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Careless Crime

Shahram Mokri, Iran, 2020

Forty years ago, during the uprising to overthrow the Shah’s regime in Iran, protestors set fire to movie theaters as a way of showing opposition to Western culture. Many cinemas were burned down. In one tragic case, a theater was set on fire with four hundred people inside, most of whom were burned alive. Forty years have passed and, in contemporary Iran, four individuals also decide to burn a cinema down. Their intended target is a theater showing a film about an unearthed, unexploded missile. Will past and present meet?
Forty years ago, during the uprising to overthrow the Shah’s regime in Iran, protestors set fire to movie theaters as a way of showing opposition to Western culture. Many cinemas were burned down. In one tragic case, a theater was set on fire with four hundred people inside, most of whom were burned alive. Forty years have passed and, in contemporary Iran, four individuals also decide to burn a cinema down. Their intended target is a theater showing a film about an unearthed, unexploded missile. Will past and present meet?
Duration
136 minutes
Language
OV Persian
Subtitles
German, French, English, Italian
Video Quality
1080p
Available in
Switzerland, Austria, Germany, Liechtenstein
Yalda
Massoud Bakhshi
Iran
85′
Maryam accidentally killed her husband Nasser and is sentenced to death. The only person who can save her is Mona, Nasser's daughter. All Mona has to do is appear on a TV show and forgive Maryam. But forgiveness proves difficult when they are forced to relive the past.
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A Separation
Asghar Farhadi
Iran
123′
Simin wants to leave Iran with her husband Nader and daughter Termeh. She has already made all the necessary arrangements. Nader, however, is having second thoughts. He is worried about leaving behind his father, who is suffering from Alzheimer’s. For this reason he decides to call off the trip altogether. As a result of Nader’s decision, Simin decides to sue for divorce at the family court. When her request is rejected, however, she refuses to live with Nader, moving instead into her parents’ home. Termeh decides to stay with her father, hoping that her mother will soon come back to live with them.Nader finds it difficult to cope with the new situation - not least because it turns out to be so time-consuming. And so he hires a young woman named Razieh to look after his father. This young woman is pregnant and has accepted the job without her husband’s knowledge. One day, Nader arrives home to find that not only has his father been left alone, he has also been tied to a table! When Razieh returns, a blazing row ensues, the tragic consequences of which not only shatter Nader’s life, but also the image his daughter Termeh has of her father.
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About Elly (2009)
Asghar Farhadi
Iran
114′
After having spent many years in Germany, Ahmad returns to his native Iran for a holiday. His friends from his student days organise a three-day break on the Caspian Sea. One of the party, a fun-loving woman named Sepideh takes the matter in hand. Unbeknown to the rest of the group, she has also invited a young woman named Elly, who is a nursery school teacher at her daughter’s kindergarten. Ahmad has just emerged from an unhappy marriage and is now divorced from his German wife. He would very much like to begin a new life with an Iranian woman. His friends are aware of his desire and it gradually dawns on them that this is why Sepideh has asked Elly to accompany them on their trip. The others all begin to lavish their attentions on Elly, singing her prai - ses unequivocally. But then, on the second day of their holiday, something happens and Elly disappears. All at once their light-hearted mood evaporates. The friends begin to agonise about the whys and wherefores of Elly’s disappearance, bringing to an abrupt end the sense of harmony that once pervaded their get-together. They contact Elly’s parents, but when they learn that they have no news of Elly’s whereabouts their anxiety begins to turn into panic. Carefully, the friends begin to go over the conversations of the previous day and their phone calls to Elly’s relatives, trying to identify a moment that could give them a lead. Finally, they blame Sepideh for having invited Elly in the first place and ruining their holiday. During the course of just two days, their opinion of Elly has turned about face. Until, on the last day of their holiday, the truth emerges.
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A Dragon Arrives!
Mani Haghighi
Iran
108′
An orange Chevrolet Impala drives across a cemetery towards an abandoned shipwreck in the middle of a desert landscape. It is the 22nd of January, 1965. The day before, the Iranian prime minister was shot dead in front of the parliament building. Inside the wreck, a banished political prisoner has hung himself. The walls are covered in diary entries, literary quotes and strange symbols. Can they help Police Inspector Babak Hafizi in his investigations? Will they shed any light on why there is always an earthquake whenever somebody is buried in this desert cemetery? Assisted by a sound engineer and a geologist, Hafizi begins his investigations on the ancient island of Qeshm in the Persian Gulf. Fifty years later, their entire evidence, along with intelligence tape recordings, are found in a box, the contents of which attest to the fact that the inspector and his colleagues were arrested. But why? In his new film, Mani Haghighi once again creates a grotesquely absurd experimental set-up. His playful reenactment of mysterious events revolves around a real-life episode - but also imagines a truth of its own.
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Taxi Teheran
Jafar Panahi
Iran
81′
A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…
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A Hero
Asghar Farhadi
Iran
127′
Rahim is in prison because of a debt he was unable to repay. During a two-day leave, he tries to convince his creditor to withdraw his complaint against the payment of part of the sum. But things don't go as planned.
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The Apple Day
Mahmoud Ghaffari
Iran
81′
When the truck is stolen from his father and with him his livelihood as a mobile apple seller, his son Saeed cannot meet the demand of supplying a basket of apples to school. A razor-sharp look at the age-old city versus countryside discrepancy the film follows Saeed through the alleys and streets of a Tehran suburb in search of a solution.
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Subtraction
Mani Haghighi
Iran
108′
In downtown Tehran, Farzaneh, a young driving instructor, spots her husband, Jalal, walking into a woman’s apartment. When she confronts him, Jalal claims he was out of town for work. He decides to check out the building for himself. There, he meets a woman who is the spitting image of Farzaneh. Her name is Bita. Stunned, the two compare family photos: Bita’s husband also looks identical to Jalal.
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Malaria
Parviz Shahbazi
Iran
89′
A young girl informs her father she’s been kidnapped and asks him to bring the ransom money. Panicked, her father and brothers go to Tehran to look for her. They are unaware, however, that the girl has in fact eloped with her boyfriend and now spends her time in the company of a band of street musicians. Following the arrest of the band leader and full of the love for her boyfriend, the young girl descends an uncertain path.
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Tehran Taboo
Ali Soozandeh
Iran
92′
The lives of three strong-willed women and a young musician cross paths in Tehran’s schizophrenic society where sex, adultery, corruption, prostitution and drugs coexist with strict religious law. In this bustling modern metropolis, avoiding prohibition has become an everyday sport and breaking taboos can be a means of personal emancipation.
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Une famille respectable
Massoud Bakhshi
Iran
90′
Arash is an Iranian academic who lives in the West. He returns to teach classes in Shiraz, where his mother lives, far from Tehran. Trapped in a whirlwind of family and financial intrigues, he plunges back into the difficult hours of his childhood at the beginning of the Iraq-Iran war in 1981. Following the death of his father and discovering what has become of his "respectable family", he is forced to make choices.
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Downpour (1972)
Bahram Beyzaie
Iran
130′
Bahram Beyzaie’s debut feature about a well-meaning schoolteacher in Tehran who's embattled by changes of fortune, was enormously successful in its time, but had fallen out of view in post-revolutionary Iran. This version presents the film as restored in 2011 by the World Cinema Foundation at Fondazione Cineteca di Bologna/L’immagine Ritrovata laboratory, with the involvement of Bahram Beyzaie himself.
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