Grauzone

A woman confronts her past – and invents her future. Seventy-six-year-old Elise knows exactly how she will spend the final years of her life: living with Paul, to whom she has been happily married for 50 years, in their villa on Zürichberg till her last breath, and tenderly cared for by Angela, their faithful housekeeper. But then Angela is discovered by the theatre and hired for a stage play. Paul hits a man with his '68 Maserati and subsequently becomes friends with him; Elise passionately kisses a young veterinarian.

Vitus is a boy who almost seems to be from another planet: He has hearing like a bat, he plays piano like a virtuoso and studies encyclopaedias at the age of five. No wonder his parents begin to anticipate a brilliant future for him. They want Vitus to become a pianist. However, the little genius prefers to play in his eccentric grandfather’s workshop. He dreams of flying and of a normal childhood. Ultimately, with one dramatic leap, Vitus takes control of his own life…

The day after the night of the full moon, 12 children all 10 years of age are found to be missing in the four language regions of Switzerland. The police and the media reassuringly claim that there are plenty of leads and clues. No kidnapper comes forward to contradict them. At the end of one week, all the parents receive the exact same letter from the children, written in cryptic language. By the next full moon they must have deciphered the letter and complied with all its requirements, or else… A dramatic-ironic tale that reveals the current state of Switzerland. Switzerland as a metaphor. Or: a plea for less logic and more imagination in our world.

The Swiss National Association for the Storage of Radioactive Waste plans to build a permanent waste disposal site in Wellenberg, Canton of Nidwalden. A regional citizens’ action group is formed to protest against it. Murer not only interviews supporters and opponents, in particular the Alpine farmers living on the Wellenberg. He starts by raising the question of a time-scale that is out of all proportion to the human lifespan as a measure of time. Fredi Murer dedicated the film to the “children and children’s children”, both of the farmers on the Wellenberg and of all of us. For the first time, Murer deals explicitly with the ‘can-do’ generation that lives and works as though they were the last people on this earth.

“Höhenfeuer” is both a story of childhood and of a love affair: The deaf-born “Bub” and his sister “Belli” live with their parents on a remote farm in the mountains. The father intentionally resists the modern age: “I'd rather beat him to death than put him in a home”. After school Belli is not only a servant in her own home but also her younger brother's teacher. From early childhood, they have been an inseparable pair. They love one another. “Holy Mother of God, what sort of children have I?” wails the resigned mother, when the two children do things that are not “normal”. This is just the beginning of the story… Had the film been made 100 years ago – it would have been a saga.

An ethnographic documentary film in three movements, along the lines of a symphony. The three movements reflect the three differing stages of development co-existing within the mountainous canton. In Göschenen, at the foot of the Gotthard, which straddles Europe’s North-South axis, industrialization took hold long ago, and the mountain farmers of old now work in offices and factories. In the Schächtental, however, the traditional family-centric mountain economy survives. Meanwhile, the village of Bristen in the Maderanertal is in the throes of upheaval: while the traditional farming communities still exist, nigh on 250 inhabitants leave the area daily to go to work or school.

H.R. Giger became known all over the world as the designer of the aliens in Ridley Scott's feature film ALIEN. In this documentary about H.R. Giger's work, which was made many years before, the artist's creative process and the interplay between conscious and unconscious influences are the focus. Statements by experts and contemporaries address the question of the artist's position and social responsibility.

The theme of Fredi M. Murer's contribution to the episode film Swissmade is "Switzerland after us". Murer's episode takes place in the year 2069. An "integrated citizen with a latent tendency to become an unintegrated citizen" is commissioned by the "Brain Center" to produce a film report about the unknown mission of a foreign being. The alien being is an extraterrestrial designed by H. R. Giger long before ALIEN with a built-in camera and tape, which travels across the earth in the year 2069 to explore current conditions. The film reporter is Murer himself. Without exception, the performers in real life were authentic 1968 activists, some of whom later made political or artistic careers. In addition to this: Murer's freaky "Chicorée" with Urban Gwerder and one of the most spontious and colourful film ends ever.

A failed author, a wife in hiding, a clandestine gay IT-specialist meet in an Iraqi café in London. Incited by a radical Sheik, the author's nephew attacks them and turns their lives upside down.

Paul, a ships's mechanic on a cargo boat, goes ashore one day in Lisbon and makes the acquaintance of loneliness, of keeping silence, and of Rosa, a barmaid. A three-sided relationship develops between Paul, Rosa and Elisa, Paul's wife, who lives in a town on the Rhine. All of Pauls' money is stolen, he follows the tracks of the thief and gets stabbed. Nevertheless, an in spite of Rosa's departure and the distance that separates him from Elisa, Paul gradually recovers.

An isolated farm in a remote part of the Jura region: this is where Pauline and Alex are living in complete self-sufficient harmony with nature. Their life project is sealed by their love, their ideals and their work. The couple is now ready to take the step towards total independence, and start producing their own electricity. The arrival of Samuel, who comes to install a wind turbine, deeply troubles Pauline, upsetting their relationship and their values.

Five courageous, clever and self-determined women are at the centre of Barbara Miller's documentary #FEMALE PLEASURE. They break the taboo of silence and shame imposed on them by society or their religious communities with their archaic patriarchal structures. Deborah Feldman, Leyla Hussein, Rokudenashiko, Doris Wagner and Vithika Yadav are committed to the sexual enlightenment and self-determination of all women, beyond all social and religious norms and barriers, with incredible positive energy and strength. For this they pay a high price - they are publicly defamed, persecuted and threatened, they are rejected by their former environment and even threatened with death by religious leaders and fanatical believers.

In the beginning of spring 1970, the small village of Monchoux in Valais is experiencing unusual agitation. Is it because of the vote on the women's right to vote? Or because of the upcoming referendum on the expulsion of foreigners? No, it's worse: the village brass band has imploded! Half of the village will say it is Aloys' fault, the other half will respond that it is Pierre's. The dissent will be political, musical and amorous.

At the far end of Alaska, filmmaker Roman Droux fulfils a dream and travels to the land of grizzly bears together with bear researcher David Bittner. The two adventurers set off for the realm of the bears to a place where there is no trace of human civilization. Surrounded by crystal-clear torrents, they experience the care of a mother bear and impressive battles of giant male bears. Roman Droux brings pictures of breathtaking beauty to the big screen. A lively nature film for the whole family.

«The Sandman» tells the bizarrely absurd story of the philatelist Benno. One day, he realizes that he is losing sand. Day by day those sand losses are increasing and he is threatened to completely disintegrate. In addition, his neighbour Sandra, whom he hates deeply, prevents him from sleeping by singing every night in his café below Benno's apartment. However, he finds himself forced to address his worst enemy when he realizes that only she can save him. Then begins a mad race against the clock....

An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her begin. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.

At a time when audiences are filling up the cinemas to see the feature adaptation of Bruno Manser's Life in the Jungle, Christof Kühn's successful documentary BRUNO MANSER - LAKI PENAN from 2007, now digitialized for online streaming, is the perfect choice. With original film and sound recordings by Manser and interviews with his companions in the Borneo jungle, this documentary provides an authentic insight into the adventurous life of the Swiss environmental activist.

The 80-year-old psychiatrist and best-selling author Irvin D. Yalom is considered the most influential psychotherapist in the USA. He has sold millions of books worldwide. Critics describe him as inspiring, compelling and life-changing. His work emphasizes the value of relationships and focuses on how therapy works. The film "Yalom's Cure" offers more than a classic biography: Yalom takes the audience on an existential journey through the many layers of the human psyche. In the role of the tour guide, Yalom shares his insights and provides deep insights into his own soul life.

Wild Plants are plants that seed themselves on fallow land, take possession of seemingly uninhabitable terrain and create new habitats. But wild plants are also people who create their own utopias and become impulse generators for others. People live in many scattered places around the world and projects are growing in which botanical and biographical uncontrolled growth are combined.

Santiago de Cuba, January 19th, 1819. Coming from Lausanne, Enrique Faber, a Swiss doctor and surgeon, arrives on the island, a Spanish province, hoping to find his son, who has been kidnapped…

Parents split up, a family falls apart. Two separate worlds emerge from what once was considered a unity. In constant transition, children now live between two homes. WHERE WE BELONG approaches their reality and focuses on how fragile children are, but also how brave, smart and funny they respond to their situation.

Jonas Widmer is one of the best long-distance runners in Switzerland, his big goal is the Olympic marathon. Despite his difficult childhood, he seems to have found his way: Apart from his passion for sports, he works as a cook and is about to move in with this girlfriend. But then Jonas fails to defend his title at his home race and is increasingly caught up in the memories of his late brother Philipp. Unable to put the inner pressure of suffering into words, Jonas develops a tragic double life in his growing desperation. The Zurich director Hannes Baumgartner was inspired by a true Swiss criminal case for his first feature film. DER LÄUFER creates a differentiated image of an ambivalent figure entangled in a densely woven web of formative experiences, processes of repression and inner conflict.

What's in the air? - A cinematic diary: personally anchored, at the same time political and social, with the courage for imbalance, for irritating simultaneity of inner and outer world, everyday life and state of emergency. The film spins a multi-layered web, captures feelings, thoughts, contradictory tendencies in a poetic and experimental way: an emotional reflection of this ambivalent time between powerlessness and departure.

STREAMING PREMIERE - starting March 12th 2021 In 2001, Fahed arrived in the UK, his head full of dreams. In 2018, facing a mid-life crisis, he now has a decision to make. Will he continue to buckle down, working 50 hours between the kebab shop and the factory, or will he return to Algeria, a country he fled in the hope of making a better life for himself?

Photo?, the clown calls the public from the ring of the circus. The delicious number like the even more famous soap bubble number and other Pic classics can be enjoyed in "Le Cirque de Pic". They form the heart of Thomas Ott's affectionate portrait film. Emil Steinberger tells how he was enthusiastic about Pic from the beginning and how he recommended the clown from St.Gallen to the Roncalli Circus director. Ott reviews Pic's career. Pic himself tells how varied and romantic the spartan life in the circus caravan was. Photos show that the subtle art of the clown cannot be separated from the person Richard Hirzel, who knows how to enchant with his empathic poetry. The portrait closes with scenes from the current programme "Comical Bones", in which Pic shines as the narrator. It is Emil once again who praises Pic's subtle and expressive facial expressions.

Rosemonde the Salamander is a young girl who gets by thanks to low-paid jobs of all kinds. She is suspected of attempting to kill the uncle with whom she lives. A journalist and a writer are hired to get to the bottom of this mystery, as the basis for a television film scenario. They are unsuccessful however. The truth about Rosemonde and her special appreciation of life continue to elude these two amateur detectives.

What happens when fathers do more family work than mothers? An overview of families where traditional roles have been reversed. The director's experiences with children are reflected in the film in the form of short animations.

When two friends collect money for the so-called “suffering in America” in the streets of Accra, is it for fun, political provocation, or a prophecy? Two Swiss filmmakers will answer these questions with the help of seven musicians from Ghana – M3NSA, Wanlov The Kubolor, Adomaa, Worlasi, Akan, Mutombo Da Poet, and Poetra Asantewa – who have written new songs and produced video clips especially for the documentary film Contradict. Tomorrow’s ideas and trends are emerging more decentralized than ever in a globalized world. What do global developments and shifts in values look like from the ground up in Ghana and the African continent? How do we want to confront and contradict those changes? Can new visions for the future become global realities?

From the mid-1960s onwards thousands of western hippies and flower children moved to India in search of an alternative lifestyle, spiritual enlightenment and drug experimentation. Most returned after a few months or years, but some stayed forever. Filmmaker Grossenbacher meets some of these lifers, like Cesare, a cave-dwelling Yogi, still striving for spiritual liberation. Swiss Hanspeter runs a small farm in the Himalayas, but judging by the hash pipe permanently wedged between his lips, he is no traditionalist. Then there are the South African twins who get through the day with booze and by sewing hippie clothes for both the old and new generation of Goa freaks.

Like a mosaic, the film “Our Garden of Eden” shows the everyday life in an allotment garden area that reflects the multiethnic and multicultural modern Swiss society today. People of various geographical, religious, social and political backgrounds till the earth of their respective lots here side by side, creating a microcosm full of dreams, loneliness, homesickness, joy, family tragedies, strokes of fate and conflicts. The Swiss concept of tidiness and order meets an exotic talent for improvisation, the will to integrate and respect meet ignorance. Christians and Muslims, people from nations at enmity enjoy a peaceful coexistence in the allotment gardens, sharing what seems most precious in our society today: time, attention and space. They find the path to themselves as well as a place in the eternal cycle that life is.

VOLUNTEER is a film about the grassroots movement of ordinary Swiss citizens who set out to help thousands of refugees stranded in Greece. In rich and safe Switzerland, citizens from different backgrounds leave their orderly lives behind to support people in need. There is a Swiss farmer and his wife who raise cows in the Alps, a captain in the Swiss army, a pensioner who resides on the lakeside, and a successful comedian and entertainer. These volunteers embark on an adventure that will change their lives forever.

Since the death of her husband, Martha, 80-year-old, has lost her zest for life. In her village in the Emmental, especially her friends Lisi, Hanni and Frieda are concerned about her. After discussion, they decide to help her realise a long-held dream: to open a lingerie boutique. The news causes consternation in the little town of Trub.

A family's peaceful existence is threatened when a busy highway is opened only meters away from their isolated house in the middle of nowhere. Refusing to move, Marthe, Michel and their three children find innovative ways to adapt to their new environment. They continue their happy-go-lucky routine despite the daily stress of hundreds of noisy speeding cars. But suspicions about the highway's unknown long-term dangers cause family tension. Remaining in the disrupted household might not be so easy, but it's still their home.

Bethlehem is a neighbourhood in the city of Bern where immigrants from over 30 nations have settled. At the centre of this film is the junior team of the Bethlehem Football Club. In this team, the majority are immigrants between 15 and 16 years old. The film also portrays - along with football - their everyday lives at school, vocational training and leisure time. It questions the protagonists about their self-image, their dreams, worries and fears, asks them about what connects them and what divides them, about what it’s like to be a foreigner in their former homeland and how they get along in another foreign environment.

Messies – a balancing act between ingenuity and overload. Are you master of chaos or is chaos master of you? The film offers a multifaceted insight into the everyday lives of four messies. We embark on a trip through their jam-packed treasure chambers, discover their ingenious inventions, their dangerous tinkering and have a look around in their vast archives. We witness the conflicts they have with their relatives, neighbours and institutions that result from their being different. An intimate view of an irritating yet fascinating phenomenon.

The experiment is a journey through the remotest time and on the smallest scale that we can imagine: an exploration of matter about one millionth of a second following the Big Bang that generated our universe. As the new experiment at CERN proceeds in its exploration of the mysterious energy that animates the universe, scientists and artists guide us towards the shadow line where science and art, in different ways, pursue truth and beauty. Some of these men and women believe in god, while others believe only in experiment and doubt. But in their search for truth they are all alert to an elusive sixth – or seventh – sense… the sense of beauty.

Lou (29) is a present-day nomad. Forever in search of the ultimate kind of freedom, she’s long ago blocked out what it is she is actually running from. At home everywhere and nowhere. Living a now-now life. Click and - next, please. Until she meets Aro (35) and Aro is different. Even if he preaches the same sermon: Just make sure not to define the status of the relationship you’re in and enjoy the summer while it lasts, not committing to anything. And yet, without looking for it, they get under each other’s skin. Now there are expectations, jealousy nags and contradicts their frantic pursuit of independence. All of a sudden, Lou does not know anymore what it is all about. Where does she come from? Where does she belong?

Lisa is moving. Upheaval all around: Her mother flirts with a handyman. An eccentric woman seems to be preparing for a glamorous event. A family next door returns from vacation. And a girl documents the adventurous day. As boxes are transported, walls painted white, and furniture is assembled, underlying problems in need of fixing are revealed, a to-do list expands, and desires and needs flair up... A tragicomic catastrophe film. A poetic ballad about change and transience. After The Strange Little Cat, this is the second part of a planned trilogy about human togetherness.

The European equivalent of "The Return of the Secaucus 7," this Swiss film looks at the lives of several men and women in their 30s as they confront the slim gains of the "revolutionary" sixties. Max, a dissatisfied copy editor; Myriam, a redhead into tantric sex; and Marie, a supermarket checker who gives unauthorized discounts to the elderly, search for renewed meaning on a communal farm. The title character, a six-year-old child, is the carrier of their hopes for the future.

In the Appenzell region of Switzerland, spiritual healers have always been part of local traditions. Here, natural health practitioners create tinctures and salves in an attempt to complement the procedures of official medicine. This leads to many unexpected and dynamic forms of collaboration.

A double self-portrait in which a 90-year-old grandmother and her homosexual grandson confide in each other. With sincerity and humour, the film deconstructs gender stereotypes in depth and with subversive power and traces a family saga from bourgeois society with enchanting archive footage.

Croatia, January 1992. In the midst of the Yugoslav Wars, Chris, a young Swiss journalist is found dead in mysterious circumstances. He was wearing the uniform of an international mercenary group. Anja Kofmel was his cousin. As a little girl, she used to admire this handsome young man; now a grown-up woman, she decides to investigate his story, trying to understand what really was the involvement of Chris in the conflict

The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.

The Swiss artist Markus Raetz is an established figure in the international art world. For the film by Iwan Schumacher, the artist from Bern is for the first time giving a camera team an insight into his 40 years of work.

Suffering from agoraphobia, Seconda is unable to leave her house. When she finally succeeds, new challenges push her limits even further.

The film "Zwingli - The Reformer" presents Zwingli's life from a unique perspective: from the point of view of his wife Anna, who remembers their life together after Zwingli's death - a life of infinite love and mutual incomprehension, marked by both happiness and tragedy.

Artist, anarchist, drop-out, sans papiers: Giovanni Segantini was all of this. He created, usually under the open sky, monumental works in the idealised image of nature of an alpine landscape. In the course of his lifetime he climbed ever higher in quest of more light. He died at the age of 41 in an alpine hut at 2700m in the Engadine. The film provides insight into his difficult childhood and boyhood, shares his inner processes and crises as a painter, as well as his contradictory dealings with motherly love and eroticism – and ultimately his desperate struggle against death.

The shy Pomme (Isabelle Huppert) meets the philosophy student François on holiday in Normandy. François becomes her first lover and she moves in with him: head over heels in love, the young and inexperienced couple return to Paris with big dreams. But their social and cultural differences stand in the way of happiness. The student she had unconsciously saved herself for will, without meaning to, ruin Pomme.

Argentinian biology student Miro falls madly in love with young actress Mercedes, but is without a clue as to how to win her love. Then, a series of misunderstandings put him in the hot seat as a famous film director. Miro grabs his chance to shoot a film with Mercedes as his leading lady, hoping that she will fall for him. Whilst his plan is crazy, it is simple enough and Cupid is on his side. But Miro hasn't reckoned with film students Peter and Luigi who wish to shoot a “making-of” documentary of the great Argentinian “director”at work.

The internet has changed everything, also for journalism: business models are falling by the wayside, news is available for free, anywhere and at any time. I accompany journalists in their daily lives, see how they struggle, and I do what they also do: I observe and ask, also question myself, my fascination and my suspicion. I, too, use the net with ease. I am a user – and I am used.

They have traveled far - by plane, train, bus or boat. Now they find themselves in the integration class of teacher Christian Zingg in Basel, where young people from all over the world get to know the language and culture of our country within two years. Anna Thommen's documentary film, which has won numerous awards at numerous festivals, opens up a view into a world that is hardly known. The director skilfully interweaves various stories, observed with great sensitivity.

A comedy about aging, youth and other eternal truths. Of all days, precisely on her fiftieth birthday, Julia has to experience that age makes you invisible. Frustrated, she goes shopping and makes an acquaintance, spontaneously deciding to spend the evening with this stranger, rather than with the guests of her own birthday party. They wait for her in a restaurant, all dressed up and groomed, lively debating the years that have passed. The truths and wisdom of Julia's closest friends on aging and growing old are drowned increasingly in sufficient quantities of alcohol. In the mean time, on her eightieth birthday, Leonie, sulking over the loss of youth, is rebelling against her daughter, the senior citizen's home, conventions, and old age in general - and joyfully sabotaging the party in her honor.

Before an office complex is set to be demolished, it expresses one last wish: a love story. It centers around desire, security, and a melody that runs through the entire fabric of the building. So when darkness descends and everything falls silent, the routine lives of those within its walls sparkle like stars, paving the way for intimate chance encounters and absurd humor to unfold. A nocturnal kaleidoscope of longing, loneliness and freedom.

Temporality and age are inherent in every object and creature and, depending on one’s outlook, may transcend to infinity. Schaub explores, together with the architects Peter Zumthor, Peter Märkli and Alvaro Siza Vieira, the artists James Turrell and Cristina Iglesias and drummer virtuoso Jojo Mayer, the magic of sacred spaces, defined here as far more than church buildings. Who owns spirituality?

An ordinary day in the megacity of Istanbul: Ten-year-old Cemo sells paper tissues in the streets, Hayat is controlled by her husband and transsexual Ebru sells her body. All three have a secret love and they do everything to satisfy their longing, if only for a moment. An authentic, delicate and unsettling story about love, death and the Turkish society at the beginning of the 21st century.

Alfredo seems to lead the life of so many Ticinese families born in the valleys, who now only go back to their native village for the weekend. But Alfredo doesn’t longer experiences the journey as a form of escapism, but as an obsessive rite which is repeated over and over again. Alfredo has lost his own identity.

Just like a salmon, this writer traces the course of her life back to the source: she tells us her story, in an interplay of reflections involving her sentiments, her writings, her photos and her friends. Before everyone, she drove, smoked, learned German, freely loved unfaithful men, reflected on Switzerland and its demons during the war and stirred generations of women with her sensitivity and her fury to write, getting straight to the point while drawing material from her own existence without glossing it over.

Yvan De Wiel, a private banker from Geneva, is going to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumors, who disappeared overnight. Between hushed lounges, swimming pools, and gardens under surveillance, a remote duel takes place between two bankers who, despite different methods, are the accomplices of a discreet and merciless form of colonization.

Zurich, 1958. The bashful teacher Ernst Ostertag and the German cabaret artist Röbi Rapp get to know one another in the Swiss underground organisation called “Der Kreis.” As the two dissimilar men defend their love, they witness the heyday and decline of this Europe-wide pioneering organisation for gay emancipation.

Midsummer by the sea in the Maremma in Tuscany. Vincenzo and Adriana, trapped in emotional dependency, make one last desperate attempt to save their marriage. Their 12-year-old son Nic processes the trauma from his father’s violent outbursts in games with other children. Although he is well integrated in his group of friends, he finds it extremely difficult to express what he feels for Marie, who is the same age and suffers from her own relationship with her father. A film about the first steps towards a life of one’s own.

Two places on the edges of the earth are making headlines due to climate change: Thule in Greenland, because the ice there is melting more and more, and Tuvalu, because this island state in the Pacific is one of the first countries to threaten to sink into the rising sea. While for us the warming of the planet takes place almost exclusively in the media, for the people of Thule and Tuvalu it changes their entire existence. The film describes how they have to say goodbye to their traditional way of life and head for an unknown future.

Cuno Amiet lived from 1868-1961, yet seen today many of his pictures have a contemporary edge. Amiet was a Swiss pioneer of modern painting along with Ferdinand Hodler and Giovanni Giacometti. The film visits three highly individual Amiet collectors in Dallas, Geneva and Studen, near Biel. Surrounded by Amiet’s works they tell us what part these paintings play in their lives.

Suter is a lonely guy, constantly in motion, escaping his true self. During the day, he travels through Switzerland, creating new identities and incognito evaluating the quality of customer service in shops and hotel rooms, while at night, he secretly observes the life of another lonely person: Anna, a rebel struggling with complicated grief. But this fragile balance is soon destroyed, when Anna finds out about Suter’s dark secret.

The 36-year-old Swiss artist Urs Fischer, who lives in New York, has been enjoying international fame for some years now. This documentary follows him during the preparation of his exclusive exhibition in an American museum and thus takes us into the daily life and work of an artist.

Fortuna (14), a young Ethiopian teenage girl, has had no news of her parents since arriving in Lampedusa, Italy. Together with other refugees, she is given shelter for the winter in a Swiss catholic hospice at an altitude of over 2000 meters. While they wait for their fate to be decided by the Swiss authorities, Fortuna meets Kabir, a 26-year-old African refugee, and falls desperately in love. Their relationship develops in secret, till the day Kabir disappears. - Bruno Ganz as Brother Jean.

Spira comes home from a juvenile detention center and reconnects with his loved ones in Reboleira (Lisbon), a slum on the verge of being destroyed. Kikas makes it clear that he’s not welcome.

In the lush Swiss countryside, single mom Judith is raising her young daughter Milla while running the family fish farm with the help of worker and friend Gabriel. The three live and labor quietly in their peaceful corner of the world. When the unexpected arrival of Gabriel’s brother threatens that tranquility, the specter of impending disaster casts a shadow over their pastoral life. When the devastation comes, it’s chilling. This taut thriller poses provocative questions about the weight of guilt, the complexity of forgiveness, and the price of redemption.

A three-year journey with actor Bruno Ganz. He plays various roles in various places, but he also plays Bruno Ganz – filming and directing friends. Again and again he works on the role of Dr. Faust, the figure who – speaking for us all – desperately wants to discover “what holds the world together at the core”. A thousand days of searching for one's own destiny, with despair as the only companion, and placing hope in the creative power of poetry.

Is it possible to talk with animals? The filmmaker explores the world of animal communication. She wants to understand her excited dog Bina. On her international journey she meets two horse teachers, an animal communicator, a biologist, an animal therapist and the founder of The Trust Technique. Salome discovers astonishing possibilities of animal communication, whether it's with her dog Bina, other dogs, horses, cats, dolphins, or a goat.

Three players in the free market take on ethical responsibility for their actions and the following generations: they engage in sustainable production. At various stages, the film charts the careers of successful entrepreneurs who operate locally, nationally and internationally and manage to combine both the market and morality. The film examines the question of what a neo-liberal economic model could look like and presents the positions of three pioneers, who, day in and day out, balance out fair working conditions, biological production and the cost pressures of the free economy. The film presents a motivating approach to solving a situation which often appears hopeless. It emphasizes ethics and sustainability as factors for success.

Aïcha, Johan and the couple Lo Manto have taken a step in their lives that has disturbed many people around them. They have made the Muslim creed. This is the beginning of their transformation and reorientation. Aïcha moves from the rural province to the big city and euphorically follows the strict rules of her new religion. The Lo Mantos try to assert themselves against prejudices in their surroundings. And Johan? He wears a beard and flirts with his role as a devout Muslim. Or is filmmaker David Vogel just imagining it? What role does his own Jewish past play? The longer he accompanies his protagonists, the more he feels that he cannot ignore his own biography. His religious past catches up with those he thought he had left far behind.

"NOT ME - A Journey with Not Vital" takes us on an intriguing foray into the eventful life and creative artistic expressions of contemporary Swiss artist Not Vital. This film essay sheds light on the work of the internationally renowned Grisons artist who for a long time remained the "well-known unknown" inside his home country. Director Pascal Hofmann traces the driving force of this restless cosmopolitan, and establishes a dialogue between the motifs in Vital's work, his childhood dreams, and the influences of his most important places of stay such as Beijing, Patagonia, Niger, "his" village of Sent in the Grisons, and New York. The film opens up visually stunning insights into Vital's perception of reality and its artistic transformation. From beginning to end, this film tells the author's enraptured exploration of the longings of an artist who came from the mountains.

Up until the middle of the 19Th century, poverty stricken mountain farmers from the Ticino area of Switzerland frequently sold their children to Milan as chimney sweeps or spazzacamini. That is also young Giorgios fate. He is forced to climb through pitch black chimneys, flinging down the soot with his bare hands. But he does not lose heart. Together with his buddies sharing in the same misery, he establishes the association of Black Brothers. They stick together, struggling against their penury and getting involved in fights with the street gangs of Milan. The film tells of the gripping adventures of the chimney sweep boys and their spectacular escape back to their native land.

75-year-old Giuseppe De Metrio has spent 30 years in Geneva, as foreign worker for the Broyer company. Upon retirement, he returned to Puglia, Italy, where his family had continued to live. His only grandchild, 7-year-old Carla, is blind. The whole family looks forward hopefully to the day when Carla’s sight can be restored by means of a cornea transplantation. After a heart attack, Giuseppe decides to wait no longer and returns to Switzerland to ask his former boss Mr. Broyer for the money necessary for the operation, as an old promise binds the two men. Intended as a 48-hour trip, Giuseppe and Carla’s visit in Switzerland becomes a journey that both grandfather and granddaughter never dreamt of.

The filmmaker travels to the mysterious land of the “poor souls”. He visits eyewitnesses in rural areas of Central Switzerland. They offer their account of mystifying experiences in connection with the afterlife, of evil deeds by people who passed away long ago in need of atonement. The film investigates the hidden signs of mountain magic and reminds us of our own myths, ghosts and primal images. It also looks for paths to self-awareness that could be revealed to us within and under layers of centuries-old Catholic cultural sediment.

Oscar, not quite a child anymore, scavenges for scrap metal for his father. He spends his life in improvised landfills among what remains of leftovers. Worlds apart, yet close-by, there is Stanley. He tidies the church in exchange for a monetised hospitality, picks fruits, herds sheep: anything that keep his foreign body busy. Oscar, the young Sicilian, and Stanley the Nigerian don’t seem to have much in common. Except for the feeling of being thrown into the world, to suffer the same refusal, the same overwhelming wave of choices imposed on them by others.

Un film sur ma façon de vivre cette douloureuse réalité que le monde d’aujourd’hui n’est pas celui dont j’avais rêvé il y a 50 ans. Les images du monde d’aujourd’hui se télescopent avec des souvenirs fragmentaires, des textes poétiques et la Passion selon saint Matthieu de J. S. Bach. Un essai filmique sur la fragilité de mon existence à l’heure du capitalisme débridé.

Elisabeth Kübler-Ross is arguably the world's most reknowned expert on the process of dying. With Kübler Ross' full collaboration, Haupt's film looks back on her life and career, from her earliest days as a triplet in 1920s Zurich, to her fame as an international lecturer and writer based in the US. Now in her twilight years, Kübler-Ross is bedbound in Arizona, and awaiting death herself. A truly fascinating film that enables us to re-evaluate our own emotions regarding life's greatest certainty, death. With the addition of archive film and interviews with Kübler-Ross' sisters and close colleagues, Haupt builds up a rich picture of a remarkable woman who has done so much to make death less of a taboo.

Alphonse lives as a recluse on an Alp. Mother Nature provides him with everything he needs, and being able to live in the present is a gift for him. Monika’s attitude towards time has become serene since her near-death experience. She no longer has a fear of death, which is also sensed by the dementia patients she treats. Sam, a forester, sees the deceased. In his opinion, death only occurs on a physical level. For the Capuchin monks in Schwyz, death and dying are part of everyday life, also for Eugen, a monk and artist in Engelberg who has administered terminal care for more than thirty fellow brothers.

After losing his mother, a young boy is sent to a foster home with other orphans his age where he begins to learn the meaning of trust and true love.

No Apologies describes the state of physical and mental siege of black people living in precarious conditions in Lausanne. Confronted with the need to protect anonymity and the impossibility of filming in the street, No Apologies was conceived in a way that allows its characters to express themselves freely. Masked or barefaced, they bear witness to their personal journey, their struggle for everyday survival and police brutality. Thus questioning their place in a Swiss society that considers them as pariahs. The film is a collective project resulting from an alliance between the people directly affected by these issues and movie professionals. Given the urgency of the situation, the documentary was produced in very little time, in guerrilla mode without the constraints of institutional funding.

A fictionalized documentary about the great Japanese poet Bashô (1644-1694), the spiritual father of Haiku poetry. A monk plays the role of Bashô and walks through the Japanese countryside, following the tracks of the poet’s travel diaries. On the way he writes many of his famous haiku poems. A film about poetry, meditation, zen buddhism and a view of untouched, virgin nature, seen and to understand as a lost paradise.

In the “Kunstgiesserei” in St. Gallen renowned artists – such as Urs Fischer, Katharina Fritsch, Peter Fischli, Mariana Castillio Deball, Paul McCarthy, Alex Hanimann and Hans Josephsohn – meet up with Felix Lehner, the charismatic founder of the art foundry. He and his crew translate ideas into sculptures with a great deal of passion and enthusiasm. Their success has led to the fact that some of the production phases had to be outsourced to Shanghai. The cultural and artisanal exchange with China is tremendously enriching. And regardless of whether in Shanghai or St. Gallen, the molten metal is spellbinding as it turns dreams into reality.

Pays de Gex, on the Swiss border. P.A. and his group of friends are in their last year of high school. One hundred metres beneath their feet, the LHC, the most powerful particle accelerator in the world, recreates the energy conditions of the big bang in order to detect unknown particles. As winter sets in, P.A. starts to observe strange phenomena in the environment. The changes are imperceptible at first, but gradually his whole world seems to be on the brink.

Thirteen-year-old Sandra isn't happy to be the new girl in town, but then she falls in love with Mike, the boy next door. Everything seems perfect, until the day the young couple witness Mike's mother having an affair. Mike is devastated, but what he does not realize is that his mother's ardent lover is actually Sandra's father, an old childhood sweetheart. Divided by her loyalty to her father and her feelings for Mike, Sandra decides to keep her father's identity a secret. However, she can't keep up the charade for much longer, and whatever she decides, it is bound to have serious consequences.

Between goats, cows and the Alps, Fabiano (38) becomes a father. But the idyll is deceptive: he tries hard to make the alpine cheese the way his drop-out parents did in the 70s. In addition to debts, feelings of guilt also gnaw at him. Last year, a Macedonian moonlighter had a fatal accident. Since then, his death has never let Fabiano go. How can he and his girlfriend Eva build a life together with their offspring under such difficult circumstances? Set against the imposing and oppressively quiet backdrop of the Ticino Alps, Aldo Gugolz’s film turns out to be an exciting tightrope walk between a criminal case and a sensitive portrait of a young farmer.

The painter from Solothurn (CH) Frank Buchser was sent to the USA in 1866 to paint a large painting of the "Heroes of the Civil War" for the future Council of States Hall in Bern. Initially Buchser was busy portraying politicians and generals in the spirit of his clients. More and more, however, he became interested in the Indians expelled to the reservations and in the living conditions of the slaves who had just been freed. Years earlier, fascinated by Moorish culture, Frank Buchser rides disguised as a Turkish sheikh to the Moroccan town of Fez, which is forbidden to Christians under death penalty. The Swiss filmmaker Bruno Moll (Pizza Bethlehem, Tunisreise) tells the two adventurous journeys of the rebellious and controversial artist. The film narrative begins with film documents of the riots in Charlottesville in August 2017 and the diary entries made by Frank Buchser in 1869, when General Lee was his model for the portrait. In a large flashback the film tells Buchser's story of his stay in Andalusia and Morocco in 1858, returns with him to his homeland and closes with his North American adventure.

9-year-old Anna goes to school and spends her free afternoons with her dolls. One day, however, everything turns out differently: when she copies herself in the school's photocopier, it spits out a second Anna. An exciting game of mistaken identity begins!

An artist, a musician, a filmmaker. Three worlds, three ways of thinking, three interpretations. Fused to an energetic work. Beat Zoderer’s work fascinate with quiet humor and the intelligent challenge of distrusting a conventional view of things. Nik Bärtsch’s sound is characterized by his love for the architecturally articulated space and rhythmic overlaps. Filmmaker Jürg Egli has brought the two artists together in a studio session. The result is a cinematic performance of unique intensity. „The idea can sometimes only be thought out in its realization.“ Beat Zoderer Sketchbook IX 1999

On his expedition into the heart of Switzerland, Swiss filmmaker Matthias von Gunten met six people whose lives and everyday lives, their small and big fates fascinated him. At first glance, they have nothing to do with each other apart from living in Switzerland: six very different people, their attempts to master everyday life and their individual escapes from reality. In the course of this one year, in which von Gunten visited them again and again, a lot happens in the lives of these people. On these surprising journeys, Von Gunten traces the absurd and dramatic behind seemingly normal everyday life. Thus, little by little, an exciting time picture emerges in which each of these people has their place. The six people, their fears and dreams, their hopes and failures create an atmospheric picture of our lives today. To face or escape the much disdained Helvetic narrowness: there are different possibilities - the six people in Matthias von Gunten's film live some of them.

During World War II, Switzerland severely limited refugees: "Our boat is full." A train from Germany halts briefly in an isolated corner of Switzerland. Six people jump off seeking asylum: four Jews, a French child, and a German soldier. They seek temporary refuge with a couple who run a village inn. They pose as a family: the deserter as husband, Judith as his wife, an old man from Vienna as her father, his granddaughter and the French lad, whom they beg to keep silent, as their children. Judith's teenage brother poses as a soldier. The fabrication unravels through chance and the local constable's exact investigation. Whom will the Swiss allow to stay? Who gets deported?

In 2013, an ancient statue of Apollo, the god of arts, beauty and divinations, is found off the coast of Gaza. When it disappears under strange circumstances, rumors quickly spread regarding this mysterious treasure. Both an investigative film and a reflection on history, The Apollo of Gaza immerses us in the little-known reality of a land ravaged by wars and blockades.

A film based on Jacques Chessex' novel of the same title; featuring André Wilms as Chessex and Bruno Ganz as Arthur Bloch, Swiss Jew killed by Swiss Nazis.

Dusk, alpine summer time. Through a milk funnel, the dairymen, rarely a dairymaid, call out the alpine blessing or Bättruef. Every day, in all weathers. They ask God and the saints to avert harm from the alp, as loudly as possible, because as far as their voice can be heard, the protective spell should also work. At the mercy of the forces of nature in the mountain world at night, the alpine farmers experience their own existence as part of a greater whole. They call out the Alpine blessing out of deep inner conviction.

At an age when others might look for a quieter life, Walter Pfeiffer had burst onto the international scene as an artist and fashion photographer - which is a joy to see. Alongside those who accompanied Pfeiffer through this journey, we also hear from his former models. We discover what they gained from agreeing to be photographed. And as he only photographed the young, we catch glimpses of youth culture over four decades.

Every ten years, one of the largest public festivals in Switzerland puts the small town of Baden in a positive state of emergency. What motivates countless people to help shape the "Badenfahrt" and make an incredible commitment? The 78-minute documentary "BADENFAHRT - FEST VEREINT" shows the emotions of those who put the festival on its feet. The feel-good movie is a plea for volunteering, for diversity and shows what positive things can be achieved together.

Sarah is a solitary 17-year old girl. She struggles to connect with people, a reality her listless bourgeois family fails to understand. Sarah wishes she had a boyfriend, a friend, someone she can connect to. Instead, she struggles with depression, and perpetuating a loop that only serves to isolate her further. Yet Sarah finds an outlet in her high school drama class— when she performs she becomes someone else entirely, another character able to give truth to her most hidden desires. But sublimation through art leads Sarah down a dangerous path to a secret only she can keep.

After 40 years Alain Tanner again travels to the port of Genoa, where he worked for a shipping company as a 22-year-old. On the back of his own memories he depicts the rough world of the dockworkers, another of those trades that has undergone fundamental changes as a result of recessions, modernisation and liberalisation. “The visual impression of the harbour and the city has changed very little, but what goes on there nowadays is completely different. The city is still as beautiful and alien and somewhat sad as before. But the port is dying, like so many other major ports. In Genoa, as elsewhere in Italy, the economic, social and political climate is highly explosive. But you also feel that things are in flow and the country is on the verge of some far-reaching changes. In this film I wanted to explore my own memories of Genoa, uncover its present and guess at its future. Genoa, this beautiful, this sad, this alien town has become for me a metaphor for society in change.”

Goalie has just been released from prison after spending a year inside for keeping his mouth shut for his best buddy Ueli. He heads for his hometown of Schummertal, a small town where everyone knows you. He's going to start over, without drugs. Meanwhile, Ueli has gotten ever deeper into drugs, can't understand why Goalie suddenly wants to be a square. Although they've been friends since childhood, everything is different now. Goalie wants a new life but finds his past.

The newly-wed Antoine climbs an alp with the elderly Séraphin. A few weeks later a terrible landslide takes people and animals to their death. There are no survivors. The few who have escaped the disaster inform the village. Thérèse, Antoine's young wife, is pregnant. It's difficult for her to see her pregnancy through and adjust to her role as a young widow. Two months later, Antoine manages to free himself from the rubble. The villagers think he's a ghost. Finally they come to accept the fact he is alive. But he cannot accept the fact he is the only survivor. He returns to the mountain, convinced that Séraphin is still alive. At dawn, Thérèse discovers his disappearance. She wants to look for him among the debris, in order to “snatch from the dead something still alive”.

The film tells of the radical life-search by the Swiss writer Paul Nizon, born 1929 in Bern, Switzerland, who became what “he was meant to be” in Paris. Now 90-year-old, Paul Nizon grants insights into his life and work in a self-ironic, direct manner. The intimate portrait of a great literary outsider emerges, for whom the risk of life and the risk of writing merge into one and the same work of art.

Project initially entrusted to Maurice Pialat, who had already begun to film it under the title of “Meurtrières” (see the special edition of Les Inrockuptibles devoted to Pialat), Messidor is based on a crime story which hit the headlines in France in the 1970s: two adolescent girls run away and go on a criminal spree which ends in their deaths. On the face of it, this subject is remote from the world we associate with Tanner, since a violent story of this kind and its social background would seem to impose the realistic, even naturalistic form always shunned by the Swiss director. Moreover, Tanner is instinctively averse to filming physical violence. “Killing a person”, he says, “is generally a gratuitous special effect.” Consequently, of all Tanner’s films Messidor is the only one in which someone dies of non-natural causes. It is also Tanner’s most sombre work, characterised by a despair unmitigated by his usual verbal and situational humour. This is because Tanner accepted the project only on condition that he could recast the original idea and use this violent story as a vehicle for more personal preoccupations: the limits of freedom (already treated in his previous film) are here related to the girls’ frantic flight in the Swiss countryside. What interests him is the possible sullying of this place of excessive peace and quiet, now transformed into a field of experience and criminal fun-and-games by the two characters..

Max Frisch was the last great Swiss intellectual whose "voice" was widely heard and appreciated beyond the borders of his country: a character like none can be found today. Against the backdrop of the late 20th century, the film follows the story of Frisch.

In this interesting World War I drama, Bruno Ganz gives a compelling performance as Jakob, an obsessive inventor who lives in a Swiss village. He receives unconditional support from his friend Otti (Walo Luond), but that is about all; the other villagers do not tolerate Jakob's eccentricities very well, and regard him as a crackpot. He perserveres in spite of this obstacle and finally invents a viable carriage that does not run on wheels but on a tread. Unfortunately for Jakob, the military have already come up with the same invention: the tank. The discovery finally breaks him, and he is quickly shuttled off to an asylum.

At the far end of Alaska, filmmaker Roman Droux fulfils a dream and travels to the land of grizzly bears together with bear researcher David Bittner. The two adventurers set off for the realm of the bears to a place where there is no trace of human civilization. Surrounded by crystal-clear torrents, they experience the care of a mother bear and impressive battles of giant male bears. Roman Droux brings pictures of breathtaking beauty to the big screen. A lively nature film for the whole family.

In 1944, four-year-old Argyris Sfountouris survived a brutal massacre committed by the German occupying forces, in which he lost his parents and thirty more relatives. The Greek orphan was sent to the Pestalozzi Children’s Village in Trogen, Switzerland and obtained a Ph.D in maths and astrophysics at the Swiss Federal Institute of Technology Zurich. Now a 66-year-old man of winning charm and melancholy cheerfulness, Argyris has forever been tackling the horror he had to go through as a little boy. He has not tried to come to terms with it emotionally. Rather, he has tried to learn to live with it and to do his utmost to prevent it from happening again. An intimate, reflective film about the quest for peace and the almost insurmountable difficulties linked to true reconciliation – an open-ended journey.

Evangelical Christians are calling out for a second sexual revolution: chastity! As a counter-movement to the attitudes of today’s culture, one in eight girls in the United Sates has vowed to remain “unsoiled” until marriage. But the seven children of the Wilson family, founders of the Purity Ball, take this concept one step further; even their first kiss will be at the altar. For two years, the filmmaker follows the Wilson offspring as they prepare for their fairytale vision of marriage and documents how the religious right is grooming a young generation to embody an Evangelically-grounded Utopia.

After losing his mother, a young boy is sent to a foster home with other orphans his age where he begins to learn the meaning of trust and true love.

The film tells of the radical life-search by the Swiss writer Paul Nizon, born 1929 in Bern, Switzerland, who became what “he was meant to be” in Paris. Now 90-year-old, Paul Nizon grants insights into his life and work in a self-ironic, direct manner. The intimate portrait of a great literary outsider emerges, for whom the risk of life and the risk of writing merge into one and the same work of art.

Schmid's satire on 19th-century class relations is also a thinly veiled commentary on the failure of the 1968 political revolution. Once a year, an aristocratic Austrian family holds a traditional feast at which masters and servants trade places. A troupe of actors (including cult cabaret artist Ingrid Caven) are hired to entertain the guests, performing fragments from the "cultural scrap heap": GONE WITH THE WIND, Madame Bovary, Tennessee Williams, Swan Lake. The decadent proceedings take on a dangerous edge when the actors incite the servants to revolt against their masters-but is the Revolution also part of the act?

An hallucinatory tale of a filmmaker’s journey to Canada’s Arctic in search of the Northern Lights – an encounter with the gulf between the knowable and the ineffable, between humankind’s need to capture and control Nature, and Nature’s refusal to be caught… aurora borealis, the lights with no bodies pouring colours from the sky… more special than any special effect…

In a remote village nestled in the foggy hills of northern Bangladesh, Rupa fights against a predetermined destiny. With only a bike, a camera and her knowledge, she defies traditions and tries to make a place for herself in her community. When a twist of fate hits her family, Rupa’s freedom is threatened. Will she be able to maintain the fragile balance between the expectations of her loved ones and her own dreams?

The story of Rafael, a fun-loving youth on the verge of manhood who is trying to make his dream of total freedom become reality. Determined to conquer the world with his Utopia Blues Band at any cost, Rafael's philosophy is that “life is a game”. But the game unexpectedly becomes bitter earnest. How much freedom is permitted?

The Film UR-MUSIG authored by Cyrill Schlaepfer is a musical journey into the remaining worlds of authentic and traditional Swiss folkmusic. It's unconventional form as a symphony of sounds, music, pictures and landscapes (soundscapes) caught the attention of the audience at it's successful premiere at the International Filmfestival Locarno 1993. After beeing showcased at many differnent Music- and Filmfestivals in Switzerland and abroad the award winning film UR-MUSIG got it's famous cult-reputation by continuous screening of more than 2 years in Zurich.

Swiss-Japanese filmmaker Aya Domenig, the granddaughter of a doctor on duty for the Red Cross during the 1945 atomic bombing of Hiroshima, approaches the experience of her deceased grandfather by tracing the lives of a doctor and of former nurses who once shared the same experience. While gathering the memories and present views of these very last survivors, the nuclear disaster in Fukushima strikes and history seems to repeat itself.

Titeuf has just learned that all the boys in his class have been invited to Nadia’s birthday party – except for him! That same evening his parents inform him that they are going to separate.

A kind of road movie which travels in the grooves of magically charged landscapes across Europe. From the Swiss Alps to eastern Poland, from Stromboli to Iceland… the film is a large-scale attempt to achieve the ideal cruising speed. Roman Signer marks the stages of the journey with his own highly personal set of instruments – strikingly succinct interventions full of underlying humour. The film is also a journey through mental and emotional states. A tightrope walk between devilment and melancholy. Danger – including mental danger – develops into a sensual stimulus. Sudden crashes and abrupt changes of mood create the rhythm and the climate of the film. “Chamber of music” is how Signer describes his exploits with rocket and fuse, “sculptural chamber music”.

Glarus, november 1981: the little daughter of a distinguished family finds in her milk at breakfast some pins. The maid Anna Göldin arouses suspicion, a woman of complex sensuality. Both, master and daughter, are under a spell. Anna Göldin is at once dismissed. After that, the daughter is for weeks spitting out 106 pins and her left leg is getting paralyzed. Anna Göldin is getting accused, having bewitched the child. She is fetched back to Glarus. And she can heal the child. Therefor she produces evidence of being a witch. During torture she admits all accusations. On June 18, 1782 she is put to death. Anna Göldin ist he last woman in Europe, who is convicted as a witch by an official high court.

Nowadays, the wish to have children ranges between legitimate desires, primary instincts, social pressures and lifestyle choices. With a great deal of expert knowledge and impressive pictures, the film takes a candid look at reproductive medicine and its industry, as well as into the test tube. The point is, however, not to praise or stigmatise reproductive medicine. Nevertheless, the social, political and, above all, ethical implications are palpable at all times. A present-day science fiction.

The story of three men of Turkish descent who grew up in Switzerland but never got a Swiss passport. After run-ins with the law they are deported to the country where their parents originally came from, a place they hardly know. Not only do the men find themselves in a country where they feel like complete strangers, they also have to cope with life in a society that is moving quickly toward a dictatorship. The film explores different concepts of cultural and national identity.

The Kempf family lives on three different farms at different altitudes in the Schächen Valley in the Canton of URI. ten times a year they move from farm to farm with their livestock: up the mountain in the spring, down to the valley in autumn – and then up again in winter to farm their called “Pfaffen”, at an altitude of 1725 meters above sea level. This is where they feed their livestock the hav they have collected from the steep alpine slopes during the summer. The film is an intimate portrait of a family, with who the farmer's grandparents and his sister also live. Over the course of the year, the film director and the family developed a close relationship, close enough to render visible the problems of modern times in conjunction with this archaic lifestyle, problems which the farmers refuse to let get them down.

The autobiography of Bruno Wilkomirski, who described his childhood in a concentration camp in it, led to a scandal, because it was exposed as fiction. Interviews and archive material are used to investigate the motives of the man who turned his personal trauma as an orphan in Switzerland into a collective Jewish trauma and thus became a perpetrator himself.

In the summer of 2015, one million refugees seek sanctuary in Europe. 40,000 reach Switzerland. Andreas Glarner, mayor of the wealthiest municipality in Aargau, wants to set an example and refuses to accommodate ten refugees in his village. Johanna Gündel, student and daughter of a local vegetable farmer, fights this policy with like-minded villagers. The film tells the story of Switzerland in times of the so-called refugee crisis.

Another History tells Swiss history between 1910 and 1991 from a female perspective. In her three-part documentary, Tula Roy presents interviews with politically active women as well as contemporary witnesses and uses visual and audio documents to illuminate the struggle of women for their rights, their left-wing movements, labor struggles and anti-fascist commitment.

After the death of his mother, a middle-aged insurance salesman inherits her small cottage. Selling the cottage, which is attractively located near the center of a big city, makes him a rich man and he buys a large house in the countryside. The salesman then decides to throw a big garden party and invite all his colleagues from the office. Loosened by large amounts of alcohol, the guests gradually shed all their inhibitions and reveal their innermost frustrations.

A large private television channel has just been established in Switzerland. A communications company is given the task of drawing up concepts for programmes and decides to buy the rights for the stories of various criminals from which to produce films. Rosemonde decides to sell her story. Eight years ago, she killed a man who tried to violate her. As there were no witnesses, the case was dismissed for lack of evidence. Kevin, a film producer, charges Paul, a young writer, with the task of writing the scenario relating Rosemonde's life at the time. However, she appears to be incapable of recalling her past and clams up when Paul approaches her with the questions he needs to ask her. Marie, a young actress, is then asked to visit Rosemonde and in exchange is promised the role in the film if she can make her talk. The film relates the strange relationship between the two women who begin to develop a friendship

Max is an orphan who has been hired out to a farmer’s family. His foster parents treat him like a workhorse while their son seizes every opportunity to humiliate him. Playing the accordion is the one thing that is entirely his. But when the new teacher stands up for Max, it only makes a bad situation much worse. The only thing preserving his will to survive is his friendship with Berteli, who was also taken on to work at the farm. Max dreams of Argentina with her: a fantasy world, where allegedly even hayforks are made of silver.

Modern Amazons are fierce heroines. They are ready to fight for what is important to them. Without explaining, without compromising, always persisting. They fight for victory in the ring, for acceptance, and also, for fellow sufferers and humanit

Getrud Woker, one of the first female professors in Europe, was an early feminist and pacifist, advocating for women’s rights and against war. Yet her story was never included in historical accounts, despite the fact that she challenged the societal conventions of the day to oppose gender discrimination and immoral war practices. She was – as she continues to be today – a true inspiration for self-determined women

More focused on the act committed than on the needs of those involved, penal justice has certain limitations. The film explores the difficult connection between victims trying to rebuild their lives and perpetrators disposed to taking responsibility. Restorative justice encourages the parties to manage their conflicts themselves, helping them to free themselves from their status. An intimate, emotional film in which the barriers between reality and fiction fade away.

Situated halfway between Bern and Biel in the foggy Lyssbach valley, Suberg has gone from a sleepy farming village to a dormitory village over the decades. The filmmaker was born in Suberg and has lived there all his life, successfully ignoring the village and its inhabitants for 32 years. When he was in primary school, his friends were from Suberg. Nowadays they live in Zurich or Berlin and the evenings in the countryside are becoming lonelier. As a result, he now wants to become part of the village community. But how do you get to know the inhabitants of a village that has closed all of its meeting places?

1922: For the first time, the lonely weather station on the Säntis summit is occupied by a married couple. The unemployed Joseph Manser marries the pregnant Lena overnight and thus gets the post. But the weather warden couple have an adversary who feels cheated out of the job - he wants to take command on the mountain and climbs after the two. A showdown ensues at the weather station. - The film is based on true events.

Helena (19) and Jonas (11) are both severely handicapped and permanently dependent on support. In their being different and with the difficulty of expressing their needs, they put parents and family, school and caregivers, but also society to the test. How do we deal with it if our expectations of life are not fulfilled? How do we integrate the unexpected into our everyday life? Helena and Jonas succeed with support from their environment.

Two women moved into a new housing estate in 1957. Now both are over 90 years old and could actually enjoy their retirement. But they have to leave their familiar surroundings after more than 60 years because the houses are being demolished.

Tamás never wanted to get close to people. But he got stuck with Norika, with whom he often spends the nights. Her sister Annika also likes the mysterious man - and one day Norika suddenly disappears without a trace. Annika reports her missing and testifies that Tamás has been following them both at every turn. The suspected Tamás, however, sticks to his perception: Seduced by the women, he has slipped from an affair into a fatal triangular relationship.

For the first time in the history of mankind, we are forced to seriously consider the future of the Earth, and to do so in a global context. We need new energy concepts: energy production, distribution and consumption must be fundamentally redefined and organized. Despite all the challenges, there are also unique opportunities in this transformation process. How do we tackle the future? Which concepts are promising? Where do we stand?

The demise of airline Swissair in 2001 was a huge blow to Switzerland’s economy and to the country’s morale. It was a sad day for Swiss history when the airline’s fleet was grounded on 2 October 2001. Grounding is set during the last days of the doomed airline, and tells the story of manager Mario A. Corti’s unhappy fate, the last, unlucky CEO at the traditional airline company, as well as of all those nameless people who lost almost everything in the maelstrom of Swissair’s downfall: their job, home and their belief in Switzerland.

A fictionalized documentary about the great Japanese poet Bashô (1644-1694), the spiritual father of Haiku poetry. A monk plays the role of Bashô and walks through the Japanese countryside, following the tracks of the poet’s travel diaries. On the way he writes many of his famous haiku poems. A film about poetry, meditation, zen buddhism and a view of untouched, virgin nature, seen and to understand as a lost paradise.

Late at night, the psychologist Eliane Hess is called to the hospital to take care of Yves, an eight-year-old boy, who just has lost his parents and siblings in a car accident. Eliane is both shocked and curiously drawn to the traumatized boy. As time goes by, she loses the professional distance to the patient, and when Yves' relatives begin a heavy dispute about the boy's future, Eliane makes an unorthodox decision, that throws her life off track.

Boobs. Melons. Bazookas: American director Kristen Vermilyea has large breasts, neck pain, back pain and balance issues.
 Her decision to get a reduction triggers questions about identity, aging and bodies. Kristen departs on a series of wacky and humorous adventures before going under the knife.

The film paints the portrait of an old man who decides to abandon his comfortable bourgeois way of life and live with a Bohemian couple. There he rediscovers his freedom to think and his joie de vivre.

The film deals with an imigrant woman from southern Italy, who lives in Frankfurt in the 1970s. Unusual about this film is the way of the storytelling. The original plan was to make a documentary, but none of the female protagonists were willing to be seen in front of the camera. The fear to expose their own family was too big. The law of “omerta” exists in the diaspora as well. A southern italian proverb states: “The girls greatest value is her beauty - the womans greatest value is her silence”. For this reason, in the film only the sound of Maria M. from Basilicata, can be heard. She remains anonemous. In the movie, southern italian emigrants act in Maria's story. In fact, they end up playing themselves, which gives the film several layers and adds a refreshing sense of humor.

Peter Mettler's film essay explores our perceptions and mental representations of time. This visual reflection on the origins, the conditions and the effects of our existence aims to give a vivid impression of how we experience our present moment and of how each of us impacts the future.

Emil has fallen in love with Larissa. But before the two can really get to know one another, Larissa dies unexpectedly. And Emil, who only wants to obscure the sad truth about Larissa’s death, is mistaken for her former boyfriend. Larissa’s family takes a sincere liking to Emil; her sister Nora even begins to take an interest in the young man who had apparently been with Larissa during the last weeks of her life. Emil is suddenly needed and finds he is able to console Larissa’s family. But the closer his relationship with Nora becomes, all the more difficult it becomes for Emil to live with his fabricated past.

Once home to a thriving fishing collective farm, the island of Ostrov in the Caspian Sea has fallen into despair.

15-year-old Max sets off for Saint-Hilare in search of his father, the famous troubadour Johnny Bigoude, who disappeared shortly before Max's birth. He is waylaid by Sam, a rascally fairground entertainer, and introduced to the delights of the amazing Fly Swatter Festival. When Max finally gets there, Saint-Hilare turns out to be the private kingdom of Bzzz & Co., infamous manufacturers of flyswatters, run by the degenerate Rodolfo. Musical virtuoso Max makes a big impression, especially on smart, lovely, resourceful Felicie, who convinces Rodolfo to hire him...

The Sagrada Família in Barcelona: a unique, fascinating building project with a brilliant architect, Antoni Gaudí, a huge number of participants and a history full of abysses and high flights. The biography of this building, which has been under construction since 1882 and is now well over half finished, is the starting point for a film about this mysterious process of "creation", about the question of our human creative power - and what we want to use it for.

An essay on the tale of a filmmaking everyman. A personal story and a brief history of image, spanning from 1947 to 2017, told through his favourite movies, some of which are little known. Life and art, intertwined. From the freedom to create to the consumer society that devastates dreams just as Coca-Cola dissolves bones.

Five highly original musicians from different countries form the Accordion Tribe. Together they aim to reinforce the original power of the long disdained instrument. The film follows the energetic soundscapes and their performers on a journey through Europe. An extraordinarily intensive documentary on the communicative, connecting power of music.

In this docudrama, the real star is a railroad tunnel. First built, at the instigation of a banker and an engineer, in 1872 under appalling conditions, it was widened to accommodate automobiles in 1972. The tunnel links the Rhineland in Germany with Italy and goes through the Swiss mountains. The many lives lost in the building of the first tunnel were considered to be one of the costs for economic progress. In one re-enactment, a strike for better conditions is severely dealt with by the military. Even in 1972, though working conditions were better, most of the men working on the tunnel were poor immigrant workers, with almost no power to negotiate better treatment.

The second part of the famous story on Heidi. Returning from Frankfurt, she applies her new knowlegdes.

They don’t wear uniforms or carry weapons. They have no bodyguards, but their missions lead them to the most dangerous parts of the world. They are equipped with laptops, cameras and sound recorders. Despite impossible working conditions, they collect the evidence for indictments against those who ordered some of the most serious crimes of our time – committed in Darfur, Uganda, The Democratic Republic of Congo and the Central African Republic – they are the investigators of the International Criminal Court in The Hague.

Heidi (Elsbeth Sigmund), a young orphan girl living with her aunt (Elsie Attenhofer) in Frankfurt, is forced to move to the Swiss Alps to live with her ornery grandfather (Heinrich Gretler). At first, he resents her presence, but, after a short while, Heidi manages to pierce his gruff exterior, and the two become close. She also befriends a young shepherd named Peter (Thomas Klameth). After three years, Heidi's aunt arrives and demands Heidi's return to Frankfurt.

In this Swiss film noir a private investigator stumbles onto a case involving blackmail and an oversexed, under-aged girl. He finds the girl, and, tragically, becomes involved with her.

Carmen Aristegui will not be silenced. The incorruptible journalist and news anchor is one of the few voices in Mexico with the courage to speak the truth – becoming one of
the most dangerous voices in the eyes of the government. Millions of people listen to her when she draws attention to maladministration and misinformation on the radio or on television. Following the unveiling of a corruption scandal involving the president, Carmen is fired from the radio station where she works in 2015. The population reacts with protests, and the journalist’s fight for freedom of the press begins. We accompany the brave woman through her tumultuous everyday life as she continues to speak and manoeuvre a team of investigative journalists through the poisoned Mexican media landscape on her own news platform. SILENCE RADIO draws the rousing portrait of a woman who refuses to be intimidated or silenced.

An ode to liberated speech and to the power of words, “those one speaks to others, those one speaks in silence”, Alain Tanner’s third film is inspired by a poet and a poetic text which deeply affected him as a young director: Cahier d’un retour au pays natal, written in 1939 by Aimé Césaire. A poem extolled by the Surrealists, this seminal flow of anti-colonial thinking by the West-Indian-born poet is the bubbling spring which inspires the gestures and words of the film’s main character, Vincent (François Marthouret), a 30-year-old from Geneva.Weighed down by the monotony and boredom of his life as a well-off westerner, he sells all his possessions and decides to leave for Algeria with his fiancée. The subject is clearly that of escape from one’s place of belonging, a Rimbaudesque theme dear to Tanner, which is here directly linked to the Third Worldist discourse of the 1960s and 1970s. But the strength of the film lies in the way it turns this thinking on its head: on the eve of their departure, chance circumstances prevent the couple from leaving. Instead, they decide to pursue their dream of escape by living hidden away in their empty apartment. Again, Tanner shows that it is the inner mileage travelled that matters, not the arrival at a destination; the posing of a question rather than the answer. As the director says at the beginning of the film: “Speaking words can be an act in itself, it can also be a substitute for action.” This is an important precept for the understanding of Tanner’s cinema: poetry is a form of action, and having it in mind, reciting it, can help to give a new shape to reality: in the film’s final scene, the couple decide to have a child.

Rock musician Benji leads a charmed life until the day the evil Maestro steals his shadow in order to take possession of Benji's musical talent. At first, Benji loses the ability to play, then he slowly becomes invisible. Desperate to help his friend, Globi follows the Maestro to his old “Opera house” and discovers that the villain has been stealing the shadows of all the gifted musicians, so that he may rule the world of music. With Globi's help, Benji and his musical partner Lucinda set out to regain their stolen shadows. Will the three of them be able to conquer the evil Maestro and save Benji's life?

The story of four people trying to fulfil their most basic desires in life. A group of young people meet up regularly in a nightclub situated in a former customs house on the Swiss-French border, as a means of escape from their drab lives. NO MAN'S LAND is an “in- between” film. Between staying and leaving, between Paul and Jean, about friendship, between Paul and Madelaine, Jean and Mali, Jean and Lucie, about love. Between Paul and his route of escape, Jean and his territory, Madelaine and her music, Mali and her exile.

Giuseppe Verdi's «finest work», as he himself described it, still stands today on the Piazza Buonarroti in Milan. It is the «Casa di riposo», founded by Verdi in 1896 for «people who are less fortunate than I» - people who never made a big career, and people who have long spent their dream salaries. Today they live, all long forgotten, in a small room with a suitcase full of memories.

Four young people with physical disabilities try to overcome their isolation and the difficulties of living together. In a vacation home, they talk openly with people with and without disabilities about the challenges they face in relationships and sexuality.

A Roma boy living in Sweden dreams of building a spaceship to escape the reality of his family's pending asylum request, and the mysterious coma-like illness that has befallen his siblings.

Paul, in his fifties, is a filmmaker. He writes a screenplay as if it were his job and starts looking for an actress for the lead role. The fact that he can't find her must be due to something: perhaps there are too many stories, too many images, too many actresses and too little peace. Perhaps it is also a necessity. Paul spontaneously throws away his script. Jean has just finished film school and is hired by Paul as his assistant. One day, Paul comes across an old photo of Dara, an Italian actress he once knew and admired, who has long since disappeared from the screen. Paul asks Jean to find her. Both of them do everything they can to bring her back to the screen. To achieve this, they embark on a world of feelings, confrontations and dreams.

“Mais im Bundeshuus-le génie helvétique” (“Corn in Parliament”) is a vertiginous journey down the corridors of the Federal Parliament building in Bern. Constructed as a feature film, it follows the adventures of a parliamentary committee established to create a bill on genetic engineering (Gen-Lex). This political thriller reveals both sides of the coin, namely that of those who have invested, economic interests and of those who fear the negative effects of this revolutionary technology. Amusing, tender, and humane, all the while clearly illustrating the limits of the system, the film functions as a tale of universal power.

The 2017 Nobel Prize in Chemistry transforms Jacques Dubochet’s life. Passing from the shadows to the light, he is solicited from all sides. What can he do with this voice, which is now being heard by everyone? How to define the struggles to be fought? How to become a “Nobel Citizen”, with the objective of assuming responsibility as a researcher and member of the human community? A speech by Greta Thunberg turns everything upside down.

The scene of the action is a closed-down, dilapidated hotel in the Swiss mountains which has been lying empty for some time. The hotel used to belong to the narrator’s grandparents, and it was there that he was born and brought up. He visits the hotel for the last tim with the intention of losing himself in memories connected with the old building.

Läppli is arrested as a supposed opponent of the army and misses the general mobilisation. Eventually he arrives at the barracks after all. There, as HD Läppli, he drives every superior mad in record time with his obtuseness and sense of justice.

A film from and about rural Europe capturing a timeless cultural event: a series of head-to-head fights of cows, not bulls, set in a valley in sunny Southern Switzerland. The fights are sudden snorting seesaws, explosions of mass and muscle, archaic and wild. We follow three concurrent story lines: an anxious farmer with his beloved contender, a neurotic unemployed reporter from Zurich come to find a story and a gang of adolescent boys on mopeds trying to catch a pretty girl's eye. This black and white film tries to capture the balance between fascinating tradition and modernity.

Enchanted toys come to life to do battle with a holiday-hating villain who is bent on stopping Christmas.

Faces of Children (Visages d'enfants), a masterpiece, was filmed on location in the Haut-Valais region of Switzerland, with spectacular mountain scenery adding important atmosphere to the characters' complex emotions. The film is about the effect on a sensitive boy (again Jean Forest, who is heartrending) of his mother's death and his father's remarriage.

Max Haufler hated acting, but while he left his mark on Swiss filmmaking of the 1950s with his character roles, success as a film director eluded him. He tried in vain in the last years of his life to film the novel "Der Stumme" by Otto F. Walter. Max Haufler fought for his dream - until it broke him.

Matthias is the illegitimate son of a factory worker. He lives as an indentured child labourer at his dictatorial aunt’s remote guesthouse. The only thing he knows in life are hard work and hard punches. After a sudden death in the family, the unhappy boy finds the opportunity to make his way to his mother. This 1941 literary adaptation is an almost forgotten jewel of Swiss film history that offers an impressive insight into Eastern Switzerland’s embroidery industry.

On a summer morning, the opening of the trial in the Zurich District Court is announced for 8 o'clock. On trial is the divorce case of Marlene Faber and Nick Merk. The couple is waiting outside the courtroom for their divorce and is reviewing their marriage once again: From the honeymoon over the first quarrels until the end.

Uli, the farm hand of the Boden farm, is a bawdy, careless, spendthrift fellow. Lectured by his master, he becomes aware that if he is to escape his abject condition, he must reform. He accordingly leaves the farm girl Anneliesi, turns his back on his drinking companions and starts working hard. His reputation improves so much so that Joggeli, an old farmer, hires him to restore order in the Giungge farm where chaos is rife. In using strong-arms tactics, Uli attains his ends and soon becomes indispensable. Attracted to the sweet Vreneli, Uli is unfortunately lured by Elisi, the master's scheming daughter. It is based on the classic 1841 novel of the same name by Jeremias Gotthelf.

In 2016 the sun has turned the entire world into a scorched and barren wasteland. The humans who have survived are either resourceful or violent, and sometimes both. Marie, her little sister Leonie, and best friend Phillip, are in a car headed to the mountains - rumor has it there is water there. Along the way they meet Tom, a first-rate mechanic. But can they trust him? Fraught with deep distrust, the group is lured into an ambush where their real battle for survival begins.

Klingenhof: A courtyard in a part of Zurich which is inhabited by “all nations”; domicile of the authors; a film spontaneously grown out of the idea, Why not start a project just in front of one's own door? Meeting faces, destinies, by chance, following the word of Claudio Magris, Any place can be the centre of the world. Of course there are at once questions about the origins of the inhabitants, about feeling homesick, being well or not in a foreign country, about how comes you feel at home, generally, at a certain place or not. Friendships are beginning to arise, faces become familiar. Young and old people look for adventures of their own in the courtyard, one arrives, one goes and turns back, maybe one leaves forever. The work on the film was overshaded by the premature death of Hans Stürm, both companion and cameraman.

A few hours after the Iraq war started in March 2003, Antonio Gutierrez’ photo was sent around the world: the first fallen soldier on the American side, and he wasn’t even an American! In death Antonio’s dream finally came true: like 38,000 other non-American soldiers he had enlisted in the US army because of the promise of American citizenship. Now he received it posthumously. Heidi Specogna’s film tells the moving story of a former street kid from the slums of Guatemala, who made the long journey to the North. An idealistic young man who wasn’t an adventurer, but full of hope and longing for a better future, and who died an American hero.

The story of a Turkish couple, who start their “Journey of Hope” from a small village in South-East Turkey to Switzerland in order to escape poverty. They are taking their son, who is the brightest of their eight children. From Izmir they travel to Genoa with a freighter. In Italy they are taken by smugglers to the Alps and sent on towards Switzerland, despite the snow and the cold. Father and son are separated from Meryem. Will anyone reach the land of promise?

This short film shows the contrast between the good conditions in which a rich woman makes an abortion and the miserable and dangerous condition in which a poor woman has to do an abortion.

A fast-paced film about people whose feet are their primitive and powerful instrument of artistic expression. Beginning with “bödele” in Central Switzerland, this film journeys from tap dance and flamenco to Irish dance. The rhythmic stamping of the shoes is reminiscent of ethnic ritualistic folk dances. Evolving from the “dances of the folk” are show and competition dance. The film provides insight into passionate dancers and people who express joy, desire and sadness through rhythm with their feet.

A poetic journey through time to the history of the legendary "Grand Hotel Brissago".

Two communities in Europe in 1992: Vechigen in Switzerland, Trhové Sviny in the Czech Republic. On the surface these two villages have no connection, but filmmaker Lisa Fässler brings them together. As people in Vechigen are contemplating Switzerland's entry into the European Community, people in Trhové Sviny are searching for a new identity after the disappearance of the communist regime. As the inhabitants of Trhové Sviny watch the Russian troops leave, the Swiss army thunders through Vechigen as part of an exercise. TANZ DER BLAUEN VÖGEL is a cinematographic essay on the new relations within Europe. Lisa Fässler is especially concerned with the human aspect of this process. The film examines the worries, hopes and dreams of people in two villages, that are geographically close but which are socially, economically and psychologically separated - thanks to history. In Vechigen there is a rigid satisfaction, Trhové Sviny is dominated by uncertainty.

Pensioner Roli comes to Fareed’s assistance when the Syrian refugee is faced with the burial of his Muslim wife. Together they stumble into a bewildering forest of Swiss bureaucracy to which Roli finds a beautifully simple answer.

17-year-old Edith is partying at her friend's house in Zurich and is dragged to a nightclub by the unscrupulous seducer Jean, who gets her drunk and abuses her. When she becomes pregnant, she asks her father, who is a gynecologist, to perform an abortion. He refuses at first, but eventually performs the procedure - with fatal consequences.

A smokestack stubbornly pierces the sky. Trains rumble by down below. Lights come on in the buildings as night falls. There is a man behind the camera, looking for an image – of himself? Of the world? Of society? By day and night, in rain and snow, he stands filming at the window of his studio. Periodically we hear people leaving messages on his answering machine. They talk about the weather while on vacation and congratulate him on his birthday. His father dies, a child is born, the young family begins to fall apart. Time passes. Slowly the cityscape morphs into the inner landscape of the man behind the camera.

Uli, the tenant on the 'Glunggenhof', leads a happy life with his wife and child. Weather luck and honest work bring him rich harvests, and so he looks hopefully into the future. In the nearby Stöckli live the old Joggeli and his wife, the 'Glunggenbäuerin', the good soul of the farm. They also profit from the success of their tenant. But Uli becomes overconfident and, advised by false friends, gets entangled in unclean business. When a storm destroys the harvest and Uli is confined to bed by a serious illness, things quickly go downhill. Although Vreneli fights bravely against all adversity, the farm and its inhabitants are in danger of ruin. Only when the recovering Uli with a heavy heart admits to his mistakes and shows remorse, the tide seems to turn

Mali - Algeria - Libya - Italy. Issa’s escape from West Africa to the European mainland lasted ten years. Everything was supposed to be better here. But when he arrived in Rome, the only thing waiting for the young man was a life of homelessness and unemployment – which meant no money to send home. Drissa and Sekou share a similar fate, waiting in Italian asylum centres for a residence permit. Then there’s Bubu, who, forced to move from job to job, is unable to settle down. And lastly comes Alassane, who lives without identity papers in a state of constant uncertainty in a refugee camp near Rome. They all have one thing in common: after a gruelling odyssey, none of them has found the Italy they were hoping for when they arrived. Disillusioned, they find themselves in a vacuum of waiting, reflecting on the time they live in and the time that lies ahead.

The rich Bodenbauer practices factory farming, while his tenant Hans, does not like the idea of industrial animal farming. But he seems compelled to do so after Bodenbauer terminated a large piece of his land. The old veterinarian in the village encourages him not to give up easily.

A playful search for today’s sentiments of home. The film takes us through real and imaginary worlds, confronts specific conditions of life with clichés and takes a delight in kitsch.

Two friends – Paul Girard, the “people’s mayor” of Delémont who has his sights set on a national career and Liu, a Chinese watchmaker living in the Jura – decide to organise the semi-finals of the Miss China competition in Switzerland. Paul is hoping this original, media-hyped project will help him acquire the image his party has been refusing him: that of future deputy. Liu, meanwhile, hopes to open the Chinese market to luxury watches. Instead of the heroes’ welcome they were anticipating in bringing the women to the touristic Meccas of Switzerland, the two partners are met with resistance from the political milieu and indifference from their sponsors.

A co-operative that was founded in 1993 in Ticino (the Alpine southernmost Canton of Switzerland) by Ulrich Stamani and 12 other people continues to prosper as a small farm and eco-resort thanks to the help and support of people like Katharina Luthi, a skilled farmer. Over the course of a year the co-operative has to readjust itself to the needs of its members and try to find new younger people to progress the simple life it preserves.