Loving Vincent

In the ruins of post-war Poland, Wiktor (Tomasz Kot) and Zula (Joanna Kulig) fall deeply, obsessively and destructively in love. As performing musicians forced to play into the Soviet propaganda machine, they dream of escaping to the creative freedom of the West. But one day, as they spot their chance to make a break for Paris, both make a split decision that will mark their lives forever.

A pious 20-year-old juvenile delinquent is sent to work at a sawmill in a small town; on arrival, he dresses up as a priest and accidentally takes over the local parish. The arrival of this young, charismatic preacher is an opportunity for the local community to begin the healing process after a tragedy that happened a year prior.

Janusz is not a man to be easily shocked. As coroner he undertakes precise research, analysing the crime scene in minute detail. Despite the extreme situations he comes up against, he works hard. Perhaps too hard. Yet when faced with his anorexic daughter Olga, still grieving for her dead mother, he feels helpless. Fearing that she might kill herself, he commits her to a clinic where Anna, a psychologist, carries out her duties. Years before, Anna lost her baby to cot-death and now sequesters herself and her big dog in a heavily barricaded flat and conjures up spirits who communicate with the living from beyond the grave. Małgorzata Szumowska works with elements of black comedy to tell of the difficulties people encounter when struggling to cope with the loss of loved ones. The film explores the fear of and yet longing for intimacy, self-harm due to mental anguish and escaping into the esoteric. A complex meditation on the loneliness of the heart and the conflict between the rational and belief in a supernatural universe.

Three days in the life of fitness motivator Sylwia Zając, whose presence on social media has made her a celebrity. Although she has hundreds of thousands of followers, is surrounded by loyal employees and admired by acquaintances, she is looking for true intimacy.

After being removed from the traveling circus, which is the only life he’s ever known, gray donkey EO begins a trek across the Polish and Italian countryside, experiencing cruelty and kindness in equal measure, all the while observing the follies and triumphs of humankind.