Streaming for film lovers

On the Swiss streaming platform filmingo you will find carefully selected cinema films, timeless classics and outstanding documentaries. All films can be rented individually or by subscription.

Streaming for film lovers

On the Swiss streaming platform filmingo you will find carefully selected cinema films, timeless classics and outstanding documentaries. All films can be rented individually or by subscription.

Growing catalogue of new films and classics
Movies in original version and with subtitles
Curated by film lovers
Supporting independent filmmaking
Subscriptions and prices
Tip of the week
Drifting Clouds (1996)
Aki Kaurismäki
Finland
95′
Ilona Koponen (Kati Outinen), a head waitress at Dubrovnik restaurant, is married to Lauri (Kari Väänänen), a tram driver. The couple live in a small, modestly furnished apartment in Helsinki. As they both come home from work late one night, Lauri surprises Ilona with a new television which he purchased on store credit. There is a short discussion between the two regarding their ability to meet their financial obligations but they agree that the TV payments are manageable. Next day, as Lauri gets to work, he learns that the company will be laying off several workers due to non-profitability of certain tram routes and he is randomly chosen as one of the workers to be laid off. The day after Lauri has finished working his last scheduled shift Ilona is informed by the owner of Dubrovnik that the restaurant is being sold to a chain restaurant company and all the employees will be let go since the new company will be bringing in its own employees. Both of them set out looking for work immediately but with discouraging results. Lauri gets offered a job as a bus driver but is unable to pass the medical exam and subsequently loses his professional driver's licence. Ilona gets a job at a rundown bar/restaurant which doesn't even have a name and is owned by a tax evading crook. After 6 weeks of working there, the restaurant gets shut down by the state and Ilona does not get paid by the dishonest owner. During their search for meaningful employment, both Lauri and Ilona enter bouts of heavy-drinking, all the while running into their former co-workers who are dealing with similar difficulties. At one point, the two even sell their car and take the money to a casino in hopes of doubling the money but they, however, end up losing it all. Most of their furniture as well as the new TV that Lauri bought is repossessed by the creditors. One day, Ilona accidentally runs into Mrs Sjöholm (Elina Salo), her former boss. Sjöholm suggests that Ilona should open up a restaurant. Since Ilona does not have the financial means needed for such a venture, Sjöholm agrees to provide the capital for the restaurant to start operating with the understanding that Ilona will pay back the loan to Mrs Sjöholm. Ilona, humbled by her recent experiences, is initially reluctant to accept the offer for fear of the restaurant failing and her not being able to repay Mrs Sjöholm. She eventually does agree. Ilona names the restaurant Work and hires some of the staff from Dubrovnik, including the troubled chef Lajunen (Markku Peltola), plus Lauri. Filled with anxiety during a slow lunch hour on opening day, Ilona's worries quickly disappear as she watches the restaurant fill to capacity later the same afternoon. After receiving a call from a Helsinki union asking for a reservation for 30 people, Lauri and Ilona exit the restaurant and stand on the front steps appearing emotionless and looking at the skies as more people enter the restaurant.
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Cinema premieres

The cinemas are closed again - but we still don't want to deprive you of new films and are launching regular premieres on filmingo for the price of 12 CHF.

Without Identifying Features - Sin señas particulares (2020)
Fernanda Valadez
Mexico
99′
STREAMING PREMIERE - starting 18 February 2021 Magdalena hasn’t heard from her son in months — not since he left their town to cross the border into the United States. The authorities want her to sign her son’s death certificate, but an encounter with a bereaved parent makes Magdalena realize that she cannot live without knowing his fate. She begins an odyssey across Mexico, though areas of violence and desolation, chasing any available lead despite being warned not to publicly ask such questions. Along the way, she meets and travels with recently deported Miguel, who finds himself journeying home through a changed country. Grappling with the painful issue of migrants disappearing on their way to the U.S., writer/director Fernanda Valadez’s ambitious feature debut employs a tremendous economy of film language as it traverses across a varied contemporary Mexican landscape, expanding as our emotional experience of Magdalena’s journey swells to meet her own. The solemn Sin Señas Particulares punctuates its contemplation of family and loss with fleeting moments of human connection, allowing one woman’s aching personal story to encapsulate the weight of a tremendous real-world humanitarian crisis.
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School and Education

While the pandemic also reminds us of the relevance of a strong education system and consistently open schools, we take a look into different classrooms around the world.

Best of Sight & Sound

Every ten years, the British film magazine Sight & Sound conducts a broad survey of more than 1,000 filmmakers and critics around the world to find out the best films of all time. We offer you a nice selection of the top films.

Tokyo Story (1953)
Yasujiro OZU
Japan
137′
The Hirayamas travel from their hometown of Onomichi to Tokyo to visit their adult children. But the younger generation make them feel more in the way than welcome. It also emerges that their son’s career as a doctor and their daughter’s as a hairdresser are nowhere near as successful as the couple were led to believe from afar. The only one who really makes an effort to spend time with them is their daughter-in-law, Noriko, the widow of the Hirayama’s son who went missing in the war. On the journey home, mother Hirayama is taken seriously ill and the couple have to make an unscheduled stop in Osaka, where another of their adult children lives. In a succinct, objective and non-judgemental manner, Yasujirō Ozu uses images which are as simple as they are magnificent to tell the story of family estrangement and the isolation inherent in modern society. Ozu himself considered Tōky ō Monogatari his "masterpiece" and the 1963 Retrospective of the Berlin International Film Festival, the "film-historical screenings", was dedicated to him. This is the international premiere of the digitally restored version made by Japanese production company Shochiku.
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The mirror - Zerkalo (1975)
Andrei Tarkowski
Russia
107′
Alyosha, a 40-year-old filmmaker, falls seriously ill. He remembers his past and collects the memories that marked his life: the house of his childhood, his mother waiting for the improbable return of her husband, the poems of his father, his wife and his son that he has not seen for a long time, the tumult of the Second World War.
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