Director's Choice: Deepak Rauniyar

Nepalese writer and director Deepak Rauniyar already gained international attention with his first feature film HIGHWAY and quickly became one of the most important representatives of the still young Nepalese cinema. His second feature film WHITE SUN also made its way into Swiss cinemas through trigon-film and received a number of important awards such as the audience award in Fribourg or the Interfilm award in Venice. It was also selected by Nepal to run for the Oscar in the category Best Foreign Language. Both films are available on filmingo.

Once Upon A Time In Anatolia (2011)
Nuri Bilge Ceylan
Turkey
151′
Life in a small town is akin to journeying in the middle of the steppes: the sense that "something new and different" will spring up behind every hill, but always unerringly similar, tapering, vanishing or lingering monotonous roads...
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.ch or by phone at +41 56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
«Turkish writer / director Nuri Bilge Ceylan is one of my favorite filmmakers. And for me, this is the best among his works. In this hunting journey, Ceylan doesn’t slap us with big dramatic moments, but allows us to live along with his characters as things occur to them.»
Stray Dog (1949)
Akira Kurosawa
Japan
122′
He is still young, the actor who should become known around the world with masterpieces like "Rashomon" or "The Seven Samurai". Here, Akira Kurosawa has created a thriller against the background of the recent and completely unprocessed Japanese war past, of which many of the characters, whether woman or man, talk. "Stray Dog" plays during the sultry hot summer in Tokyo in 1949. The young and completely inexperienced inspector Murakami (Toshiro Mifune) gets his loaded service weapon stolen from his jacket pocket in an overcrowded bus. Murakami is beside himself. He fears the worst consequences for his still young career. Together with his older colleague Sato from the theft department, he sets out on a search for traces of the thief. While we roam about the Japanese post-war setting with him, he gains experiences and learns to keep calm from the old and experienced colleague Sato. Women who are involved in what is going on are also snarling at him as a greenhorn. An impressive milieu study by Akira Kurosawa, in which the master proves himself in the genre film and shows us what he is capable of in narrative, atmospheric and visual terms. Walter Ruggle
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.ch or by phone at +41 56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
«Among Kurosawa’s masterpieces, this early gem might be one of best police procedurals ever made. A fascinating window into lifes in the Japanese post-war society.»
Félicité (2017)
Alain Gomis
Democratic Republic of the Congo (Kinshasa)
124′
Félicité is a proud and independent woman who works as a singer in a bar in Kinshasa. Whenever she goes on stage, she appears to leave the world and her everyday worries behind. Her audiences are quickly infected by the rhythm of her music and her powerful, melancholy melodies. But then one day Félicité’s son has a terrible accident. Whilst he is in hospital she desperately tries to raise the money needed for his operation. A breathless tour through the impoverished streets and the wealthier districts of the Congolese capital ensues. One of the bar’s regulars is a man named Tabu who has been known to get carried away in every sense of the term. Tabu offers to help Félicité. Reluctantly, she accepts. After his spell in hospital, Félicité’s son has a hard time picking up his old life, but it is lady’s man Tabu of all people who manages to coax him out of his shell. Félicité’s sparsely furnished flat with its permanently defunct fridge becomes a mini utopia in a country that holds no hope for most of its population. The trio forms an eccentric community thrown together by fate, each of whom is free to go their separate ways together.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.ch or by phone at +41 56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
«Alain Gomis' character study of a struggling single mother, an Afropop singer in Kinshasa, is raw and real.»
Salt of this Sea (2008)
Annemarie Jacir
Palestine
105′
Soraya, 28, born and raised in Brooklyn, decides to return to live in Palestine, a country that her family was exiled from in 1948. On arriving in Ramallah, Soraya tries to recover the money left in an account by her grandparents but meets with refusal from the bank. Her path then crosses that of Emad, a young Palestinian whose ambition, unlike hers, is to leave the country for good. To escape the constraints linked to the situation in Palestine but also to earn their freedom, Soraya and Emad take things into their own hands, even if this means breaking the law. In this quest for life, we follow their trail through the History of a lost Palestine. Annemarie Jacir is telling not only or simply the story of a woman that comes to visit a region where her grandparents lived («here!»), no, the palestinian filmmaker is taking us as viewers deep into that, what facts and figures could never describe. It is this strong atmosphere, she has been creating, that touches us, it's the images of a well known situation, but again, not only the images in the photografic sense, she reaches in the way she's telling this little journey a level of inside view, that has in it's silent, feverish and constantly instabile way breathtaking and heartstopping moments. SALT OF THIS SEA is one of those movies, that give us an inner view of a situation that we all know somehow and where we run out of words to discribe. And this seems to me today much more important then to repeat what we know. Annemarie Jacirs movie is touching, because it goes under the surface even by simply showing surfaces, it goes under the surface by having a wonderful actress who is able to speak not only in words. And it goes there because she did put together so many little visible and invisible elements, without pointing them out: They are simply there, from the first moment, and they speak for themselves each of them and all together. The filmmaker created a kind of soft explosive that is not blessing but touching.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.ch or by phone at +41 56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
«For me, it was a window into Palestinian life and the country – what they feel, why they feel. It's a good watch. I like her two later films too, but images from this film still hunt me the most.»
«I watched Sissako’s masterpiece in Cannes, in 2014. Four years later, I still remember every bits of it! Each scene is breathtaking. New York Times’s A. O. Scott said in his review “Abderrahmane Sissako has created a film that’s a privilege to watch.“»

filmingo offers a curated selection of arthouse films for streaming by subscription or individual rental. Run by the Swiss foundation trigon-film.

Support
+41 56 430 12 30
support@filmingo.ch
Mo-Fr from 9am to 5pm
Stay connected

Sign up now for the monthly filmingo newsletter and stay up to date on all the new movies available for streaming as well as new categories and monthly film tips!