Season 1 - Episode 1: "The Unheavenly Host" (63 minutes) Mrs Drusse, a hypochondriac psychic gets herself admitted to the Kingdom because she believes the hospital is haunted. Meanwhile, Dr Helmer, a Dane-hating Swede under investigation for malpractice joins the hospital's secret brethren. Season 1 - Episode 2: "Thy Kingdom Come" (67 minutes) Mrs Drusse continues her investigation, Krogshøj steals the severed head from Mogge and uses it to blackmail him, while Bondo is at his wits' end when a patient's relative refuses to hand over his liver infected with a rare cancer.

Suffering from acute kidney failure, Uncle Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave -- the birthplace of his first life... From the director of SYNDROMES AND A CENTURY, TROPICAL MALADY and BLISSFULLY YOURS.

At home in the fashion industry, Maureen knows exactly how to wear expensive clothes. She has landed herself the bizarre job of ‘personal shopper’ for an arrogant celebrity dame, trawling Paris’s most exclusive boutiques in search of a wardrobe. However, this is not Maureen’s main interest – the young American is a medium, for which being in touch with ghosts is nothing out of the ordinary. Ever since she has lost her twin brother to heart disease, she is waiting in his empty house for a sign from him. One day, however, text messages from a mysterious stranger suddenly appear on her mobile phone and Maureen is exposed to a psychic charge that she has never experienced before. Olivier Assayas‘ most recent directorial work challenges, mesmerises and circumvents every expectation. A cinematic coup.

Along the Atlantic coast, a soon-to-be-inaugurated futuristic tower looms over a suburb of Dakar. Ada, 17, is in love with Souleiman, a young construction worker. But she has been promised to another man. One night, Souleiman and his co-workers leave the country by sea, in hope of a better future. Several days later, a fire ruins Ada’s wedding and a mysterious fever starts to spread. Little does Ada know that Souleiman has returned.

In his masterpiece Ugetsu monogatari the Japanese Kenji Mizoguchi tells the story of Genjuro, a potter, and his brother-in-law, the farmer Tobei. The two live with their wives in a small village in the middle of a war-torn area. And they have ambitions that take advantage of the turmoil of war. Genjuro wants to travel to the city with his pots and earn a lot of money as quickly as possible. Tobei wants to achieve fame and honor as a Samurai. Both risk everything - and lose. The pursuit of money and fame, Mizoguchi makes clear here, inevitably involves the loss of inner values. Genjuro and Tobei set out on a path that leads them further and further away from themselves, following their dreams and phantoms and not the traces of reality. On the way, on that grandiose boat passage, death drives past them like a phantom - they don't know how to interpret the sign correctly. And so death becomes reality. Genjuro later pursues a love that he considers to be more genuine and stronger than that of his own wife left at home. Love, however, turns out to be a phantom, the ghost of a long faded princess.

In the remote West African village of Iyi, the villagers worship the Mermaid-deity Mami Wata and look to guidance from their healer Mama Efe, the Intermediary between them and Mami Wata, and Mama Efe’s daughter Zinwe and protégé Prisca. But when children begin to die and disappear, Jabi, a local, begins to sow doubt amongst the people, while Zinwe runs away propelled by her own anguish. Soon, the arrival of a rebel warlord Jasper tilts the odds in Jabi’s favor. With Mama Efe murdered and Iyi under new control, Prisca and Zinwe must plot to save their village and restore Mami Wata’s glory in Iyi. Based on the West Afrikan Mermaid folklore and mythology.

It is New Year's Eve. 1976. On a Greek island a party of bourgeois hunters comes upon a body, buried in the snow and miraculously preserved by the cold. By his uniform, he appears to be one of the thousands of partisans killed during the civil war and the hunting party, a group of the ruling elite, must now decide what to do with the body. When they disinter it, blood begins to flow from the wounds in the partisan's body and they carry it back to the lodge where the inquest begins. The film becomes a biting commentary, an extraordinary allegory for the persistence of guilt in which Greece's post-war Right is placed symbolically on trial in a series of tableaux in which the hunters are faced with their re-created sins. Merging poetic metaphor and historic reconstruction each member of the hunting party views the body on the makeshift bier: the colonel and his wife, the businessman, the ex-prefect of police, now a publisher, the ex-partisan who is now a wealthy contractor, the politician, the film actress who collaborated with the Nazis, the royalist noblewoman - all are forced to give an account of their actions since the civil war. Finally, they dream their own execution by partisans but awake to find it was but a collective nightmare provoked by the dead body of the partisan. In the gray dawn they rebury the corpse and with it, hopefully, their own guilt.

In an undetermined country where desolation reigns, the Zone is a mysterious and dangerous region, where only the Stalkers, smugglers, dare to venture. One of them tries to take a writer and a scientist inside this Zone, to a room where their dearest desires can be fulfilled... After Solaris, Andreï Tarkovski returns to science fiction to illustrate a world that no longer has faith in anything. He signs a timeless masterpiece with inexhaustible potential.

Janusz is not a man to be easily shocked. As coroner he undertakes precise research, analysing the crime scene in minute detail. Despite the extreme situations he comes up against, he works hard. Perhaps too hard. Yet when faced with his anorexic daughter Olga, still grieving for her dead mother, he feels helpless. Fearing that she might kill herself, he commits her to a clinic where Anna, a psychologist, carries out her duties. Years before, Anna lost her baby to cot-death and now sequesters herself and her big dog in a heavily barricaded flat and conjures up spirits who communicate with the living from beyond the grave. Małgorzata Szumowska works with elements of black comedy to tell of the difficulties people encounter when struggling to cope with the loss of loved ones. The film explores the fear of and yet longing for intimacy, self-harm due to mental anguish and escaping into the esoteric. A complex meditation on the loneliness of the heart and the conflict between the rational and belief in a supernatural universe.

Season 1 - Episode 4: "A Foreign Body" (71 minutes) Dr Helmer decides to steal the incriminating report but unbeknownst to him, Krogshøj has the same plan, Bondo wants to transplant the cancerous liver into himself, and Mrs Drusse finds out Mary didn't die of TB as reported. Season 1 - Episode 4: "The Living Dead" (77 minutes) Helmer goes to Haiti which angers his gun-wielding girlfriend, Judith may be pregnant with a ghost, Mrs Drusse reburies Mary's remains but her troubles are only just beginning, and Operation "Morning Breeze" turns into a farcical disaster.

Oliverio is a young poet living in Buenos Aires where sometimes he has to sale his ideas to an advertising agencie in order to make a living or exchange his poems for a steak. One night he meets a prostitute in a bar in Montevideo. Her name is Ana and soon he falls in love with her. Back in Buenos Aires, he accepts a contract with a publicity agencie to get the money for three days of love with her. Will he get what his searching for when his ideal of love's pleasure is literaly going in levitation while making love?

An old Laotian hermit discovers that the ghost of a road accident victim can transport him back in time fifty years to the moment of his mother's painful death. An atypical ghost story, The Long Walk takes unexpected turns as it traverses the distorted mind of someone who has suffered a deep childhood trauma. Mattie Do's camera and bold narrative gracefully combine to craft a film that defies categorization, confirming the director as a brave new artist in Southeast Asian cinema — a strong, singular voice in the male-dominated landscape of the region.

Zaffan (12) struggles with puberty, discovering a terrifying secret about her physical self. Her failed attempts to conceal the inevitable lead her friends to find out who she really is, and they attack her. As Zaffan is further provoked by her own community, she soon learns that embracing her true self is the only answer to her freedom.

Zaffan (12) struggles with puberty, discovering a terrifying secret about her physical self. Her failed attempts to conceal the inevitable lead her friends to find out who she really is, and they attack her. As Zaffan is further provoked by her own community, she soon learns that embracing her true self is the only answer to her freedom.

Rojin, a heartbroken young woman who is suffering from depression after the disappearance of her fiance, is preparing for her university entrance exam. If she fails, her father will force her into marriage. If she succeeds, however, she might lead a more emancipated life and avoid the fate of her older sister Shilan, who is unhappily married to a conservative man who demands her to be a proper housewife. Seeing that her younger sister struggles to achieve that dream, Shilan becomes desperate to make her pass the exam by any means necessary. This decision puts the sisters under immense pressure from their environment both at home and in school, as they become entangled in a huge network of corruption that is connected through all parts of society. Swiss Premiere exclusively on filmingo.

In a cluttered news landscape dominated by men, emerges India's only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India's biggest issues or within the confines of their homes, redefining what it means to be powerful.

Emiliano lives in a small mining town in Mexico. Motivated by a deep sense of justice, he searches for those responsible for the disappearance of his activist mother who was standing up for local jobs against an international mining company. Receiving no help from the police or judicial system, he finds a clue that leads him to the wealthy Aldama Family, where he meets a famous artist, his celebrity wife and their beautiful daughter. It’s not long before he has a job at their home and becomes determined to uncover the secrets beneath the surface.

Within the large halls of a big house by the sea, Sara and her nanny Yarisa have forged a friendship so intense that it seems like a fantasy. While Sara finds in Yarisa the affectionate mother she never had, Yarisa finds in Sara not only affection, but also the illusion of a more comfortable life, away from the financial dramas of her background. That fantasy becomes affected, though not destroyed, when Yarisa finds herself forced to deal with her past and her biological daughter Mallory. But a rainy night and a muddy road invaded by goats will be enough for chaos to ensue. Like Yarisa, the film also splits: between crime and emotions, between the sea and the muddy roads, between light and darkness, and between those who rebel and those who still dream of belonging. The illusion of a love above any social difference rips to shreds and, in one single movement, reveals the structures that render it impossible.

As soon as school is over, Sasha’s otherwise relaxed and complicit mother pressures him to enroll at the university. Sasha, however, lives in the moment. Plus he currently wants to hone his graffiti skills with his friend Max. And maybe get to know his father. But then, he meets the dazzling Zhenya. Carried by the light and the ease of the summer in Kaliningrad, they fathom their feelings, talents and fears together. In her sensitive debut, Julia Trofimova tells of young people in today’s Russia who cannot possibly please everyone. Parents’ need for security is countered by a variety of possible paths and identities.

The cyclist Joana is involved in an odd accident, where she is carried on the hood of a car for a block. Joana decides to hide this incident from her partner Cecilia. When a strange video of the accident emerges, Joana's omission is exposed. She starts little by little to get involve in the life of the family who run over her.

By day, Mari and her friends broadcast their spiritual devotion through pastel pinks and catchy evangelical songs about purity and perfection, and by night they form a vigilante girl gang, prowling the streets in search of sinners who have deviated from the rightful path. After an attack goes wrong, leaving Mari scarred and unemployed, her views of community, religion, and her peers begin to shift.

Samnang faces the demolition of his lifelong home in Phnom Penh coupled with pressures from family, friends, and neighbours, which all arise and intersect at this moment of sudden change.

Lebanon, July 2006. Israel is fighting Hezbollah. Even though Marwan is about to emigrate to Canada with his wife, Rana, he wants to take advantage of a brief ceasefire to get his father out of the war zone. But the fighting flares up again. Marwan, who becomes separated from the worried Rana, is forced to take refuge with two friends of his father in one of the few houses still standing. A desperate married couple join them. Suddenly, they hear the voices of Israeli soldiers above them, unaware of their downstairs 'neighbours'. As bombs rain down, the tension rises.

Sohee is a high school student focusing on a job training education. Hoping for a good job, Sohee starts an job training at a subcontracted call center, but she faces big pressure of greedy company. It is too hard for high school student to bear this situation and it leads to her death. Detective Oh Yoo-jin, who has something in common with Sohee, becomes in charge of this case. She starts to follow traces to reveal the causes of her death.

A mysterious and deadly pink cloud appears across the globe, forcing everyone to stay home. Strangers at the outset, Giovana and Yago try to invent themselves as a couple as years of shared lockdown pass. While Yago is living in his own utopia, Giovana feels trapped deep inside.