradually dawns on them that this is why Sepideh has asked Elly to accompany them on their trip. The others all begin to lavish their attentions on Elly, singing her prai - ses unequivocally. But then, on the second day of their holiday, something happens and Elly disappears. All at once their light-hearted mood evaporates. The friends begin to agonise about the whys and wherefores of Elly’s disappearance, bringing to an abrupt end the sense of harmony that once pervaded their get-together. They contact Elly’s parents, but when they learn that they have no news of Elly’s whereabouts their anxiety begins to turn into panic. Carefully, the friends begin to go over the conversations of the previous day and their phone calls to Elly’s relatives, trying to identify a moment that could give them a lead. Finally, they blame Sepideh for having invited Elly in the first place and ruining their holiday. During the course of just two days, their opinion of Elly has turned about face. Until, on the last day of their holiday, the truth emerges.
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A Dragon Arrives! (2016)
Mani Haghighi
Iran
108′
An orange Chevrolet Impala drives across a cemetery towards an abandoned shipwreck in the middle of a desert landscape. It is the 22nd of January, 1965. The day before, the Iranian prime minister was shot dead in front of the parliament building. Inside the wreck, a banished political prisoner has hung himself. The walls are covered in diary entries, literary quotes and strange symbols. Can they help Police Inspector Babak Hafizi in his investigations? Will they shed any light on why there is always an earthquake whenever somebody is buried in this desert cemetery? Assisted by a sound engineer and a geologist, Hafizi begins his investigations on the ancient island of Qeshm in the Persian Gulf. Fifty years later, their entire evidence, along with intelligence tape recordings, are found in a box, the contents of which attest to the fact that the inspector and his colleagues were arrested. But why? In his new film, Mani Haghighi once again creates a grotesquely absurd experimental set-up. His playful reenactment of mysterious events revolves around a real-life episode - but also imagines a truth of its own.
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Une famille respectable (2012)
Massoud Bakhshi
Iran
90′
Arash is an Iranian academic who lives in the West. He returns to teach classes in Shiraz, where his mother lives, far from Tehran. Trapped in a whirlwind of family and financial intrigues, he plunges back into the difficult hours of his childhood at the beginning of the Iraq-Iran war in 1981. Following the death of his father and discovering what has become of his "respectable family", he is forced to make choices.
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A Separation (2011)
Asghar Farhadi
Iran
123′
Simin wants to leave Iran with her husband Nader and daughter Termeh. She has already made all the necessary arrangements. Nader, however, is having second thoughts. He is worried about leaving behind his father, who is suffering from Alzheimer’s. For this reason he decides to call off the trip altogether. As a result of Nader’s decision, Simin decides to sue for divorce at the family court. When her request is rejected, however, she refuses to live with Nader, moving instead into her parents’ home. Termeh decides to stay with her father, hoping that her mother will soon come back to live with them.Nader finds it difficult to cope with the new situation - not least because it turns out to be so time-consuming. And so he hires a young woman named Razieh to look after his father. This young woman is pregnant and has accepted the job without her husband’s knowledge. One day, Nader arrives home to find that not only has his father been left alone, he has also been tied to a table! When Razieh returns, a blazing row ensues, the tragic consequences of which not only shatter Nader’s life, but also the image his daughter Termeh has of her father.
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