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Eleven-year-old Chala (Armando Valdés Freire) lives with his addict mother Sonia (Yuliet Cruz). In order to provide for the two of them, he raises carrier pigeons and trains fighting dogs with a man who may or may not be his biological father. School provides a stabilizing force in Chala's life, thanks to his close relationship with his spirited sixty-something teacher, Carmela (Alina Rodríguez). When the boy is sent off to live in a "re-education facility" and Carmela mounts a campaign to have him released, she becomes the target of a witch hunt spearheaded by a school board administrator who regards Carmela's permissive beliefs as incongruent with the new Cuba. But the idealistic, strong-willed woman remains defiant and manages to recruit allies from amongst her fellow teachers, leading to a conflict in which one boy's future reflects the systemic dynamics of contemporary Cuba.
Eleven-year-old Chala (Armando Valdés Freire) lives with his addict mother Sonia (Yuliet Cruz). In order to provide for the two of them, he raises carrier pigeons and trains fighting dogs with a man who may or may not be his biological father. School provides a stabilizing force in Chala's life, thanks to his close relationship with his spirited sixty-something teacher, Carmela (Alina Rodríguez). When the boy is sent off to live in a "re-education facility" and Carmela mounts a campaign to have him released, she becomes the target of a witch hunt spearheaded by a school board administrator who regards Carmela's permissive beliefs as incongruent with the new Cuba. But the idealistic, strong-willed woman remains defiant and manages to recruit allies from amongst her fellow teachers, leading to a conflict in which one boy's future reflects the systemic dynamics of contemporary Cuba.
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