Morocco

Adam
Maryam Touzani
Morocco
101′
Abla runs a modest local bakery from her home in Casablanca where she lives alone with her 8 year old daughter Warda. Their routine of housework and homework is interrupted one day by a knock on the door. It is Samia, a young woman looking for a job and a roof over her head. The little girl is immediately taken with the newcomer but her mother initially refuses to allow a pregnant stranger into their lives.
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Death For Sale
Faouzi Bensaidi
Morocco
112′
Three friends strive to preserve their loyalty to each other in spite of a corrupt society. These young men live in Tétouan, an impoverished Moroccan city. Soufiane, the youngest, spends his days pilfering. Allal, the oldest, is trying to gain a foothold as a drug dealer. Malik falls in love with Dounia who works as a prostitute in a night club. The three friends part to make their own way in life, but before long it looks as though their futures will founder in a maelstrom of violence, greed, jealousy and betrayal. Seeing no other way out, they decide to get together and raid a jeweller’s shop. The film opens with Malik walking towards Dounia, silently laughing. Behind her, knots of video tape float up from a rubbish dump like paper dragons. Faouzi Bensaïdi gives his relaxed young actors plenty of room to manoeuvre. His work casts a spell on account of a visual style that is both laconic and pow- erful and demonstrates how each friend’s dream of happiness only serves to drive a wedge between them. Beneath permanently leaden city clouds they nonetheless find a way to treat each other with gen- erosity and trust.
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Alyam, Alyam (1978)
Ahmed El Maanouni
Morocco
87′
Set in a small village in the Moroccan countryside, Alyam, Alyam tells a story culled from the lived reality of young men almost forty years ago while still remaining very much of the present day. A young man named Abdelwahed pins his dreams of a better life for himself and his family on travelling to France and finding work there. As the eldest of eight children, he becomes the principal caretaker and breadwinner for his family after his father passes away. He fills out forms and waits for his work permit to arrive. Meanwhile, Hlima, his recently widowed mother who’s reticent to let him go, tries in vain to dissuade him and enlists the help of Abdelwahed’s grandfather too. As the days flow by to the cadence of life in the countryside, marked by the hardships of farming, Abdelwahed waits. All he can do is wait. Straddling fiction and documentary, Alyam, Alyam is Ahmed El Maanouni’s first narrative feature, and the first Moroccan film ever to be selected at the Cannes Film Festival. Recently restored, the film’s splendor and finely crafted editing has become available once again for cinéphiles and new generations to discover.
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