Film Arts

My Sunny Maad
Michaela Pavlátovà
Czech Republic
82′
When Herra, a young Czech woman, falls in love with Nazir, an Afghan, she has no idea what kind of life awaits her in post-Taliban Afghanistan, nor of the family she is about to integrate into. A liberal grandfather, an adopted child who is highly intelligent and Freshta, who would do anything to escape her husband's violent grip.
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Red Turtle
Michael Dudok de Wit
France
81′
The dialogue-less film follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds.
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My Life as a Zucchini - German Version
Claude Barras
Switzerland
63′
After losing his mother, a young boy is sent to a foster home with other orphans his age where he begins to learn the meaning of trust and true love.
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Phantom Boy
Jean-Loup Felicioli and Alain Gagnol
France
81′
A super-powered boy helps a wheelchair-bound policeman in his attempt to bring down a mob kingpin.
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W. - Was von der Lüge bleibt
Rolando Colla
Switzerland
111′
The autobiography of Bruno Wilkomirski, who described his childhood in a concentration camp in it, led to a scandal, because it was exposed as fiction. Interviews and archive material are used to investigate the motives of the man who turned his personal trauma as an orphan in Switzerland into a collective Jewish trauma and thus became a perpetrator himself.
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Tehran Taboo
Ali Soozandeh
Iran
92′
The lives of three strong-willed women and a young musician cross paths in Tehran’s schizophrenic society where sex, adultery, corruption, prostitution and drugs coexist with strict religious law. In this bustling modern metropolis, avoiding prohibition has become an everyday sport and breaking taboos can be a means of personal emancipation.
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Janosch – Komm, wir finden einen Schatz
Irina Probost
Germany
70′
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My Life as a Zucchini - German Version
Claude Barras
Switzerland
63′
After losing his mother, a young boy is sent to a foster home with other orphans his age where he begins to learn the meaning of trust and true love.
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La Flèche Bleue (1996)
Enzo D'Alò
Switzerland
93′
Enchanted toys come to life to do battle with a holiday-hating villain who is bent on stopping Christmas.
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Meine Freundin Conni - Geheimnis um Kater Mau (German version)
Ansgar Niebuhr
Germany
79′
This film is only available in German --- When Conni travels with her kindergarten group, she discovers that her tomcat Mau has arrived as a stowaway. As pets are not allowed in "Schloss Funkelstein", Conni has to hide the tomcat. A crazy adventure begins.
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Chris the Swiss
Anja Kofmel
Switzerland
90′
Croatia, January 1992. In the midst of the Yugoslav Wars, Chris, a young Swiss journalist is found dead in mysterious circumstances. He was wearing the uniform of an international mercenary group. Anja Kofmel was his cousin. As a little girl, she used to admire this handsome young man; now a grown-up woman, she decides to investigate his story, trying to understand what really was the involvement of Chris in the conflict
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Les hirondelles de Kaboul
Zabou Breitman
Afghanistan
81′
Summer 1998 - Kabul under Taliban rule. Zunaira and Mohsen are young and in love. Despite the daily violence and misery, they hope for a better future. One day, a foolish gesture causes life to take an irrevocable turn.
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Tatsumi
Eric Khoo
Singapore
96′
Tatsumi celebrates the life of Japanese comic artist, Yoshihiro Tatsumi. As he becomes successful, he redefines the manga landscape with an alternative genre for adults-and his work plunges into the darker aspects of life.
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Liyana
Aaron & Amanda Kopp
Swaziland
76′
LIYANA is a story born in the imaginations of five orphaned children in the Kingdom of Swaziland. The film follows the children, Zweli, Sibusiso, Phumlani, Mkhuleko, and Nomcebo, as they collaborate to tell the original tale of Liyana, a fictional character whose early life bears remarkable similarities to their own. The world that the children imagine for Liyana is brought to life in an innovative style of animated artwork. This hybrid film weaves documentary scenes together with the animated adventure. LIYANA is executive produced by British-Zimbabwean actress, Thandie Newton, with artwork from rising Nigerian talent, Shofela Coker. Under the guidance of acclaimed South African storyteller, Gcina Mhlophe, the children transform their darkest memories and brightest dreams into fuel for their fairytale. After an idyllic early childhood, Liyana’s world is shattered when her father contracts HIV and both of her parents die. Inspired by a recent real-life robbery, the children decide that there will be a frightening attack at Liyana’s family homestead. In the aftermath of this terrible night, the girl and her trusty sidekick, the family bull, embark on a dangerous, beautiful, and often humorous quest into the wilderness. Hunger, wild animals, and treacherous terrain stand between Liyana and an uncertain fate. As our young storytellers move their fictional character forward through trial and temptation, we periodically return to intimate documentary scenes of the children’s lives in Swaziland - nightly rituals, herding cattle, and a trip to a local clinic for an HIV test. The children’s creative journey is echoed throughout the film by allegorical scenes of the group hiking down a steep ravine in search of a mysterious river. These intertwining narrative strands work together to draw connections between Liyana and the children. As the real and imagined worlds begin to converge the children must choose what kind of story they will tell - in fiction, and in their own lives.
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About Dry Grasses
Nuri Bilge Ceylan
Turkey
198′
Samet, a young art teacher, is finishing his fourth year of compulsory service in a remote village in Anatolia. After a turn of events he can hardly make sense of, he loses his hopes of escaping the grim life he seems to be stuck in. Will his encounter with Nuray, herself a teacher, help him overcome his angst?
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Fabian oder der Gang vor die Hunde
Dominik Graf
Germany
178′
1920s Berlin. Dr. Jakob Fabian, who works by day in advertising for a cigarette company and by night wanders the streets of the city, falls in love with an actress. As her career begins to blossom, prospects for his future begin to wane. Domink Graf's multi-award-winning film is based on the novel "Fabian" by Erich Kästner.
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Looking for Muhyiddin
Nacer Khemir
Tunisia
183′
A man returns home to Tunisia to bury his mother. After the burial, his father gives him an “amana” to be handed to a certain Sheikh named Muhyiddin. Taken by his father’s request, the man immediately sets out on an epic journey to find the long lost Sheikh and deliver the “amana.”
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Winter Sleep
Nuri Bilge Ceylan
Turkey
196′
Aydin, a former actor, runs a small hotel in central Anatolia with his young wife Nihal with whom he has a stormy relationship and his sister Necla who is suffering from her recent divorce. In winter as the snow begins to fall, the hotel turns into a shelter but also an inescapable place that fuels their animosities...
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Ex Libris – The New York Public Library
Frederick Wiseman
United States
197′
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
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Drive My Car
Ryusuke Hamaguchi
Japan
179′
Academy Award 2022: Best Foreign Language Film. - Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanja at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
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The Wild Pear Tree
Nuri Bilge Ceylan
Turkey
188′
Sinan is passionate about literature and has always wanted to be a writer. Returning to the village where he was born, he pours his heart and soul into scraping together the money he needs to be published, but his father’s debts catch up with him.
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with bonus
The Travelling Players - O Thiassos (1975)
Theo Angelopoulos
Greece
232′
The Travelling Players is a film of epic proportions. The action takes place during the years 1939-52 and is seen as a series of individual, often inexplicable events or tableaux, commentated by monologues, by slogans written on the walls, or by songs. It reveals the period's turbulent history while focusing on a travelling company of actors who spend those fourteen years wandering through provinces, cities and villages, performing, in increasingly threadbare circumstances, a 19th century pastoral melodrama, Persiadis' Golfo the Shepherdess. They never get to finish the play and the tranquil sheep painted on their back cloth gaze down upon generations of anguish and bloodshed. The passage of history reverberates in individual incidents or is summarized in symbols. These sad, shabby, often hungry folk, whose relationship is based on the family of the House of Atreus, are of varying political hues - from active collaborators with the Nazis (Aegisthus), to opportunists (Chrysothemis), to centrist Greek patriots (Agamemnon), to the apolitical (Clytemnestra), to left-wing idealists (Electra), to communist guerillas (Orestes). And they fill these roles as much as they do the mythic ones of wandering general, faithless wife, betrayer or vengeful son. As they travel amid the constant wartime convulsions, they begin, unconsciously, to enact parallels to Aeschylus' tragic cycle.
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A Touch Of Zen (1971)
King Hu
Taiwan
179′
A lady fugitive on the run from corrupt government officials is joined in her endeavors by an unambitious painter and skilled Buddhist monks.
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Nuestro Tiempo
Carlos Reygadas
Mexico
177′
Set in a traditional world of bullfighting ranches in the Mexican state of Tlaxcala, Our Time tells the story of Juan and Ester, who have an open relationship, and the problems that arise when Ester falls in love with another man and Juan struggles to meet the expectations he has of himself.
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So Long, My Son
Xiaoshuai Wang
China
185′
‘We’re waiting to grow old’. This sentence briefly sums up Yaoyun and his wife Liyun’s bitter realisation about their lives. They were once a happy family – until their son drowned playing by a reservoir. And so Yaojun and Liyun leave their home and plunge into the big city, although nobody knows them there and they cannot even understand the local dialect. Their adopted son Liu Xing does not offer them the comfort they had hoped for either. Defiantly rejecting his ‘foreign’ parents, he one day disappears altogether. The married couple are repeatedly enmeshed in their memories. Finally, they decide to return to the site of their lost hopes. In this family saga spanning three decades of Chinese history, the private and the political merge and the individual gets caught up in the gears of a society in the throes of constant change. Part melodrama, part critique of the times, this film takes us from the country’s upheaval in the 1980s following the Cultural Revolution to the prospering turbo-capitalism of the present day. Told in sweeping tableaux, it makes visible the deep scars that lie beneath the surface of an ostensibly unbroken success story.
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The Hunters - Oi kynigoi (1977)
Theo Angelopoulos
Greece
149′
It is New Year's Eve. 1976. On a Greek island a party of bourgeois hunters comes upon a body, buried in the snow and miraculously preserved by the cold. By his uniform, he appears to be one of the thousands of partisans killed during the civil war and the hunting party, a group of the ruling elite, must now decide what to do with the body. When they disinter it, blood begins to flow from the wounds in the partisan's body and they carry it back to the lodge where the inquest begins. The film becomes a biting commentary, an extraordinary allegory for the persistence of guilt in which Greece's post-war Right is placed symbolically on trial in a series of tableaux in which the hunters are faced with their re-created sins. Merging poetic metaphor and historic reconstruction each member of the hunting party views the body on the makeshift bier: the colonel and his wife, the businessman, the ex-prefect of police, now a publisher, the ex-partisan who is now a wealthy contractor, the politician, the film actress who collaborated with the Nazis, the royalist noblewoman - all are forced to give an account of their actions since the civil war. Finally, they dream their own execution by partisans but awake to find it was but a collective nightmare provoked by the dead body of the partisan. In the gray dawn they rebury the corpse and with it, hopefully, their own guilt.
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The Zone of Interest
Jonathan Glazer
United Kingdom
105′
The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp. Without showing it explicitly, Jonathan Glazer conveys the horror of the Auschwitz concentration camp. His film, inspired by Martin Amis' novel "Zone of Interest", was awarded the Grand Jury Prize and the Critics' Prize (FIPRESCI) at the Cannes Festival.
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Amour
Michael Haneke
France
127′
Georg and Anna are around 80, cultivated music professors in retirement. The daughter, also a musician, lives abroad with her family. One day Anna has a seizure - it is the beginning of a test for the love of the two.
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Triangle of Sadness
Ruben Östlund
Sweden
147′
In Ruben Östlund's wickedly funny Palme d'Or winner, social hierarchy is turned upside down, revealing the tawdry relationship between power and beauty. Celebrity model couple, Carl and Yaya, are invited on a luxury cruise for the uber-rich, helmed by an unhinged boat captain. What first appeared instagrammable ends catastrophically, leaving the survivors stranded on a desert island and fighting for survival.
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Shoplifters
Hirokazu Kore-Eda
Japan
116′
After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them.
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About Dry Grasses
Nuri Bilge Ceylan
Turkey
198′
Samet, a young art teacher, is finishing his fourth year of compulsory service in a remote village in Anatolia. After a turn of events he can hardly make sense of, he loses his hopes of escaping the grim life he seems to be stuck in. Will his encounter with Nuray, herself a teacher, help him overcome his angst?
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EO
Jerzy Skolimowski
Poland
88′
After being removed from the traveling circus, which is the only life he’s ever known, gray donkey EO begins a trek across the Polish and Italian countryside, experiencing cruelty and kindness in equal measure, all the while observing the follies and triumphs of humankind.
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Dolor y gloria
Pedro Almodóvar
Spain
113′
Salvador Mallo (Antonio Banderas), a film director in his physical decline, reencounters or remembers his past: his childhood in a village, the first desire, his first adult love in 80s Madrid, the pain of that breakup. In recovering his past, Salvador finds the urgent need to recount it, and also finds his salvation.
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The Cranes Are Flying (1957)
Michail Kalatosow
Russia
91′
Veronika and Boris come together in Moscow shortly before World War II. Walking along the river, they watch cranes fly overhead, and promise to rendezvous before Boris leaves to fight. Boris misses the meeting and is off to the front lines, while Veronika waits patiently, sending letters faithfully. After her house is bombed, Veronika moves in with Boris’ family, into the company of a cousin with his own intentions.
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Winter Sleep
Nuri Bilge Ceylan
Turkey
196′
Aydin, a former actor, runs a small hotel in central Anatolia with his young wife Nihal with whom he has a stormy relationship and his sister Necla who is suffering from her recent divorce. In winter as the snow begins to fall, the hotel turns into a shelter but also an inescapable place that fuels their animosities...
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Great Freedom
Sebastian Meise
Austria
116′
In post-war Germany, liberation by the Allies does not mean freedom for everyone. Hans Hoffmann is repeatedly imprisoned under Paragraph 175, which criminalizes homosexuality. Nevertheless, over the decades, he continues his quest for freedom and love, even if he finds it in the most unusual places.
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Cairo Conspiracy
Tarik Saleh
Egypt
120′
Adam, a simple fisherman's son, joins the prestigious Al-Azhar University in Cairo, the epicenter of power in Sunni Islam. On the first day of classes, the Grand Imam at the head of the institution suddenly dies. Adam finds himself at the heart of a relentless power struggle between the country's religious and political elites.
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Holy Spider
Ali Abbasi
Denmark
118′
A journalist descends into the dark underbelly of the Iranian holy city of Mashhad as she investigates the serial killings of sex workers by the so called "Spider Killer", who believes he is cleansing the streets of sinners.
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Close
Lukas Dhont
Belgium
104′
Leo and Remi are two thirteen-year-old best friends, whose seemingly unbreakable bond is suddenly, tragically torn apart. Winner of the Grand Jury Prize at the Cannes Film Festival, Lukas Dhont's second film is an emotionally transformative and unforgettable portrait of the intersection of friendship and love, identity and independence, and heartbreak and healing.
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Drive My Car
Ryusuke Hamaguchi
Japan
179′
Academy Award 2022: Best Foreign Language Film. - Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanja at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
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Once Upon A Time In Anatolia
Nuri Bilge Ceylan
Turkey
157′
Life in a small town is akin to journeying in the middle of the steppes: the sense that "something new and different" will spring up behind every hill, but always unerringly similar, tapering, vanishing or lingering monotonous roads...
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Loveless
Andrey Zvyagintsev
Russia
122′
Zhenya and Boris are going through a vicious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alyosha. Until, after witnessing one of their fights, Alyosha disappears.
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Les Misérables
Ladj Ly
France
104′
Inspired by the 2005 riots in Paris, Stéphane, a recent transplant to the impoverished suburb of Montfermeil, joins the local anti-crime squad. Working alongside his unscrupulous colleagues Chris and Gwada, Stéphane struggles to maintain order amidst the mounting tensions between local gangs. When an arrest turns unexpectedly violent, the three officers must reckon with the aftermath and keep the neighbourhood from spiralling out of control.
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Capharnaüm
Nadine Labaki
Lebanon
126′
In Lebanon, many parents can simply not afford to have their children officially registered. As a result, these undocumented kids do not exist in the eyes of the state and have no rights. That is the fate of young Zain. But Zain is a fighter: even at his young age, he is already supporting his family with various odd jobs. When Zain's parents plan to marry off his eleven-year-old sister Sahar, Zain does everything in his power to stop them.
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Cold War
Paweł Pawlikowski
Poland
88′
In the ruins of post-war Poland, Wiktor (Tomasz Kot) and Zula (Joanna Kulig) fall deeply, obsessively and destructively in love. As performing musicians forced to play into the Soviet propaganda machine, they dream of escaping to the creative freedom of the West. But one day, as they spot their chance to make a break for Paris, both make a split decision that will mark their lives forever.
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Nostalghia (1983)
Andrei Tarkowski
Italy
126′
Andrei Gortchakov, a Russian writer, travels through Italy in the footsteps of a fellow composer to write his biography. With great sensitivity for the emotions of those who are far from their country, Andrei Tarkovski, supported by his Italian co-writer Tonino Guerra, draws a meeting of cultures and periods.
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La tierra y la sombra
Acevedo César Augusto
Colombia
98′
Alfonso is an old farmer who has returned home to tend to his son, who is gravely ill. He rediscovers his old house, where the woman who was once his wife still lives, with his daughter-in-law and grandson. The landscape that awaits him resembles a wasteland. Vast sugar cane plantations surround the house, producing perpetual clouds of ash. 17 years after abandoning them, Alfonso tries to fit back in and save his family.
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Portrait of a Lady on Fire
Céline Sciamma
France
121′
On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman. An intense relationship develops between the two.
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Voyage to Cythera - Taxidi sta Kythira (1984)
Theo Angelopoulos
Greece
139′
Cythera, in Greek mythology, is the isle of dreams where one can dedicate oneself to happiness (or the pursuit thereof). In this quest within a quest, the tale of the father's return is told as if from the point of view of his son Telemachus and as if Telemachus were a filmmaker, as well as a middle-aged man with a son of his own. A film director, tired of the illusions and fictions of his profession, searches for a story of substance by attaching himself to an old man, a recently returned political exile. The man, away in the Soviet Union for 32 years and now stateless, finds himself at the beginning of a journey, not the end, and Angelopoulos evokes the past, present and future to bridge the gap between reality and the imagination. VOYAGE TO CYTHERA is about an old man - the country's leftist past - who cannot become reconciled to his country's present or perhaps it is Greece that is not ready to come to grips with its past. In the end the old man is set adrift on a raft headed away from Greece into international waters, with no home to steer toward, joined by his wife a latter-day Penelope who, despite the fact that this man is more a stranger than a husband to her after so many years, chooses to share the rest of her life with him and in doing so accepts all of his past, his sorrow, his politics and his failed dreams. It is a journey to the dark side of Greek history where it crosses paths with myth.
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Lazzaro Felice
Alice Rohrwacher
Italy
127′
The tale of a meeting between Lazzaro, a young peasant so good that he is often mistaken for simple-minded, and Tancredi, a young nobleman cursed by his imagination. A loyal bond is sealed when Tancredi asks Lazzaro to help him orchestrate his own kidnapping.
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Zvizdan
Dalibor Matanic
Croatia
123′
Three different love stories, set in three consecutive decades, in two neighbouring Balkan villages burdened with a long history of inter-ethnic hatred: this is a film about the dangers – and the enduring strength – of forbidden love.
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Atlantic
Mati Diop
Senegal
105′
Along the Atlantic coast, a soon-to-be-inaugurated futuristic tower looms over a suburb of Dakar. Ada, 17, is in love with Souleiman, a young construction worker. But she has been promised to another man. One night, Souleiman and his co-workers leave the country by sea, in hope of a better future. Several days later, a fire ruins Ada’s wedding and a mysterious fever starts to spread. Little does Ada know that Souleiman has returned.
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120 BPM (beat per minute)
Robin Campillo
France
137′
Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.
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Red Turtle
Michael Dudok de Wit
France
81′
The dialogue-less film follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds.
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Dogman
Matteo Garrone
Italy
99′
Marcello, a small and gentle dog groomer, finds himself involved in a dangerous relationship of subjugation with Simone, a former violent boxer who terrorises the entire neighbourhood. In an effort to reaffirm his dignity, Marcello will submit to an unexpected act of vengeance.
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The Killing of a Sacred Deer
Yorgos Lanthimos
Ireland
121′
Dr. Steven Murphy is a renowned cardiovascular surgeon who presides over a spotless household with his wife and two children. Lurking at the margins of his idyllic suburban existence is Martin, a fatherless teen who insinuates himself into the doctor's life in gradually unsettling ways.
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Gomorra (2008)
Matteo Garrone
Italy
125′
"Gomorra" is a contemporary Neapolitan mob drama that exposes Italy's criminal underbelly by telling five stories of individuals who think they can make their own compact with Camorra, the area's Mafia.
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Jeune femme
Léonor Serraille
France
98′
Broke, with nothing but her cat to her name and doors closing in her face, Paula is back in Paris after a long absence. As she meets different people along the way, there is one thing she knows for sure: she's determined to make a new start and she'll do it with style and panache.
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Three Monkeys (2008)
Nuri Bilge Ceylan
Turkey
109′
A family dislocated when small failings blow up into extravagant lies battles against the odds to stay together by covering up the truth. In order to avoid hardship and responsibilities that would otherwise be impossible to endure, the family chooses to ignore the truth, not to see, hear or talk about it. But does playing “Three Monkeys” invalidate the truth of its existence?
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Uzak - Distant (2002)
Nuri Bilge Ceylan
Turkey
110′
A photographer who is haunted by the feeling that the gap between his life and his ideals is growing finds himself obliged to put up in his apartment a young relative who has left behind his village looking for a job aboard a ship in Istanbul to go abroad.
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Annette
Leos Carax
France
140′
Los Angeles, today. Henry is a stand-up comedian with a fierce sense of humor. Ann, a world-renowned opera singer. Under the spotlight, they form a wholesome and glamorous couple. The birth of their first child, Annette, a mysterious little girl with an exceptional destiny, will turn their lives upside down.
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Climates (2006)
Nuri Bilge Ceylan
Turkey
98′
Man was made to be happy for simple reasons and unhappy for even simpler ones – just as he is born for simple reasons and dies for even simpler ones... Isa and Bahar are two lonely figures dragged through the ever-changing climate of their inner selves in pursuit of a happiness that no longer belongs to them.
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Wolf And Sheep
Shahrbanoo Sadat
Afghanistan
87′
In rural Afghanistan, people believe in the stories they invent to tell each other, explaining the mysteries of the world, they don’t understand. Shepherd children own the mountains. Even though there are no grown ups around, they know the rules very well; the main one is that boys and girls are not allowed to be together, they have to be separated. The boys practice with their slings to fight the wolves should they attack the flock. The girls smoke dried branches of wheat secretly and play wedding, dreaming of getting a husband soon. They gossip about every one and everything, but mostly about Sediqa, 11, an outsider among the shepherd children. They think she is cursed, as an evil ghost disguised as a snake bewitched her grandmother. Sediqa picks up her sheep and goats every morning and drops them in the owner’s house every evening. She dreams of having a sling and learn to swing it like the boys and hit a wolf. Qodrat, 11, becomes the gossip topic of everyone after his mother remarries with an old man with two wives. He prefers to be alone in the most isolated parts of the mountains. This is where he meets Sediqa and they become friends until Qodrat’s mother has to send him away.
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Paterson
Jim Jarmusch
United States
118′
Paterson is a bus driver in the city whose name her shares: Paterson, New Jersey. Every day, he drives his route and observes the city as it drifts across his windshield. During his lunch break, he writes poetry into a notebook. In contrast to Paterson's steady routine, his wife Laura's world is constantly changing. New dreams come to her almost daily, each a different and inspired project.
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The Lacemaker (1977)
Claude Goretta
Switzerland
103′
The shy Pomme (Isabelle Huppert) meets the philosophy student François on holiday in Normandy. François becomes her first lover and she moves in with him: head over heels in love, the young and inexperienced couple return to Paris with big dreams. But their social and cultural differences stand in the way of happiness. The student she had unconsciously saved herself for will, without meaning to, ruin Pomme.
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Bad Luck Banging or Loony Porn
Radu Jude
Romania
106′
Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure.
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Rabiye Kurnaz gegen George W. Bush
Andreas Dresen
Germany
118′
Rabiye Kurnaz is someone you might generally call an ordinary woman, except that she is a real dynamo. Taking care of her children and much more, she is the one running the show in her terraced house in Bremen. Shortly after the attacks of September 11, 2001, her son Murat is accused of terrorism and is (one of the first) shipped off to Guantanamo prison camp. This marks the beginning of a journey into the heart of world politics for this resolute German-Turkish woman. Together with human rights lawyer Bernhard Docke, whom she soon has completely on her side (like almost everyone around her), she battles for the release of her son – using her very own brand of self-taught English – all the way to the Supreme Court in Washington, D.C. Cologne-based comedienne, author, presenter and much more Meltem Kaptan is the perfect fit for Andreas Dresen’s special talent for combining explosive topics (in this case based on actual events) and the everyday concerns of the average citizen. Kaptan’s, or rather Rabiye’s, performance is overwhelming, and not just for the lawyer (played by Alexander Scheer) who quickly becomes a friend. A portrait of a passionate woman who holds the steering wheel of her beloved vehicle as firmly in her hand as she does the reins in this turbo-charged film.
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So Long, My Son
Xiaoshuai Wang
China
185′
‘We’re waiting to grow old’. This sentence briefly sums up Yaoyun and his wife Liyun’s bitter realisation about their lives. They were once a happy family – until their son drowned playing by a reservoir. And so Yaojun and Liyun leave their home and plunge into the big city, although nobody knows them there and they cannot even understand the local dialect. Their adopted son Liu Xing does not offer them the comfort they had hoped for either. Defiantly rejecting his ‘foreign’ parents, he one day disappears altogether. The married couple are repeatedly enmeshed in their memories. Finally, they decide to return to the site of their lost hopes. In this family saga spanning three decades of Chinese history, the private and the political merge and the individual gets caught up in the gears of a society in the throes of constant change. Part melodrama, part critique of the times, this film takes us from the country’s upheaval in the 1980s following the Cultural Revolution to the prospering turbo-capitalism of the present day. Told in sweeping tableaux, it makes visible the deep scars that lie beneath the surface of an ostensibly unbroken success story.
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45 Years
Andrew Haigh
United Kingdom
95′
In the week leading up to their 45th wedding anniversary, the Mercers’ get news that causes a crisis in their marriage. The remains of a woman have been found in the Swiss Alps; the body is Katya, Geoff’s former girlfriend, who died in an accident on the glacier 50 years ago. Geoff’s wife Kate is unnerved as she realises that her husband still clings to memories of the dead woman, worrying that she was never more than “second choice”. When Kate looks through stuff Geoff has stored in the attic, she discovers his secret … Charlotte Rampling and Tom Courtenay deliver confident performances in this story of how a crack in faraway, seemingly permanent ice can shatter the tectonics of a marriage that appears completely intact on the surface. With few words and almost imperceptible gestures, they reveal Kate and Geoff standing at the edge of an abyss. The actors’ nuanced portrayals of an ageing couple questioning a relationship that has lasted almost half a century, and struggling to reassure themselves of its future, were rewarded with Silver Bears for acting at the 2015 Berlin International Film Festival.
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Avec amour et acharnement
Claire Denis
France
112′
Sara and Jean have been in a loving, stable relationship for ten years. They are happy. He is her rock, someone she can hold on to. When they first met, Sara was in a relationship with François, Jean’s best friend. One day, Sara sees François on the street. He does not see her, but she is overwhelmed by a sensation that her life could suddenly change. François does indeed get in touch with Jean to suggest that they work together again. Before long, things are in danger of spiralling out of control. "Avec amour et acharnement" is Claire Denis’s third collaboration with acclaimed writer Christine Angot, with whom she wrote "Un beau soleil intérieur", which also starred Juliette Binoche. In a performance that is just as brave and committed, the actor proves to be exceptionally supple as her body becomes the terrain for a captivating theatre of emotional opposites. Eric Gautier’s precise cinematography shows us contrasting images of fingers comfortably intertwined, but also Sara’s entire body in forward motion, erupting in deep, uncontrollable moans. Encircled by a wall of passionate flames, Denis’s protagonists appear to be under siege, seemingly oblivious to society and its inexorable tendency to separate all things into opposing categories.
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The Hidden Fortress (1958)
Akira Kurosawa
Japan
138′
In 16th-century Japan, two rival clans wage war against each other. Two poor, greedy peasants try to bypass the front lines and return home. Stumbling across a piece of gold hanging from a tree, they are convinced they are on the trail of the vanquished clan's treasure. In their hunt for the loot, they are surprised by a man who is none other than General Rokurota (Toshiro Mifune). They follow the same route, but it is fraught with pitfalls, as the two peasants only manage to make mistakes in their haste to escape with the gold. Kurosawa's first film produced in CinemaScope, it was primarily aimed at the general public, recounting an epic adventure with plenty of humor and gags. Kurosawa was determined to make this film a success so that he could go on to make more personal films and while it's certainly the most mainstream film he ever made, its quality is on a par with that of his other works. "The Hidden Fortress" gained new notoriety after George Lucas revealed that he had drawn inspiration from it for "Star Wars" by telling a story from the point of view of the weaker characters (in this case, the peasants who become the two droids in Lucas' film).
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Tótem
Lila Avilés
Mexico
95′
Seven-year-old Sol spends the day at her grandfather’s home, helping her aunts Nuri and Alejandra with the preparations for a surprise party they are throwing for Sol’s father, Tonatiuh. As daylight fades, a strange and chaotic atmosphere takes over, shattering the bonds that hold a family together. Sol will come to understand that her world is about to change dramatically, embracing the essence of letting go and cherishing the breath of life.
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Unrueh
Cyril Schäublin
Switzerland
93′
New technologies are transforming a 19th-century watchmaking town in Switzerland. Josephine, a young factory worker, produces the unrest wheel, swinging in the heart of the mechanical watch. Exposed to new ways of organizing money, time and labour, she gets involved with the local movement of the anarchist watchmakers, where she meets Russian traveller Pyotr Kropotkin.
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I'm Your Man
Maria Schrader
Germany
103′
Alma is a scientist at Berlin's famous Pergamon Museum. In order to obtain research funds for her studies, she accepts an offer to participate in an extraordinary experiment. For three weeks, she must live with a humanoid robot with artificial intelligence designed to allow it to morph into that of her ideal life partner. Enter Tom, a machine in human form, created to make her happy.
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Wheel of Fortune and Fantasy
Ryusuke Hamaguchi
Japan
121′
As with the rest of his oeuvre, duplication and mirroring of female characters once again informs Ryusuke Hamaguchi’s latest work, Wheel of Fortune and Fantasy. It would not be out of place to make a literary analogy and, if one were to regard his two previous films (Drive my Car, Asako I & II) as novels, this new work could be described as a collection of short stories. The film’s recurring rhythm amplifies this effect. The three episodes, which each revolve around a woman, are in turn divided into three movements, like a piece of music. They tell stories of an unexpected love triangle, a failed seduction trap, and an encounter that results from a misunderstanding. The fragmentation serves to emphasise rather than undermine the exquisitely organic storytelling and mise en scène. Although most of the action takes place in a single space and involves just two actors, not once does it feel like filmed theatre. The secret lies not only in the writing, but also in the notion of a more complex temporality in each episode that flirts with science fiction in the final instalment. The moments we witness are crystallised into touching universal destinies marked by choices, regrets, deception and coincidences. They are the film’s true protagonists.
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Before, Now & Then
Kamila Andini
Indonesia
103′
The 1960s in Indonesia were a period of dramatic political change and turmoil, with Suharto’s coup ousting Sukarno and leading to a violent anti-communist purge. Nana, a gentle, beautiful young woman, has been badly affected by the conflict. Her husband was kidnapped and taken into the forest. Although she managed to escape from the gang leader who wanted to force her to marry him, the incident cost her father his life and drove her into poverty. Several years later, she is living comfortably as the second wife of a rich Sundanese man, with a maid to help her adjust to her new environment. But Nana’s past re-emerges in her dreams. Kamila Andini’s elegant direction effectively adopts her protagonist’s point of view, integrating her trauma into the film’s narration. Played with subtlety by Happy Salma, the secretive Nana seems never quite certain about her husband’s death and her memories are, perhaps for her own good, not always complete. This ambiguity informs the film and, combined with lush cinematography and a deep sense of nostalgia, makes Nana an elegiac wonder. At its heart lies an unexpected female friendship that feels like a crucial lifeline among the sea of adversities caused by men’s brutality.
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Introduction
Hong Sang-soo
South Korea
66′
Youngho tries to find a way between his dream of becoming an actor and his parents' expectations. While his girlfriend leaves to study in Berlin, the young man sees the opportunity for a fresh start.
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The Other Side of Hope
Aki Kaurismäki
Finland
100′
A poker-playing restaurateur and former traveling salesman befriends a group of refugees newly arrived to Finland.
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Taxi Teheran
Jafar Panahi
Iran
81′
A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…
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The Milk of Sorrow (2009)
Claudia Llosa
Peru
94′
When her mother dies, Fausta is forced to face her fears, that she got as ababy with the milk of her mother. Fausta now sets out on a journey - a journey that will lead her out of her fear and into freedom. Peruvian director Claudia Llosa’s film addresses a dark era of her country’s history. It won the Golden Bear in Berlin and was nominated for the Oscars in 2010.
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with bonus
Bal - honey
Semih Kaplanoglu
Turkey
100′
Six-year-old Yusuf has just begun attending primary school where he is learning how to read and write. His father, Yakup, is a beekeeper. He goes about his trade deep inside the woods where he hangs up his bee hives in the treetops of the highest trees. The mountain forest is a place of deep mystery to Yusuf and he derives great pleasure from accompanying his father there. One morning Yusuf tells his father about a dream he had the night before. Yakup turns on him curtly telling him never to share his dreams with others. The same day, Yusuf is asked to read out a text in front of the class. He suddenly begins to stutter and he is laughed at by the rest of the class. One day the bees suddenly disappear, throwing into question the family’s means of earning a living. Yakup decides to set off for the remote mountains. But no sooner has he left, than Yusuf stops speaking. His mother Zehra, who works on a tea plantation, suffers a great deal on ac count of her son’s sudden loss of speech, but is unable to persuade him to speak. The days pass - and still Yakup does not return. Mother and son begin to worry. Yusuf goes to his grandmother’s place in a neighbouring village where he spends the magical night during which the prophet’s arrival is celebrated. When he hears the story of the prophet he is convinced that his father, with whom he identifies the holy man, will come home again. Yusuf and his mother set off on a fruitless search for signs of his father’s whereabouts after which Yusuf decides to continue the search for his father on his own. His is a journey into the unknown. Will the dream he had be - come reality?
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Grâce à dieu
François Ozon
France
138′
Alexandre lives in Lyon with his wife and children. One day, he discovered by chance that the priest who abused him to scouts always officiates with children. He then starts a fight, quickly joined by François and Emmanuel, also victims of the priest, to "release their word" on what they suffered.
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A Separation
Asghar Farhadi
Iran
123′
Simin wants to leave Iran with her husband Nader and daughter Termeh. She has already made all the necessary arrangements. Nader, however, is having second thoughts. He is worried about leaving behind his father, who is suffering from Alzheimer’s. For this reason he decides to call off the trip altogether. As a result of Nader’s decision, Simin decides to sue for divorce at the family court. When her request is rejected, however, she refuses to live with Nader, moving instead into her parents’ home. Termeh decides to stay with her father, hoping that her mother will soon come back to live with them.Nader finds it difficult to cope with the new situation - not least because it turns out to be so time-consuming. And so he hires a young woman named Razieh to look after his father. This young woman is pregnant and has accepted the job without her husband’s knowledge. One day, Nader arrives home to find that not only has his father been left alone, he has also been tied to a table! When Razieh returns, a blazing row ensues, the tragic consequences of which not only shatter Nader’s life, but also the image his daughter Termeh has of her father.
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On Body and Soul
Ildiko Enyedi
Hungary
116′
Two introverted people find out by pure chance that they share the same dream every night. They are puzzled, incredulous, a bit frightened. As they hesitantly accept this strange coincidence, they try to recreate in broad daylight what happens in their dream.
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Supa Modo
Likarion Wainaina
Kenya
74′
Jo, a witty 9-year old terminally ill girl is taken back to her rural village to live out the rest of her short life. Her only comfort during these dull times are her dreams of being a Superhero, which prove to be something her rebellious teenage sister Mwix, overprotective mother Kathryn and the entire village of Maweni think they can fulfill.
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with bonus
Félicité
Alain Gomis
Democratic Republic of the Congo (Kinshasa)
124′
Félicité is a proud and independent woman who works as a singer in a bar in Kinshasa. Whenever she goes on stage, she appears to leave the world and her everyday worries behind. Her audiences are quickly infected by the rhythm of her music and her powerful, melancholy melodies. But then one day Félicité’s son has a terrible accident. Whilst he is in hospital she desperately tries to raise the money needed for his operation. A breathless tour through the impoverished streets and the wealthier districts of the Congolese capital ensues. One of the bar’s regulars is a man named Tabu who has been known to get carried away in every sense of the term. Tabu offers to help Félicité. Reluctantly, she accepts. After his spell in hospital, Félicité’s son has a hard time picking up his old life, but it is lady’s man Tabu of all people who manages to coax him out of his shell. Félicité’s sparsely furnished flat with its permanently defunct fridge becomes a mini utopia in a country that holds no hope for most of its population. The trio forms an eccentric community thrown together by fate, each of whom is free to go their separate ways together.
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Summer 1993
Carla Simón
Spain
98′
After her mother's death, six-year-old Frida is sent to her uncle's family to live with them in the countryside. But Frida finds it hard to forget her mother and adapt to her new life.
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An Episode in the Life of an Iron Picker
Danis Tanović
Bosnia and Herzegovina
74′
A Roma family living far away from the urban centres of Bosnia- Herzegovina. The father Nazif salvages metal from old cars and sells it to a scrap-dealer. The mother Senada keeps the house tidy, cooks, bakes and cares for their two small daughters. One day, she feels a sharp pain in her abdomen. At the clinic she is told there is something wrong with the baby she is carrying: "They say it’s dead." She is at risk of septicaemia and they must operate immediately. But Senada has no medical insurance; since the operation will cost much more than the family can afford the hospital’s head refuses to treat her. A race against time and Senada’s mounting sense of hopelessness begins ... Danis Tanović weaves these dramatic events, his protagonists’ economic hardship and fear of death into a wintery tale. The fact that the non-professional cast are re-enacting an episode from their own lives contributes greatly to the film’s sense of authenticity and social realism. At the same time, the film demonstrates one Roma family’s extraordinary courage and unerring will to survive.
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About Elly (2009)
Asghar Farhadi
Iran
114′
After having spent many years in Germany, Ahmad returns to his native Iran for a holiday. His friends from his student days organise a three-day break on the Caspian Sea. One of the party, a fun-loving woman named Sepideh takes the matter in hand. Unbeknown to the rest of the group, she has also invited a young woman named Elly, who is a nursery school teacher at her daughter’s kindergarten. Ahmad has just emerged from an unhappy marriage and is now divorced from his German wife. He would very much like to begin a new life with an Iranian woman. His friends are aware of his desire and it gradually dawns on them that this is why Sepideh has asked Elly to accompany them on their trip. The others all begin to lavish their attentions on Elly, singing her prai - ses unequivocally. But then, on the second day of their holiday, something happens and Elly disappears. All at once their light-hearted mood evaporates. The friends begin to agonise about the whys and wherefores of Elly’s disappearance, bringing to an abrupt end the sense of harmony that once pervaded their get-together. They contact Elly’s parents, but when they learn that they have no news of Elly’s whereabouts their anxiety begins to turn into panic. Carefully, the friends begin to go over the conversations of the previous day and their phone calls to Elly’s relatives, trying to identify a moment that could give them a lead. Finally, they blame Sepideh for having invited Elly in the first place and ruining their holiday. During the course of just two days, their opinion of Elly has turned about face. Until, on the last day of their holiday, the truth emerges.
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In den Gängen
Thomas Stuber
Germany
120′
Christian, a reclusive young man from Leipzig, gets a job working the night shift at a big-box store. He's trained to stocks goods and operate a forklift by Bruno, a wistful former truck driver, who introduces Christian to a colorful group of overnight workers, including Marion, with whom Christian develops a troubled infatuation.
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The Heiresses
Marcelo Martinessi
Paraguay
98′
Chela and Chiquita have been a couple for a very long time. Over the years they have become adapted to a fixed allocation of roles. Extroverted Chiquita is responsible for managing their life together. Chela on the other hand is reluctant to leave the house, preferring to spend the day at her easel. Financial difficulties force them to sell some of their inherited furniture, each part of which is a beloved piece of memorabilia. When Chiquita is sent to prison for debt, Chela is suddenly left on her own. She uses her old Daimler to provide a taxi service to wealthy older ladies in the neighbourhood. In her new role as chauffeur, she meets one of these ladies’ daughters – the young and life-affirming Angy. The encounter lures the rather passive Chela out of her reserve and helps her rediscover her own desires. Exploring the outside world as tentatively and carefully as its heroine, the film increasingly trains its gaze on a social strata that is strangely cut-off from reality and lives without a thought for tomorrow. However, when Chela visits her girlfriend in prison, a completely different picture emerges of conditions in Paraguay.
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Jusqu'à la garde - Custody
Xavier Legrand
France
90′
In the midst of a divorce, Miriam Besson decides to ask for exclusive custody of her son, in order to protect him from a father that she is accusing of violence. The judge-in-charge of the file grants a shared custody to the father whom it considers abused. Taken as a hostage between his parents, Julien Besson will do everything to prevent the worst from happening.
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Priscilla
Sofia Coppola
United States
113′
When teenage Priscilla Beaulieu meets Elvis Presley at a party, the man who is already a meteoric rock-and-roll superstar becomes someone entirely unexpected in private moments: a thrilling crush, an ally in loneliness, a gentle best friend. Through Priscilla’s eyes, Sofia Coppola tells the unseen side of a great American myth in Elvis and Priscilla's long courtship and turbulent marriage, from a German army base to his dream-world estate at Graceland, in this deeply felt and ravishingly detailed portrait of love, fantasy, and fame. With subtlety, director Sophia Coppola draws the portrait of a woman trapped in a gilded cage. She places Priscilla Presley, usually in the King's shadow, in the spotlight and shows the American myth of this turbulent marriage, from the point of view of this infatuated young girl who would become a strong, independent woman. Priscilla Presley was involved in the film as producer; her autobiographical book "Elvis and Me" was the starting point. This film, which tells the story of an emancipation, resurrects the 60s and 70s, with elaborate historical settings, elegant costumes, opulent make-up and, of course, a lively soundtrack by Phoenix. "Priscilla" premiered at the Venice Film Festival, where Cailee Spaeny won the Volpi Cup for Best Actress for her sensitive interpretation of the role of Priscilla.
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You Will Die At 20
Amjad Abu Alala
Sudan
102′
Sudan, province of Aljazira, nowadays - When Muzamil was born, a prophecy by the holy man of the village predicts that he will die when he is 20 years old. Muzamil’s father cannot stand the doom and travels away from home. Sakina, as a single mother, raises her son with over protection. One day, Muzamil turns 19.
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Alps
Yorgos Lanthimos
Greece
93′
A Nurse, a Paramedic, a Gymnast and her Coach have formed a service for hire. They stand in for dead people by appointment, hired by the relatives, friends, or colleagues of the deceased. The company is called Alps while their leader, the Paramedic, calls himself Mont Blanc. Although the Alps members operate under a discipline regime demanded by their leader, the Nurse doesn’t.
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Landscape In The Mist - Topio stin omichli (1988)
Theo Angelopoulos
Greece
120′
LANDSCAPE IN THE MIST is a film about the void. It is a film about despair, about the failure of contemporary society. The prodigal father who figures in almost every Angelopoulos film here has evaporated into his mythical essence - leaving his children to become the wanderers in search of him. In the «chaos», two children appear, little Alexandros and his older sister Voula. In order to exorcise their loneliness, they invent a secret universe for themselves, inhabited by their dreams. Every night they go to a train station to watch the departure of a train to Germany, where they have been deceived by their mother (herself an off-screen presence) into believing that their absent father is living. One night they finally dare to get on the train. But their voyage turns out to be hazardous and pointless and disappointing. They confront suffering, physical and moral illness, jealousy, evil and death, if also love - as many ordeals and rites as initiations. Evading the half-hearted pursuit of the police and uncaring relatives, sneak onto trains, hitchhike in vans and lorries, and suffering poverty, rape and exploitation, take a dangerous leap of faith, an eerie plunge into liberation and danger. The familiar Greek landscape - the cafes, the depopulated towns and deserted beaches - are played for a strangely harsh fairytale quality, seen through the eyes of two children whose introduction to the real world borders on the surreal. The film is filled with extraordinary, unforgettable moments that are at once real and hallucinatory and contains intriguing references to other Angelopoulos' films. The children even encounter the Travelling Players now, thirteen years later, without a stage to act on, their costumes put up for sale. At the end Alexandros tells Voula the same story from Genesis that she told him at the start: «In the beginning there was chaos.» The children do finally reach the border, but of course there is no border with Germany and perhaps the river they cross is actually the Styx and perhaps their whole journey was a search for order in a chaotic world.
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Foxtrot
Samuel Maoz
Israel
113′
The news of the death of their son Jonathan, who was doing his military service, throws the life, psyche and marriage of Michael and Dafna off track. Driven by deep sadness and lack of understanding, a storm of raging anger develops in Michael, marked by uncertainties and traumas.
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Teza (2008)
Haile Gerima
Ethiopia
133′
Anberber has studied in Germany and returns post-graduate to Ethiopia. He is full of hope that he can support his country with his newly acquired knowledge. It's a story about hope and disillusionment, about foreignness and homeland.
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About Endlessness
Roy Andersson
Sweden
76′
About Endlessness sees writer-director Roy Andersson surveying the human condition with equal parts striking clarity, tenderness, and deadpan existential wit.
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Ex Libris – The New York Public Library
Frederick Wiseman
United States
197′
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
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The Man Who Sold His Skin
Kaouther Ben Hania
Tunisia
103′
Sam Ali, a young sensitive and impulsive Syrian, left his country for Lebanon to escape the war. To be able to travel to Europe and live with the love of his life, he accepts to have his back tattooed by one of by the World’s most sulfurous contemporary artist. Turning his own body into a prestigious piece of art, Sam will however come to realize that his decision might actually mean anything but freedom.
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¡Átame! - Tie Me Up! Tie Me Down! (1990)
Pedro Almodóvar
Spain
101′
Ricky is released from a mental hospital, and knows exactly what he wants to do. He hunts down Marina, a porn film star he once had sex with, and tries to convince her to be his wife. She is a bit reluctant, so he ties her up. Will this approach endear him to her?
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Alps
Yorgos Lanthimos
Greece
93′
A Nurse, a Paramedic, a Gymnast and her Coach have formed a service for hire. They stand in for dead people by appointment, hired by the relatives, friends, or colleagues of the deceased. The company is called Alps while their leader, the Paramedic, calls himself Mont Blanc. Although the Alps members operate under a discipline regime demanded by their leader, the Nurse doesn’t.
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The Killing of a Sacred Deer
Yorgos Lanthimos
Ireland
121′
Dr. Steven Murphy is a renowned cardiovascular surgeon who presides over a spotless household with his wife and two children. Lurking at the margins of his idyllic suburban existence is Martin, a fatherless teen who insinuates himself into the doctor's life in gradually unsettling ways.
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Ema y Gastón
Pablo Larraín
Chile
107′
Ema (Mariana Di Girolamo), a young dancer, decides to separate from Gastón (Gael García Bernal) after giving back Polo, the son they both adopted and were unable to raise. In a desperate search through the streets of the port city of Valparaíso, Ema seeks love affairs in order to overcome her guilt. However, she has a secret plan to recover everything she’s lost.
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New Order
Michel Franco
Mexico
86′
In Mexico City, a lavish upper-class wedding descends into chaos during an unexpected lower-class uprising that leads to a violent coup and the collapse of law and order.
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Pleasure
Ninja Thyberg
Sweden
108′
20-year-old Bella Cherry leaves her small town in Sweden for Los Angeles with the aim to become the world's next big porn star but the road to her goal turns out to be bumpier than she imagined.
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The Hidden Fortress (1958)
Akira Kurosawa
Japan
138′
In 16th-century Japan, two rival clans wage war against each other. Two poor, greedy peasants try to bypass the front lines and return home. Stumbling across a piece of gold hanging from a tree, they are convinced they are on the trail of the vanquished clan's treasure. In their hunt for the loot, they are surprised by a man who is none other than General Rokurota (Toshiro Mifune). They follow the same route, but it is fraught with pitfalls, as the two peasants only manage to make mistakes in their haste to escape with the gold. Kurosawa's first film produced in CinemaScope, it was primarily aimed at the general public, recounting an epic adventure with plenty of humor and gags. Kurosawa was determined to make this film a success so that he could go on to make more personal films and while it's certainly the most mainstream film he ever made, its quality is on a par with that of his other works. "The Hidden Fortress" gained new notoriety after George Lucas revealed that he had drawn inspiration from it for "Star Wars" by telling a story from the point of view of the weaker characters (in this case, the peasants who become the two droids in Lucas' film).
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Utamaro o meguru gonin no onna - Utamaro and His Five Women (1946)
Kenji Mizoguchi
Japan
95′
Utamaro, a great artist, lives to create portraits of beautiful women, and the brothels of Tokyo provide his models. A world of passion swirls around him, as the women in his life vie for lovers. And, occasionally, his art gets him into trouble. Utamaro and His Five Women is a tender, erotic, and provocative story of the difficulties and rewards of creation.
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Introduction
Hong Sang-soo
South Korea
66′
Youngho tries to find a way between his dream of becoming an actor and his parents' expectations. While his girlfriend leaves to study in Berlin, the young man sees the opportunity for a fresh start.
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Tumult im Urwald – Crowded Jungle (1998)
Lisa Faessler
Ecuador
75′
On the final journey back from high in the Andes down to the Amazon jungle, the director remains haunted by the film she has just completed about the Huaorani Indians and the anthropologist Laura Rival. A farewell to this alien people, strange and unfathomable, but also to her own people who are no easier to understand – the white helpers, researchers, filmmakers… Destroyers?
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Closely Watched Trains (1966)
Jiri Menzel
Czech Republic
89′
The young Miloš Hrma, who speaks with misplaced pride of his family of misfits and malingerers, is engaged as a newly trained station guard in a small railway station during the Second World War and the German occupation of Czechoslovakia. He admires himself in his new uniform, and looks forward, like his prematurely-retired railwayman father, to avoiding real work. The sometimes pompous stationmaster is an enthusiastic pigeon-breeder with a kind wife, but is envious of the train dispatcher Hubička's success with women. Miloš holds an as-yet platonic love for the pretty, young conductor Máša. The experienced Hubička presses for details of their relationship and realizes that Miloš is still a virgin. The idyll of the railway station is periodically disturbed by the arrival of the councillor, Zednicek, a Nazi collaborator, who spouts propaganda at the staff without success. At her initiative, Máša spends the night with Miloš, but in his youthful excitability he ejaculates prematurely before achieving penetration and then is unable to perform sexually; and the next day, despairing, he attempts suicide. He is saved, and a young doctor explains to him that ejaculatio praecox is normal at Miloš's age. The doctor recommends Miloš to "think of something else" (at which point Miloš volunteers an interest in football), and to seek the assistance of an experienced woman. During the nightshift, Hubička flirts with the young telegraphist, Zdenička, and imprints her thighs and buttocks with the office's rubber stamps. Her mother sees the stamps and complains to Hubička's superiors, and the ensuing scandal helps to frustrate the stationmaster's ambition of being promoted to inspector. The Germans and their collaborators are on edge, since their trains are being attacked by the partisans. A glamorous Resistance agent (a circus artist in peacetime), code-named Viktoria Freie, delivers a time bomb to Hubička for use in blowing up a large ammunition train. At Hubička's request, the "experienced" Viktoria also helps Miloš to resolve his sexual problem. The next day, at the crucial moment when the ammunition train is approaching, Hubička is caught up in a farcical disciplinary hearing, overseen by Zednicek, over his rubber stamping of Zdenička's backside. In Hubička's place, Miloš, liberated by his experience with Viktoria from his former passivity, takes the time bomb and drops it from a semaphore gantry, that extends transversely above the tracks, onto the train. A machine-gunner on the train, spotting Miloš, sprays him with bullets, and his body falls onto the train. With the Nazi collaborator Zednicek, winding up the disciplinary hearing, dismissing the Czech people as "nothing but laughing hyenas" (a phrase actually employed by the senior Nazi official Reinhard Heydrich, the implicit retort to his jibe comes in the form of a huge series of explosions that destroys the train. Now Hubička and the other railwaymen are indeed laughing - to express their joy at the blow to the Nazi occupiers - and it is left to a wistful Máša to pick up Miloš's uniform cap, hurled across the station by the power of the blast. (wp)
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Stray Dog (1949)
Akira Kurosawa
Japan
122′
He is still young, the actor who should become known around the world with masterpieces like "Rashomon" or "The Seven Samurai". Here, Akira Kurosawa has created a thriller against the background of the recent and completely unprocessed Japanese war past, of which many of the characters, whether woman or man, talk. "Stray Dog" plays during the sultry hot summer in Tokyo in 1949. The young and completely inexperienced inspector Murakami (Toshiro Mifune) gets his loaded service weapon stolen from his jacket pocket in an overcrowded bus. Murakami is beside himself. He fears the worst consequences for his still young career. Together with his older colleague Sato from the theft department, he sets out on a search for traces of the thief. While we roam about the Japanese post-war setting with him, he gains experiences and learns to keep calm from the old and experienced colleague Sato. Women who are involved in what is going on are also snarling at him as a greenhorn. An impressive milieu study by Akira Kurosawa, in which the master proves himself in the genre film and shows us what he is capable of in narrative, atmospheric and visual terms.
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with bonus
Cairo Station (1958)
Youssef Chahine
Egypt
73′
Melodrama and thriller, social drama and love story in one, the masterly feature film by the Egyptian director Youssef Chahine, made in 1958, is located entirely on the station grounds. The old Madbouli is the owner of a kiosk at Cairo's main railway station. One day he finds a half-starved, poor man at the edge of the tracks. Madbouli feels sorry for the sad-looking, limping farmer Kenaoui and hires him as a flying newspaper salesman. At work, Kenaoui meets the beautiful Hanouma every day, who also earns her living at the station by supplying travellers with lemonade drinks. Kenaoui falls for the cheerful woman and makes it his goal to marry her. Lonely and in obsessive longing, he cuts out lightly dressed women from magazines in his hut at the edge of the train station in the evening, hanging his walls with them. Although he knows that Hanouma is already promised to the suitcase porter and trade unionist Abou Serih, one day he reveals his feelings to her and proposes to her. Her rejection, soaked with mockery and ridicule, drives Kenawi further into a rage-drenched obsession for Hanuma. Restored version.
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The Party
Sally Potter
United Kingdom
71′
In a private home, various individuals think they’re coming together for a party. A series of revelations results in a huge crisis that throws their belief systems, and their values into total disarray.
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Tokyo Story (1953)
Yasujiro Ozu
Japan
137′
The Hirayamas travel from their hometown of Onomichi to Tokyo to visit their adult children. But the younger generation make them feel more in the way than welcome. It also emerges that their son’s career as a doctor and their daughter’s as a hairdresser are nowhere near as successful as the couple were led to believe from afar. The only one who really makes an effort to spend time with them is their daughter-in-law, Noriko, the widow of the Hirayama’s son who went missing in the war. On the journey home, mother Hirayama is taken seriously ill and the couple have to make an unscheduled stop in Osaka, where another of their adult children lives. In a succinct, objective and non-judgemental manner, Yasujirō Ozu uses images which are as simple as they are magnificent to tell the story of family estrangement and the isolation inherent in modern society. Ozu himself considered Tōky ō Monogatari his "masterpiece" and the 1963 Retrospective of the Berlin International Film Festival, the "film-historical screenings", was dedicated to him. This is the international premiere of the digitally restored version made by Japanese production company Shochiku.
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Charles mort ou vif (1969)
Alain Tanner
Switzerland
91′
The film paints the portrait of an old man who decides to abandon his comfortable bourgeois way of life and live with a Bohemian couple. There he rediscovers his freedom to think and his joie de vivre.
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Cold War
Paweł Pawlikowski
Poland
88′
In the ruins of post-war Poland, Wiktor (Tomasz Kot) and Zula (Joanna Kulig) fall deeply, obsessively and destructively in love. As performing musicians forced to play into the Soviet propaganda machine, they dream of escaping to the creative freedom of the West. But one day, as they spot their chance to make a break for Paris, both make a split decision that will mark their lives forever.
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Die seltsamen Abenteuer des Mr. West im Land der Bolschewiken (1924)
Lew Kuleschow
Russia
77′
Travelled to the Soviet Union with many prejudices, the American businessman Mr. West has to correct his view of the Soviets after several adventures at the end of his journey. Silent movie grotesque that ironically glosses the erroneous opinions of the West about the USSR. A film historical document worth seeing. (Dictionary of International Cinema)
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Banshun - Late Spring (1949)
Yasujiro Ozu
Japan
108′
Twenty-seven-year-old Noriko lives with her widowed father, a university professor, in a small house in the tranquil surroundings of northern Kamakura. He is completing a scientific manuscript, aided by his assistant, Hattori. Professor Sonomiya is concerned for his daughter s welfare, and one day suggests she marry Hattori. Noriko only laughs at his suggestion because she is quite happy with her life and knows that Hattori is already engaged. Her aunt Masa, the professor s sister, is the next person to try out her matchmaking skills, and she talks Noriko into meeting Mr Satake. Although Noriko quite likes him, she rejects all thoughts of marriage because she doesn t want to leave her father all alone. When she meets Professor Onodera, an old friend of her father s, in a museum one day and he tells her that he has just remarried, Noriko can hardly disguise her dismay. One of Ozu's favorite themes is the opposing desires of and friction between members of a family even though they feel deep affection and loyalty to each other. Inevitably, these interactions within a family, and particularly the problems which arise between parents and children, will result in some sort of separation. For Noriko it is the separation of marriage, in other Ozu stories it may mean being employed away from home or death. While Ozu is saddened by these events, he also recognizes that they are unavoidable. This awareness of the inherent transience and sadness of human existence is what the Japanese call mono no aware." Beverley Bare Buehrer
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Das Mädchen mit der Hutschachtel (1927)
Boris Barnet
Russia
93′
Can you find happiness in the big city? The young hat maker Natascha, who lives with her grandfather in a suburb covered in winter snow, has to commute by train from the village to Moscow to deliver her creations to the extravagant Irene's hat shop. For the administration, Irene claims Natascha to be her subtenant in order to be able to have more living space. The clumsy railway official woos the lovely country girl with his ravishing smile. But she enters into a fictitious marriage with the provincial Ilya in order to get him a room in Moscow. With an apparently worthless lottery ticket, which Irene's husband gives to Natascha, the entanglements become turbulent. Boris Barnet describes the contrasts between city and country and the new living conditions in Moscow in a stylish and socially critical way. Three great acting talents, Anna Stén, Iwan Kowal-Samborski and Vladimir Fogel, form the triangle of relationships. Originally ordered as a vehicle to advertise the State Lottery, the film made the studio rich and the natural talent director Boris Barnet famous as the founder of lyrical comedy.
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Sansho Dayu - Sanshi the Bailiff (1954)
Kenji Mizoguchi
Japan
124′
Sansho Dayu is a film about a couple of children from a rich house at the end of the 12th century who fall into the hands of the bailiff. He owes his reputation as an exemplary feudal lord to the merciless exploitation of his slave army. Mizoguchi fluently tells this old legend of need and revenge in beautiful pictures.
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Akasen Chitai - Street of Shame (1956)
Kenji Mizoguchi
Japan
86′
Five fates of women from Tokyo's brothel district in the 1950s are the focus of Kenji Mizoguchi's last film, who devoted the majority of his works to the historical and social situation of Japanese women. The theme is shaped by socio-critical commitment, human sympathy and unspeculative openness.
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The Bad Sleep Well (1960)
Akira Kurosawa
Japan
151′
A young executive hunts down his father's killer in director Akira Kurosawa's scathing The Bad Sleep Well. Continuing his legendary collaboration with actor Toshiro Mifune, Kurosawa combines elements of Hamlet and American film noir to chilling effect in exposing the corrupt boardrooms of postwar corporate Japan.
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Yojimbo (1961)
Akira Kurosawa
Japan
110′
The unemployed samurai Sanjuro (stunning as usual: Toshiro Mifune) travels through 19th century Japan to a remote mountain village, where two hostile family clans fight for supremacy by all means. Sanjuro skillfully takes advantage of the rivalries, takes sides here and there and plays both groups against each other in his daring intrigue game.
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