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Un barrage contre le Pacifique

Rithy Panh, Cambodia, 2008

Indochina 1931, the Siam Golf. A small family strives against destitution. The mother realizes that the departure of her two grown children - Joseph 20 and Suzanne 16 - is ineluctable. Deceived by the colonial administration, she invested all of her savings in worthless, regularly flooded farmland. Driven to fight against the corrupted bureaucrats who conned her, she puts into place a crazy scheme: building a dam against the sea with the help of the villagers...
Indochina 1931, the Siam Golf. A small family strives against destitution. The mother realizes that the departure of her two grown children - Joseph 20 and Suzanne 16 - is ineluctable. Deceived by the colonial administration, she invested all of her savings in worthless, regularly flooded farmland. Driven to fight against the corrupted bureaucrats who conned her, she puts into place a crazy scheme: building a dam against the sea with the help of the villagers...
Duration
116 minutes
Language
OV Khmer/French
Subtitles
German, French
Video Quality
720p
Available in
Switzerland, Austria, Liechtenstein
White Building
Kavich Neang
Cambodia
90′
Samnang faces the demolition of his lifelong home in Phnom Penh coupled with pressures from family, friends, and neighbours, which all arise and intersect at this moment of sudden change.
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Mirr
Mehdi Sahebi
Cambodia
91′
Binchey, a traditional peasant farmer from Mondulkiri, was expelled from his land – like hundreds of thousands of farmers in Cambodia. He feels powerless in the face of foreign rubber tree plantations spreading across more and more parts of the country. Together with Binchey and other villagers, film director Mehdi Sahebi stages the story of this confiscation of the land and its ramifications.
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Golden Slumbers
Davy Chou
Cambodia
100′
A nocturnal drive along a rural highway into a city at dawn that is somehow moving in the wrong direction. It is only after a while that you notice that the vehicles are travelling backwards, receding back into the dusk of reality. This mysterious metaphor forms the starting point for a journey into the unknown history of Cambodian film. Nearly 400 films were made in Phnom Penh between 1960 and 1975, only 30 of which survive today. The Khmer Rouge burnt them or allowed them to decay along with many of the country’s studios and cinemas. Most of those involved in the film industry became victims of the genocide. Director Davy Chou, the grandson of one of the most important film producers of the Golden Age’ of Cambodian cinema, uses his film to reconstruct the country’s cinematographic legacy. He goes about his work like an archaeologist, recognising how impossi- ble it is to actually speak to survivors about a life’s work destroyed but not forgotten. LE SOMMEIL D’OR undertakes a painstaking search for fragments of memory in the present, whether in the form of lobby cards, songs on YouTube or a visit to a karaoke bar housed in what used to be a film studio, and gradually coalesces into a strikingly vibrant memorial.
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