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Las aventuras de dios

Eliseo Subiela, Argentina, 2001

No English subtitles are available for this movie
Cinema is the art of remembrance and Eliseo Subiela is one of the most gifted artists of remembrance in cinema. In this film, which particularly reconnects with his first films, Subiela makes us float between realities, between the inside and the outside, between here and beyond, between love and abandonment.

Subiela describes it as a "metaphysical thriller", the story of this man in the company of a woman who both are prisoners in a dreamlike space; they are trapped in an apparent dream taking place in the labyrinthine corridors and strange rooms of a seaside 1930s hotel. The man knows nothing about his past or how he ended up in the hotel, but is accused by two men of having committed a crime at some previous point in his life. Every time he falls asleep, the man is tortured by a recurring nightmare of living in an impoverished apartment with a woman and a baby. Gradually, the man and woman fall in love as they try to figure out what has led to their imprisonment, and together they resort to extreme measures to break out of the dream. Eliseo Subiela invites us on a wonderful journey into philosophical spheres.
Cinema is the art of remembrance and Eliseo Subiela is one of the most gifted artists of remembrance in cinema. In this film, which particularly reconnects with his first films, Subiela makes us float between realities, between the inside and the outside, between here and beyond, between love and abandonment.

Subiela describes it as a "metaphysical thriller", the story of this man in the company of a woman who both are prisoners in a dreamlike space; they are trapped in an apparent dream taking place in the labyrinthine corridors and strange rooms of a seaside 1930s hotel. The man knows nothing about his past or how he ended up in the hotel, but is accused by two men of having committed a crime at some previous point in his life. Every time he falls asleep, the man is tortured by a recurring nightmare of living in an impoverished apartment with a woman and a baby. Gradually, the man and woman fall in love as they try to figure out what has led to their imprisonment, and together they resort to extreme measures to break out of the dream. Eliseo Subiela invites us on a wonderful journey into philosophical spheres.
Duration
82 minutes
Language
spanish
Subtitles
German fix, French fix
Video Quality
480p
Available in
Switzerland, Austria, Italy, France, Germany, Liechtenstein, Luxembourg
Hombre mirando al sudeste (1986)
Eliseo Subiela
Argentina
109′
Man Facing Southeast is a drama-science fiction film fro Argenina, written and directed by Eliseo Subiela. It was selected as the Argentine entry for the Best Foreign Language Film at the 60th Academy Awards.
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El robo del siglo - The Heist of the Century
Ariel Winograd
Argentina
114′
In 2006, a group of thieves performed what is considered one of the most famous and smart bank heists in the history of Argentina. How they robbed the Rio bank is as surprising as what happened afterwards. This is their story.
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Medianeras
Gustavo Taretto
Argentina
90′
Mariana, Martìn and the city of Buenos Aires. Martìn and Mariana live across from each other on the same block, but never meet. They pass each other, not knowing about the other’s existence. She goes up the stairs as he goes down the stairs; he gets on the bus just as she gets off the bus. They go to the same video rental shop, but a video rack separates them; they sit in the same row at the cinema, but the auditorium is dark. The city brings them together, and, at the same time, keeps them apart. Director Gustavo Taretto told the story of Mariana, Martìn and the city of Buenos Aires once before: «MEDIANERAS is a short film that received 40 awards worldwide - a short film with a feature film hidden inside. Our aim is to bring the feature to light. In the film EL SOL DEL MEMBRILLO (QUINCE TREE OF THE SUN), Víctor Erice reflects, among other things, upon Antonio López’s obsession with painting a tree that he had planted and seen growing in his garden. The tree changes with the passing of time, the seasons, and especially in different shades of light. MEDIANERAS is my tree. I planted it over four years ago, and I’ve been watching it grow since then. Following the analogy with the painting, the short film unveils the gesture in the stroke, the artist’s palette, the trunk which holds it in place, the main branches and the colour of its leaves. Now, with the feature, the moment has arrived for going into detail, for exploring depth and hues, ambiguities and contradictions. The story changes in exactly the same way as the city that serves as its setting: Buenos Aires. Some of the scenes wither away, while others bloom.» (Gustavo Taretto)
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The Sleepwalkers
Paula Hernández
Argentina
107′
A woman, Luisa, and her 14 year-old daughter, a sleepwalker in the teenage awakening. A marriage at the edge of a silenced crisis. A ritualistic and endogamic family: grandmother, siblings, and cousins. Summer, sweat, alcohol. Naked bodies, bodies in transition and their gazes upon those new bodies. A New Year’s celebration in the family’s ancestral country home is the necessary trap to awaken the sleepwalkers.
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Heroic Losers
Sebastián Borensztein
Argentina
115′
In a town in the Northwest of the province of Buenos Aires, a group of neighbors is organized to recover the economy of the area, but when the Corralito is implemented in the country and they suffer a fraud, their hopes disappear. Now, they will unite to recover the lost money and give the blow of their lives to their greatest enemy.
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Iniciales S.G.
Rania Attieh and Daniel Garcia
Argentina
97′
An aging, Argentine, Serge Gainsbourg wannabe struggles to deal with a career he can't seem to get on track, an affair he doesn't want, and a crime he didn't mean to commit.
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Un amor
Paula Hernández
Argentina
100′
Does love at first sight exist? This may certainly be the case, but sometimes you need time to be sure of this love. This film describes such a story about getting to know somebody and falling in love as a teenager, and about meeting again many years later. It begins in the 70s, in the summer in a small town by the river. Bruno and Lalo are teenagers and good friends. They hang around together in the heat, until one rainy day Lisa turns up, a beautiful young woman who capriciously and quick-wittedly turns the heads of both boys - and then decides on one of them. Three decades later she is back again and finds the friends from her youth living in differing situations. "I am single now", she says, but I can't get the picture of the three of us out of my head. No, she is certainly no longer the same Lisa for both men as she was back then. The pictures and memories that one had of one another, are these still any use in the present? What was it like back then, this love? What did we want, what happened to us? They ponder these questions in front of the camera, giving voice to their memories. How does a love story and history fit together? Can you carry on where you left off three decades ago? These and other questions are pondered by this film about making friends and falling in love as a teenager, and of meeting again many years later. The wonderfully easy-going triangle of their adolescence can probably not be revived. But what about unique and true love from back then? Paula Hernández’ film is also an experiment about how feelings are linked to the spirit of the time the ups and downs of life, in which light, air and sun play a not insignificant role. An intensive, thoughtful, atmospherically very emotionally intoned film about love and about time, which gives this love a new dimension.
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La Novia del desierto
Cecilia Atan
Argentina
77′
A journey through the vastness of the Argentine desert and what appeared to be the end of the road will become the beginning of a new life.
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The Voyage (El viaje) (1992)
Fernando Solanas
Argentina
133′
A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.
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Un cuento chino - Chinese Take-Away
Sebastián Borensztein
Argentina
90′
A comedy that chronicles a chance encounter between Robert and a Chinese named Jun who wanders lost through the city of Buenos Aires in search of his uncle after being assaulted by a taxi driver and his henchmen.
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Bombón - el perro (2004)
Carlos Sorin
Argentina
97′
Life is no bed of roses for 52-year-old Juan "Coco" Villegas. He, who has been a gas station attendant for twenty years in Patagonia, finds himself jobless overnight. He first tries to survive by selling knives of his own making. But business is bad and he can't find real work. One day though, after fixing a vehicle on a farm, he acquires a beautiful Argentinian watch dog. From this blessed day on, things start shaping well at last...
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Herencia (2001)
Paula Hernández
Argentina
92′
Peter travels from Germany to Buenos Aires to find the woman he fell head over heels in love with some time ago and who wants to live with. But he doesn't know much more about her than her name, an address that is no longer true, and the memory of enchanting moments. He meets Olinda, who runs a local restaurant and was herself stranded in Argentina half a century ago in search of her great love.
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The Secret in Their Eyes (2009)
Juan José Campanella
Argentina
124′
In 1999, retired Argentinian federal justice agent Benjamín Espósito is writing a novel, using an old closed case as the source material. That case is the brutal rape and murder of Liliana Coloto. In addition to seeing the extreme grief of the victim's husband Ricardo Morales, Benjamín, his assistant Pablo Sandoval, and newly hired department chief Irene Menéndez-Hastings were personally affected by the case as Benjamín and Pablo tracked the killer, hence the reason why the unsatisfactory ending to the case has always bothered him. Despite the department already having two other suspects, Benjamín and Pablo ultimately were certain that a man named Isidoro Gómez is the real killer. Although he is aware that historical accuracy is not paramount for the novel, the process of revisiting the case is more an issue of closure for him. He tries to speak to the key players in the case, most specifically Irene, who still works in the justice department and who he has always been attracted to but never pursued due to the differences in their ages and social classes. The other issue is that Gómez is still at large, no one aware if he is alive or dead. But as Pablo at the time mentioned that passion is one thing that cannot be changed in behavior, Benjamín learns now that that premise still holds true.
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Rojo
Benjamín Naishtat
Argentina
105′
Argentina in 1975: While a wave of political violence is overrunning the country, lawyer Claudio Mora keeps his usual pace - until one evening in a restaurant he gets into an argument with a strange man with dramatic consequences. The next day Mora has almost forgotten the incident. But then a private detective appears and begins to ask uneasy questions.
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Piedra Sola
Alejandro Telémaco Tarraf
Argentina
72′
Inside the Argentinian highlands, a native llama herder follows the traces of an invisible puma who is killing his livestock. Through his search, a mystical exchange is revealed between him, his ancestors and the changing form of the puma.
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Tigre
Silvina Schnicer
Argentina
92′
A woman visits her home on an island in the Tigre Delta in an attempt to reconnect with her son, but finds that returning and reconciliation are never easy, in this atmospheric family drama from Silvina Schnicer and Ulises Porra Guardiola.
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Decent People
Franco Lolli
Argentina
86′
Gabriel keeps his head above water with odd jobs. When his son Eric moves in with him, the money runs out. So they follow the well-meant invitation of the wealthy Maria to spend the holidays with her family. An encounter full of challenges.
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Refugiado
Diego Lerman
Argentina
94′
Matias and his mother Laura, find themselves forced to hurriedly abandon the house they live in to escape another outburst of violence from Fabian. Matias is 8 and Laura is newly pregnant. Thus they begin a wandering journey in search of a place they can feel safe and protected. They embark on an unusual road-movie of everyday life, a drama shot through with great humanity.
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Familia sumergida
María Alché
Argentina
91′
Marcela’s world becomes strange and unfamiliar after her sister Rina dies. She feels lost in her own house, and her relationship with her husband and children seems to suffer. But when Nacho, a young friend of her daughter’s, unexpectedly drops by, she starts to talk and walk with him. Gradually Marcela begins to have conversations with relatives from another dimension.
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The Dignity of the Nobodies (2005)
Fernando Solanas
Argentina
116′
This film is about the degraded socio-economic condition of Argentina leading to the December 2001 rebellions, and its consequent social chaos analyzed by focusing on real people from Buenos Aires poorest shantytowns, crumbling hospitals, and women middle class farmers fighting multi national banks that are shamelessly appropriating their farmlands.
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