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Patricio Guzmán just presented his last part of the trilogy about the nature of his natal country Chile at the Cannes film festival 2019. In «El botón de nacár» he invited us to a dive into Patagonia, its people, its nature and history. Wonderful!

New films

3 days ago
Tatsumi (2011)
Eric Khoo
Singapore
96′
Tatsumi celebrates the life of Japanese comic artist, Yoshihiro Tatsumi. As he becomes successful, he redefines the manga landscape with an alternative genre for adults-and his work plunges into the darker aspects of life.
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Most Popular

2.
Rafiki (2018)
Wanuri Kahiu
Kenya
83′
"Good Kenyan girls become good Kenyan wives," but Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety.
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Winner Cannes Film Festival

Paterson (2016)
Jim Jarmusch
United States
118′
Paterson is a bus driver in the city whose name her shares: Paterson, New Jersey. Every day, he drives his route and observes the city as it drifts across his windshield. During his lunch break, he writes poetry into a notebook. In contrast to Paterson's steady routine, his wife Laura's world is constantly changing. New dreams come to her almost daily, each a different and inspired project.
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Le Havre (2011)
Aki Kaurismäki
France
94′
When an African boy arrives by cargo ship in the port city of Le Havre, an aging shoe shiner takes pity on the child and welcomes him into his home.
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Director's Choice: Teona Strugar Mitevska

Banshun - Late Spring (1949)
Yasujiro OZU
Japan
109′
Twenty-seven-year-old Noriko lives with her widowed father, a university professor, in a small house in the tranquil surroundings of northern Kamakura. He is completing a scientific manuscript, aided by his assistant, Hattori. Professor Sonomiya is concerned for his daughter s welfare, and one day suggests she marry Hattori. Noriko only laughs at his suggestion because she is quite happy with her life and knows that Hattori is already engaged. Her aunt Masa, the professor s sister, is the next person to try out her matchmaking skills, and she talks Noriko into meeting Mr Satake. Although Noriko quite likes him, she rejects all thoughts of marriage because she doesn t want to leave her father all alone. When she meets Professor Onodera, an old friend of her father s, in a museum one day and he tells her that he has just remarried, Noriko can hardly disguise her dismay. One of Ozu's favorite themes is the opposing desires of and friction between members of a family even though they feel deep affection and loyalty to each other. Inevitably, these interactions within a family, and particularly the problems which arise between parents and children, will result in some sort of separation. For Noriko it is the separation of marriage, in other Ozu stories it may mean being employed away from home or death. While Ozu is saddened by these events, he also recognizes that they are unavoidable. This awareness of the inherent transience and sadness of human existence is what the Japanese call mono no aware." Beverley Bare Buehrer
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Akira Kurosawa

Drunken Angel (1948)
Akira Kurosawa
Japan
98′
In this powerful early noir from the great Akira Kurosawa, Toshiro Mifune bursts onto the screen as a volatile, tubercular criminal who strikes up an unlikely relationship with Takashi Shimura’s jaded physician. Set in and around the muddy swamps and back alleys of postwar Tokyo, Drunken Angel is an evocative, moody snapshot of a treacherous time and place, featuring one of the director’s most memorably violent climaxes.
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Dersu Uzala (1975)
Akira Kurosawa
Japan
144′
A military explorer meets and befriends a Goldi man in Russia’s unmapped forests. A deep and abiding bond evolves between the two men, one civilized in the usual sense, the other at home in the glacial Siberian woods. The film won the 1976 Oscar for Best Foreign Language Film, the Golden Prize and the Prix FIPRESCI at the 9th Moscow International Film Festival and a number of other awards.
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Film tips for a younger audience

Supa Modo (2018)
Likarion Wainaina
Kenya
74′
Jo, a witty 9-year old terminally ill girl is taken back to her rural village to live out the rest of her short life. Her only comfort during these dull times are her dreams of being a Superhero, which prove to be something her rebellious teenage sister Mwix, overprotective mother Kathryn and the entire village of Maweni think they can fulfill.
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Theo Angelopoulos

The suspended step of the stork (1991)
Theo Angelopoulos
Greece
143′
While working on a story in the border area, a young journalist discovers a divided town bisected by a river which is also the national frontier. He observes a surreal wedding in which the bride and her family stand on one shore and the groom and his relatives on the other, lost under a cold sky: figure in a landscape who only delude themselves that they are masters of the earth and their destiny The town, a remote ghost town, almost forgotten at the end of the world, has been named «waiting room» by the locals because most of its inhabitants are refugees from different countries many of whom have crossed the border illegally at some time or other and are now waiting for their turn to leave and start life anew «somewhere else.» In the course of his investigation he also comes upon an aging, reclusive refugee, who lives there cultivating a field. But the young journalist believes he is a famous Greek politician who disappeared years before, leaving behind him many unanswered questions. The man's identity is never resolved but the hapless refugees and divided village allow the reporter to understand his despair over the human condition. Theo Angelopoulos weaves yet another poetical allegory on the great open questions of our turbulent age. The film is very contemporary in its treatment of borders, refugees and a changing world since the fall of communism in Eastern Europe and the former Soviet Union. «Being a refugee is an internal condition more than an external one, says one of the characters in the film. And later on he also says, «We've passed the borders but we're still here. How many frontiers do we have to pass to get home?» Do politicians really care? Does anyone? Finally, there is the image of the stranger standing on the bridge poised over the dividing line between the two countries. He has one leg suspended in mid air, like a stork. «If I take one more step I am... somewhere else, or... I die.»
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Landscape In The Mist - Topio stin omichli (1988)
Theo Angelopoulos
Greece
120′
LANDSCAPE IN THE MIST is a film about the void. It is a film about despair, about the failure of contemporary society. The prodigal father who figures in almost every Angelopoulos film here has evaporated into his mythical essence - leaving his children to become the wanderers in search of him. In the «chaos», two children appear, little Alexandros and his older sister Voula. In order to exorcise their loneliness, they invent a secret universe for themselves, inhabited by their dreams. Every night they go to a train station to watch the departure of a train to Germany, where they have been deceived by their mother (herself an off-screen presence) into believing that their absent father is living. One night they finally dare to get on the train. But their voyage turns out to be hazardous and pointless and disappointing. They confront suffering, physical and moral illness, jealousy, evil and death, if also love - as many ordeals and rites as initiations. Evading the half-hearted pursuit of the police and uncaring relatives, sneak onto trains, hitchhike in vans and lorries, and suffering poverty, rape and exploitation, take a dangerous leap of faith, an eerie plunge into liberation and danger. The familiar Greek landscape - the cafes, the depopulated towns and deserted beaches - are played for a strangely harsh fairytale quality, seen through the eyes of two children whose introduction to the real world borders on the surreal. The film is filled with extraordinary, unforgettable moments that are at once real and hallucinatory and contains intriguing references to other Angelopoulos' films. The children even encounter the Travelling Players now, thirteen years later, without a stage to act on, their costumes put up for sale. At the end Alexandros tells Voula the same story from Genesis that she told him at the start: «In the beginning there was chaos.» The children do finally reach the border, but of course there is no border with Germany and perhaps the river they cross is actually the Styx and perhaps their whole journey was a search for order in a chaotic world.
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Literature

Aki Kaurismäki

Drifting Clouds (1996)
Aki Kaurismäki
Finland
95′
Ilona Koponen (Kati Outinen), a head waitress at Dubrovnik restaurant, is married to Lauri (Kari Väänänen), a tram driver. The couple live in a small, modestly furnished apartment in Helsinki. As they both come home from work late one night, Lauri surprises Ilona with a new television which he purchased on store credit. There is a short discussion between the two regarding their ability to meet their financial obligations but they agree that the TV payments are manageable. Next day, as Lauri gets to work, he learns that the company will be laying off several workers due to non-profitability of certain tram routes and he is randomly chosen as one of the workers to be laid off. The day after Lauri has finished working his last scheduled shift Ilona is informed by the owner of Dubrovnik that the restaurant is being sold to a chain restaurant company and all the employees will be let go since the new company will be bringing in its own employees. Both of them set out looking for work immediately but with discouraging results. Lauri gets offered a job as a bus driver but is unable to pass the medical exam and subsequently loses his professional driver's licence. Ilona gets a job at a rundown bar/restaurant which doesn't even have a name and is owned by a tax evading crook. After 6 weeks of working there, the restaurant gets shut down by the state and Ilona does not get paid by the dishonest owner. During their search for meaningful employment, both Lauri and Ilona enter bouts of heavy-drinking, all the while running into their former co-workers who are dealing with similar difficulties. At one point, the two even sell their car and take the money to a casino in hopes of doubling the money but they, however, end up losing it all. Most of their furniture as well as the new TV that Lauri bought is repossessed by the creditors. One day, Ilona accidentally runs into Mrs Sjöholm (Elina Salo), her former boss. Sjöholm suggests that Ilona should open up a restaurant. Since Ilona does not have the financial means needed for such a venture, Sjöholm agrees to provide the capital for the restaurant to start operating with the understanding that Ilona will pay back the loan to Mrs Sjöholm. Ilona, humbled by her recent experiences, is initially reluctant to accept the offer for fear of the restaurant failing and her not being able to repay Mrs Sjöholm. She eventually does agree. Ilona names the restaurant Work and hires some of the staff from Dubrovnik, including the troubled chef Lajunen (Markku Peltola), plus Lauri. Filled with anxiety during a slow lunch hour on opening day, Ilona's worries quickly disappear as she watches the restaurant fill to capacity later the same afternoon. After receiving a call from a Helsinki union asking for a reservation for 30 people, Lauri and Ilona exit the restaurant and stand on the front steps appearing emotionless and looking at the skies as more people enter the restaurant.
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Leningrad Cowboys Go America (1989)
Aki Kaurismäki
Finland
79′
The Leningrad Cowboys, a band with foot-long quiff hairstyles and long Winklepicker shoes to match, are seeking success in Siberia, but nobody seems to like their music, except for the mute village idiot, Igor (Kari Väänänen). Thwarted by a lack of local commercial potential, they are encouraged to move to America, for people will "buy anything" there. They depart for New York, bringing with them a band member who had frozen the previous night while practicing outside. They arrive at the CBGB bar in Manhattan. An agent offers them a gig at a wedding in Mexico and recommends that they change their musical style to rock and roll. They buy a used 1975 Cadillac Fleetwood 75 Limousine, strap the coffin carrying their frozen band member onto the roof and set off to earn their way through the Deep South, adapting their musical style to suit local tastes at each new location. All the while they are being driven on and exploited by their money and food hoarding manager Vladimir (Matti Pellonpää), who has a seemingly unlimited supply of beer in the ice-filled coffin. Meanwhile, Igor, who stowed away on the plane, follows the band by his own means of transportation. When he finally catches up with them, they appoint him as their road manager. During the trip, the band spends time in jail, has their car engine stolen, causes a nightclub to close after playing an unsuccessful show, and reunites with a long-lost cousin (Nicky Tesco) whose singing gives positive reception from the audience. They eventually make it to Mexico and perform their wedding gig, where the thawing bass guitarist is revived with a shot of tequila and joins the group on stage, as does Igor. Vladimir watches them play then wanders off, but the band finally finds success in Mexico, making the top ten.
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Music

Menzel's comedies

Shortcuts - Postriziny (1981)
Jiri Menzel
Czech Republic
99′
Brewery owner Francin lives in a happy marriage with the all too beautiful Maryška. His life is turned upside down by the unexpected visit of his eccentric brother Pepin. Maryška finds a kindred soul in Pepin and falls into the modernization pull of the 1920s, to which she can't help but give in. Shortcuts, the film adaptation of a story by Bohumil Hrabal, became very successful with the audience in Czechoslovakia.
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Culinary cinema

The Lunchbox (2013)
Ritesh Batra
India
105′
A mistaken delivery in Mumbai's famously efficient lunchbox delivery system connects a young housewife to an older man in the dusk of his life as they build a fantasy world together through notes in the lunchbox.
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Early Milos Forman

Loves of a Blonde (1965)
Milos Forman
Czech Republic
80′
The head of a shoe factory persuades the army to hold manoeuvres nearby: So his workers can meet men at a ball. But the pot-bellied reservists are anything but attractive. Utilizing a brief hint of freedom, The Love of a Blonde throws an undisguised, humorous and tender look at Czechoslovakia in the 1960s and the ridiculousness of its functionaries.
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