Everybody knows - Todos lo saben

Rahim is in prison because of a debt he was unable to repay. During a two-day leave, he tries to convince his creditor to withdraw his complaint against the payment of part of the sum. But things don't go as planned.

Simin wants to leave Iran with her husband Nader and daughter Termeh. She has already made all the necessary arrangements. Nader, however, is having second thoughts. He is worried about leaving behind his father, who is suffering from Alzheimer’s. For this reason he decides to call off the trip altogether. As a result of Nader’s decision, Simin decides to sue for divorce at the family court. When her request is rejected, however, she refuses to live with Nader, moving instead into her parents’ home. Termeh decides to stay with her father, hoping that her mother will soon come back to live with them.Nader finds it difficult to cope with the new situation - not least because it turns out to be so time-consuming. And so he hires a young woman named Razieh to look after his father. This young woman is pregnant and has accepted the job without her husband’s knowledge. One day, Nader arrives home to find that not only has his father been left alone, he has also been tied to a table! When Razieh returns, a blazing row ensues, the tragic consequences of which not only shatter Nader’s life, but also the image his daughter Termeh has of her father.

After having spent many years in Germany, Ahmad returns to his native Iran for a holiday. His friends from his student days organise a three-day break on the Caspian Sea. One of the party, a fun-loving woman named Sepideh takes the matter in hand. Unbeknown to the rest of the group, she has also invited a young woman named Elly, who is a nursery school teacher at her daughter’s kindergarten. Ahmad has just emerged from an unhappy marriage and is now divorced from his German wife. He would very much like to begin a new life with an Iranian woman. His friends are aware of his desire and it gradually dawns on them that this is why Sepideh has asked Elly to accompany them on their trip. The others all begin to lavish their attentions on Elly, singing her prai - ses unequivocally. But then, on the second day of their holiday, something happens and Elly disappears. All at once their light-hearted mood evaporates. The friends begin to agonise about the whys and wherefores of Elly’s disappearance, bringing to an abrupt end the sense of harmony that once pervaded their get-together. They contact Elly’s parents, but when they learn that they have no news of Elly’s whereabouts their anxiety begins to turn into panic. Carefully, the friends begin to go over the conversations of the previous day and their phone calls to Elly’s relatives, trying to identify a moment that could give them a lead. Finally, they blame Sepideh for having invited Elly in the first place and ruining their holiday. During the course of just two days, their opinion of Elly has turned about face. Until, on the last day of their holiday, the truth emerges.

The film portrays three couples on the eve of Nouruz, the Iranian New Year. Rouhi, a young woman who is about to get married, takes a small job as a cleaner in an apartment in northern Tehran to finance her marriage. When she arrives in that apartment, she finds herself in a heated dispute between Mojdeh and Morteza. Mojdeh suspects her husband Morteza of cheating on her and her neighbour Simin, and obliges Rouhi to shadow them. Rouhi gets more and more between the fronts of the fighting couple.

Rosa is about to turn 45 and realises that she's always lived her life to serve everyone else. So she decides to leave it all behind, take charge of her life and fulfil her dream of starting her own business.

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.

At the end of the 1950s in the sleepy English coastal town of Hardborough: Florence Green dreams of opening her own bookshop. Her love of books is the only thing left of her late husband. She is willing to invest her entire fortune and all her strength in making this dream come true. The initial scepticism of the villagers gives way to increasing interest as Florence also sells progressive and controversial works such as Nabokov's "Lolita" and Bradbury's "Fahrenheit 451". The young widow finds a faithful friend in Mr. Brundish. The educated gentleman lives in seclusion and shares her passion for reading. But she also has a dangerous opponent - the old-established grey eminence of the village, Violet Gamart...

Two women, Janis (Penélope Cruz) and Ana (Milena Smit), coincide in a hospital room where they are going to give birth. Both are single and became pregnant by accident. Janis, middle-aged, doesn't regret it and she is exultant. The other, Ana, an adolescent, is scared, repentant and traumatized. Janis tries to encourage her while they move like sleepwalkers along the hospital corridors. The few words they exchange in these hours will create a very close link between the two, which by chance develops and complicates, and changes their lives in a decisive way

Julián receives an unexpected visit from his friend Tomás, who lives in Canada. The two men, accompanied by Julián's faithful dog, Truman, will share emotional and surprising moments prompted by Julián's complicated situation.

The Odd-Job Men tells the story of a week in the life of Moha, Valero and Pep – workers in a small plumbing and electricity company in the outskirts of Barcelona: they are the guys who enter your home and fix what's broken. Moha, the youngest, is on a one-week trial period with the company. He is shy but does surprisingly well with customers. Moha is set to replace Pep, who is about to retire. However, Valero is not at all comfortable with Pep retiring. He doubts Moha has what it takes, or that customers will accept a Moroccan worker. Maybe six days are not enough to make somebody change, to make him overcome his prejudices. Maybe it's not enough time to make a new friend. But it's possibly enough to discover that we have to live together: one small step for a plumber, but a giant leap for mankind. «Ultimately, «6 Días en Barcelona» is a film that addresses one of the most pressing challenges of our time: how we can understand each other.» - Neus Ballús, director of this profound comedy.

After her mother's death, six-year-old Frida is sent to her uncle's family to live with them in the countryside. But Frida finds it hard to forget her mother and adapt to her new life.

In search of significance and social prestige, a billionaire businessman decides to make a film to leave his mark. To do so, he hires the best: a stellar team formed by famous filmmaker Lola Cuevas (Penélope Cruz) and two renowned actors, both enormously talented, but with even bigger egos: the Hollywood actor Félix Rivero (Antonio Banderas) and radical theater thespian Iván Torres (Oscar Martínez). Both legends, but not exactly the best of friends. Through a series of increasingly eccentric challenges set by Lola, Felix and Iván must face not only each other, but also their own legacies.

For as long as they can remember, the Solé family has spent every summer picking the peaches in their orchard in Alcarràs, a small village in Spain’s Catalonia region. But this year’s crop may well be their last, as they face eviction. The new plans for the land, which include cutting down the peach trees and installing solar panels, cause a rift in this large, tight-knit family. For the first time, they face an uncertain future and risk losing more than their orchard.

A woman watches time passing next to the suitcases of her ex-lover (who is supposed to come pick them up, but never arrives) and a restless dog who doesn’t understand that his master has abandoned him. Two living beings confronted with being abandoned. Madness and melancholy intersect to thrilling effect as Pedro Almodóvar reimagines Jean Cocteau’s short play for an era in which isolation has become a way of life. A short, sharp shot of distilled Almodóvar: passion, emotion, heartbreak, wit, and melodrama exquisitely bound up in a tale for our times.

On the French Polynesian island of Tahiti, the High Commissioner of the Republic and French government official De Roller (Benoît Magimel) is a calculating man with flawless manners. His somewhat broad perception of his role brings him to navigate the high end «establishment» as well as shady venues where he mingles with the locals. Especially since a persistent rumour has been going around: the sighting of a submarine whose ghostly presence could herald the return of French nuclear testing.

When Amador Coro gets out of prison for having provoked a fire, nobody is waiting for him. He returns to his home town, a small village hidden in the mountains of rural Galicia, to live with his elder mother, Benedicta, and three cows. Life goes on calmly, following the rhythm of the nature. Until the night when a fire devastates the region. It was screened in the Un Certain Regard section at the 2019 Cannes Film Festival,where it won the Jury Prize.

Follows late screenwriter Jean-Claude Carrière, as he researches the painter Goya in a trip filled with culture, cinema, emotion, painting and Spain.

Salvador Mallo (Antonio Banderas), a film director in his physical decline, reencounters or remembers his past: his childhood in a village, the first desire, his first adult love in 80s Madrid, the pain of that breakup. In recovering his past, Salvador finds the urgent need to recount it, and also finds his salvation.

Julieta (Emma Suarez) is a middle-aged woman living in Madrid with her boyfriend Lorenzo. They are about to move to Portugal when she casually runs into Bea, the former best friend of Julieta's daughter Antía. Bea reveals that Antía is living in Switzerland, married, with three children. Heartbroken after 12 years of estrangement from her daughter, Julieta cancels the move to Portugal and moves to her former building, hoping that Antía will send her a letter. Alone with her thoughts, Julieta starts to write her memories to confront the pain of the events that happened when she was a teenager (Adriana Ugarte) and met Galician fisherman Xoan. Falling in love with him, Julieta divides her time between her family, her job, and Antía's education until a fatal accident changes their lives. Slowly falling into a depression, Julieta is helped by Antía and Bea, but one day Antia suddenly goes missing after a vacation, with no clues about where to find her, leaving Julieta desperate to understand the reasons of her disappearance...

In honor of his late wife who died in a flaming car accident, scientist, Dr. Robert Ledgard (Antonio Banderas), is trying to synthesize the perfect skin which can withstand burns, cuts or any other kind of damage. As he gets closer to perfecting this skin on his flawless patient Vera (Elena Anaya), the scientific community starts growing skeptical and his past is revealed that shows how his patient is closely linked to tragic events he would like to forget.

Following the tragic death of her teenage son, Manuela (Cecilia Roth) travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker (Antonia San Juan), and befriends a troubled actress (Marisa Paredes) and a pregnant, HIV-positive nun (Penélope Cruz).

Ricky is released from a mental hospital, and knows exactly what he wants to do. He hunts down Marina, a porn film star he once had sex with, and tries to convince her to be his wife. She is a bit reluctant, so he ties her up. Will this approach endear him to her?

A very mixed group of travellers are in a life-threatening situation on board a plane flying to Mexico City. Their defencelessness in the face of danger provokes a general catharsis that ends up becoming the best way to escape from the idea of death. This catharsis, developed in the tone of a riotous, moral comedy, fills the time with unforeseeable confessions that help them forget the anguish of the moment and face the greatest of dangers, that which they each carry within themselves. Oscar-winner Pedro Almodóvar has made a light, very light comedy that is reminiscent of his colorful classics. On board as passengers on the verge of a nervous breakdown: lots of old acquaintances from the Almodóvar universe such as Javier Cámara, Cecilia Roth, Lola Dueñas and Blanca Suárez as well as superstars Penélope Cruz and Antonia Banderas with respective cameos.