Winter Sleep

Sinan is passionate about literature and has always wanted to be a writer. Returning to the village where he was born, he pours his heart and soul into scraping together the money he needs to be published, but his father’s debts catch up with him.

Life in a small town is akin to journeying in the middle of the steppes: the sense that "something new and different" will spring up behind every hill, but always unerringly similar, tapering, vanishing or lingering monotonous roads...

A family dislocated when small failings blow up into extravagant lies battles against the odds to stay together by covering up the truth. In order to avoid hardship and responsibilities that would otherwise be impossible to endure, the family chooses to ignore the truth, not to see, hear or talk about it. But does playing “Three Monkeys” invalidate the truth of its existence?

Man was made to be happy for simple reasons and unhappy for even simpler ones – just as he is born for simple reasons and dies for even simpler ones... Isa and Bahar are two lonely figures dragged through the ever-changing climate of their inner selves in pursuit of a happiness that no longer belongs to them.

A photographer who is haunted by the feeling that the gap between his life and his ideals is growing finds himself obliged to put up in his apartment a young relative who has left behind his village looking for a job aboard a ship in Istanbul to go abroad.

This May in the town seems to be warmer and gloomier than the previous years. Still, everyone seems to be happy despite their small worries and lives closed for any surprises. However, this happiness is a little disturbed by the arrival of Muzaffer who has made up his mind to shoot a film in this town where he had passed his childhood. "Clouds of May" tells the story of Muzaffer, who returns to his native town to make a movie. His father, Emin, is bent on saving the small forest he cultivates on his property from confiscation by the authorities. His nephew, nine year-old Ali, who wants a musical watch. He has to carry an egg in his pocket for 40 days without cracking it, according to terms of an agreement made with his aunt, who has promised in return to convince Ali's father to purchase this much wanted item for his son. And Muzaffer's cousin, Saffet, who is a young town dweller whose affords are all doomed to failure by bad luck (or is it by his own rebelliousness) and who dreams of going to Istanbul.

Told from the perspective of two children, and in four parts which run parallel to seasons, KASABA describes relationships between members of a Turkish family in a small town. The first part is in a primary school where the family's 11 year old daughter is a pupil. It shows the social environment to which she has to adopt, and its difficulties. She faces with her feeling of shame and some merciless clues of life... The second part is in spring. We see the girl with her brother, who is four years younger, and their journey to the corn field where their family are waiting for them. As they pass through the countryside, they encounter the mysteries of nature and wildlife... In the third part the brother and sister witness the complexities and darkness of the adult world... The fourth part takes place at home. This is a tranquil sequence moving between reality and dream.

The three sisters Reyhan (20), Nurhan (16) and Havva (13) all live with their father in a remote village in central Anatolia. One after the other they were sent away to town to work as housemaids, but each of them has now returned. The last of the sisters to do so is Nurhan. She beat the local doctor’s son because he wet his bed every night. When Reyhan returned home pregnant, her father hastily married her off to the shepherd, Veysel. One day, the inebriated Veysel rises up against the village elder; his actions have dramatic consequences. Even if the dream of a better future does not come true for any of these young women and they always seem to be getting into arguments with each other, they nonetheless steadfastly stick together. While they wait for the snow-covered roads to become passable again, father and daughters pass the time with stories. Emin Alper, who grew up in the Anatolian mountains himself, unfolds his fairy tale in haunting images. He portrays a society in which neither women nor men have a chance to break their predetermined cycle, and yet he still leaves room for hope.

Six-year-old Yusuf has just begun attending primary school where he is learning how to read and write. His father, Yakup, is a beekeeper. He goes about his trade deep inside the woods where he hangs up his bee hives in the treetops of the highest trees. The mountain forest is a place of deep mystery to Yusuf and he derives great pleasure from accompanying his father there. One morning Yusuf tells his father about a dream he had the night before. Yakup turns on him curtly telling him never to share his dreams with others. The same day, Yusuf is asked to read out a text in front of the class. He suddenly begins to stutter and he is laughed at by the rest of the class. One day the bees suddenly disappear, throwing into question the family’s means of earning a living. Yakup decides to set off for the remote mountains. But no sooner has he left, than Yusuf stops speaking. His mother Zehra, who works on a tea plantation, suffers a great deal on ac count of her son’s sudden loss of speech, but is unable to persuade him to speak. The days pass - and still Yakup does not return. Mother and son begin to worry. Yusuf goes to his grandmother’s place in a neighbouring village where he spends the magical night during which the prophet’s arrival is celebrated. When he hears the story of the prophet he is convinced that his father, with whom he identifies the holy man, will come home again. Yusuf and his mother set off on a fruitless search for signs of his father’s whereabouts after which Yusuf decides to continue the search for his father on his own. His is a journey into the unknown. Will the dream he had be - come reality?

Emre, a young and dedicated prosecutor, is newly appointed to a small town hit by a water crisis and political scandals. After an initial welcome, he experiences an increasing number of tense interactions and is reluctantly dragged into local politics. When Emre forms a bond with the owner of the local newspaper pressure escalates under heated rumours.

25-year-old Sibel lives with her father and sister in a secluded village in the mountains of Turkey’s Black Sea region. Sibel is a mute, but she communicates by using the ancestral whistled language of the area. Rejected by her fellow villagers, she relentlessly hunts down a wolf that is said to be prowling in the neighbouring forest, sparking off fears and fantasies among the village women. There she crosses path with a fugitive. Injured, threatening and vulnerable, he is the first one to take a fresh look at her.

Istanbul, in the near future. While the city is plagued by political unrest, four characters see their destinies collide. For her debut feature film, a prize-winner during the Venice Film Festival, filmmaker and photographer Azra Deniz Okyay delivers a complex and moving opus. With brilliant editing and punctuated by a magnificent soundtrack, she paints a powerful portrait of contemporary Turkey and an ode to its ghosts.

Istanbul is in political chaos. Armed groups have taken control of the shantytowns. The police response is brutal. In the midst of this, two brothers are drawn into the violence. Kadir is released after a 15-year prison term and goes in search of his younger brother Ahmet. Meanwhile, Istanbul is in the grip of political violence. Hamza, a high-ranking police officer helps Kadir find a job as an informer. He collects garbage, checking to see whether it contains material related to bomb-making. Ahmet works at the municipality as part of a team responsible for destroying stray dogs. When Ahmet shuts himself up in his house to care for a wounded dog, Kadir thinks he is being threatened by terrorists. Kadir relays his concern to Hamza, who sends the police to investigate.

What is it that the two men are after in Dead Lands in an indefinite near future? The global corporations have established cities and agricultural zones in areas where the climate is relatively good. These cities are populated by the elites, corporation’s executives, scientists, and those multiethnic immigrants who have been admitted after passing genetic compatibility tests. The immigrant masses struggle with hunger and epidemics. Professor Erol Erin (55), a seed genetics specialist, lives in a city protected from them by sophisticated armed forces and magnetic walls. For unknown reasons, the city’s agricultural plantations have been hit by a genetic crisis - and, as a result, by massive crop failure. In a meeting at the headquarters of the corporation which employs him, Erol learns of Cemil Akman (40), a fellow scientist. Apparently, Cemil wrote a thesis about the recurrent crisis affecting genetically modified seeds - but the work was banned by the corporation. Erol sets out to find Cemil and learn more about the thesis. He discovers that, after losing his wife and all of his scientific research in a suspicious fire, Cemil left the city and moved to Dead Lands, an almost uninhabitable place poisoned by chemical waste. Together with his assistant Andrei (30), Erol illegally crosses the magnetic walls in search of Cemil. Erol finds Cemil, who is searching for the remains of "life" in Dead Lands. But Cemil believes Erol will not survive the journey, nor be able to handle the truth he will find.

Orhan Pamuk - Turkey's Nobel laureate for Literature - opens a museum in Istanbul. A museum that's a fiction: its objects trace a tale of doomed love in 1970's Istanbul. The film takes a tour of the objects as the starting point for a trip through love stories, landscapes and the chemistry of the city."Like many people, when I first visited Istanbul, I read Orhan Pamuk. From the very start, my view of the city was through the prism of his imagination. And I knew that Orhan had imagined a place called The Museum of Innocence' and in 2008 had published a big novel of that name. What I didn't know was that, two months after my first visit to Istanbul in 2012, Orhan would open the doors to the real Museum of Innocence. A real, 5-storey museum of real objects - the debris and treasure of a tragic love affair from 30 years ago. A museum which immediately became established as part of Istanbul's real cultural itinerary: the Bosphorus Cruise, Hagia Sophia, Blue Mosque, Grand Bazaar, Museum of Innocence." [Grant Gee]

Yusuf is a poet, trapped between countryside and big city, who returns to his small hometown after five years after receiving the news of the death of his mother. Ayla, a distant relative, awaits him in his now run-down home. He makes friends with Ayla and the mother's absence causes an argument with his own self.

A story of friendship, courage and a politically naive man’s transformation into someone painfully aware of the social realities in contemporary Turkey ... Mehmet and Berzan, two young men from different regions of Turkey bond together as lower - class citizens in Istanbul. When Mehmet is unjustly arrested, his frightened roomates evict him and he loses his job. Mehmet’s loyalty to Berzan will eventually force him to disregard an uncompassionate bureaucracy and embark on a journey eastward across Turkey.

Two sisters and a brother live in the center of İstanbul today. They are in their thirties and forties, and lead very different lives, self centered on their upper-middle class preoccupations. One day, a phone call brings them together on a voyage through Turkey’s suburbs and villages to the small town in the Black Sea mountains where they were born. Their aged mother, Nusret, has dissappered. As the siblings start reminiscing about her, the tensions between them quickly become apparent; like a Pandora’s Box which is spilled open, all the unresolved disputes are scattered around. It is only Nesrin’s rebellious son Murat who emphatises with Nusret and who ultimately sneaks her out of the institution where her daugters have committed her, leading his grandmother back to her home in the mountains which she is desparate to return to.

SÜT - MILK is the second part of the Yusuf Trilogy, of which BAL - HONEY was the epilogue. Yusuf is in his twenties here and lives with his mother Zehra on the outskirts of a city in Anatolia. Together, they sell homemade products on the local market with the milk of their two cows. Business is getting worse because with increasing industrialization and the emergence of new neighbourhoods, people are buying more and more in new supermarkets.

In a Turkish village, five orphaned sisters live under strict rule while members of their family prepare their arranged marriages.

A village in the highlands of eastern Anatolia. As tradition demands, families celebrate the feast of circumcision. Little Mert also has to undergo the procedure, but father Ismail has no money to arrange the celebration. No one provides them with the lamb that has to be served to the guests for the celebration. Mert's sister frightens her brother: "If the father can't find a lamb, he will slaughter his own son... His mother Medine finally gets support from an unexpected side.

Pretty Zehra and handsome Olgun spend most of their young lives working in a service station cafeteria near a lonely highway. Their monotonous work shifts are broken up only by sparks of naive expectations of a brighter future. Everything seems transient about their surroundings. The once important industrial area is now a faceless place of economic waste and unemployment. Most of the area's occupants have all escaped to the big city in search of opportunity. But Zehra, Olgun and their friends still remain, caught somewhere in between the past and an uncertain future. Zehra dreams that love will take her away from her meaningless job and life at home with her strict old-fashioned mother. She becomes fascinated by an older truck driver, Mahur, who spends much of his time on the road. As Zehra's desire for Mahur turns into a tragic first love, her rebellious friend Olgun becomes more and more frustrated, stuck at home, not yet a young man on his own. Zehra and Olgun will experience a bittersweet rite of passage, leading to both suffering and awakening. But as they say goodbye to their childhood innocence, love and hope will help them to move forward.

This restrained and realistic record of a personal crisis slowly but surely acquires allegorical dimensions. After a failed marriage about which he doesn’t want to speak, a young man, Selim, returns from Istanbul to his birthplace, Izmir - which just happens to be the birthplace of the filmmaker, who refers in his first full-length feature to autobiographical material as well as the state of the country. Selim doesn’t seem able to pick up where he left off. He roams aimlessly through the city, has sex with a married former girlfriend and watches as his affluent father’s company is threatened with bankruptcy. But while the stink of a burning oil tanker drives a lot of people out of town, Selim seems to be one of the few who doesn’t mind. A strange encounter with someone who alleges he knows Selim from military service puts him in touch with new people from the poorer areas of Izmir.