Culinary cinema

Chef Andy (Stephen Graham) is under stress: his luxury restaurant has just been stripped of two stars, all the tables are overbooked because of the holiday season, and his former mentor, a culinary icon, has shown up unannounced accompanied by a respected food critic. If that wasn’t enough, the mounting pressure is slowly but surely bringing the mood of his team members, helmed by sous chef Carly (Vinette Robinson), to the boil. How long will Andy manage to keep it all together? Director Philip Barantini takes us on a breathless journey through the fascinating hustle and bustle of a gourmet kitchen where different minds collide. Shot in one single impressive sequence that condenses an evening at the restaurant into 94 minutes, "Boiling Point" casts its inevitable spell.

Emma has left Russia to live with her husband in Italy. Now a member of a powerful industrial family, she is the respected mother of three, but feels unfulfilled. One day, Antonio, a talented chef and her son's friend, makes her senses kindle. Director Luca Guadagnino ("Call Me by Your Name", "Challengers") thought long and hard about whether he would rather become a chef or a filmmaker. "I Am Love" is a cinematic feast that captivates the viewer from the very first minute with its hypnotic and erotic images, featuring a brilliant Tilda Swinton.

Following the death of his wife, professional chef Cheng travels with his young son to a remote village in Finland to connect with an old Finnish friend he once met in Shanghai. Upon arrival, nobody in the village seems to know his friend but local café owner Sirkka offers him accommodation and in return Cheng helps her in the kitchen surprising the locals with the delights of Chinese cuisine. Gradually his cooking encourages these vastly different cultures to connect and Cheng is soon a celebrated member of the community. Unfortunately his tourist visa is soon to run out and it's up to the villagers to come up with a plan to help him stay.

Masato, a young ramen chef, leaves his hometown in Japan to embark on a culinary journey to Singapore to find out the truth about his past. He uncovers a lot more than family secrets and delicious recipes.

One of the highlights of Vera Chytilová’s filmography is the grotesque moral «Daisies» (1966). The surrealistic narrative about a pair of young women who decide to be as corrupt as the world around them does not arise from concrete socio-political realities. As a result, the biting account of conformity, petty-bourgeois narrow-mindedness, and the limits of light-heartedness has timeless qualities. Daisies marked the beginning of Chytilová’s collaboration with Ester Krumbachová, who contributed to the eccentric costumes and script. The collage-like visual component then gave a lot of space for experimentation to the cinematographer Jaroslav Kucera. It is still an original gem of Czech cinema of the 1960s, which infuriated the communist officials of the time.

Cookie Figowitz is the hired cook for a group of rough men on a fur trapping expedition in the 1820s Oregon Territory. One night in the woods he meets King-Lu, a mysterious man fleeing from some vengeful Russians. This is the story of their burgeoning friendship in the ever-changing Northwest landscape—and a get-rich-quick scheme involving the first cow in the territory.

Founded in 1930 in central France, the Troisgros family restaurant has been holding 3 Michelin stars for 55 years over four generations. Michel Troisgros, the third generation to head the restaurant, has turned over the responsibility for the cuisine to his son César, the 4th generation of Troisgros chefs. From the market to pick fresh vegetables, to a cheese processing plant, a vineyard, an organic cattle ranch to the garden supplying the restaurant, Wiseman embarks us on a mouthwatering and sense-pleasing journey into the family’s three restaurant kitchens. An immersive experience, showing the great artistry, ingenuity, imagination, and hard work of the restaurant staff in creating, preparing, and presenting meals of the highest quality.

Robbie, a young ne'er do well (Paul Brannigan), a broke new father with a good heart is in serious trouble with the law. When he holds his newborn son for the first time, roguish Robbie is determined that the boy will have a better life, one with more opportunities than he has been offered in this insular, blue collar world. But first Robbie must sort out a variety of pressing problems --his girlfriend's family wants to do him harm and run him out of town being first and foremost among them. He is given a lucky break by a judge who shows mercy, granting him community service instead of jail.

A mistaken delivery in Mumbai's famously efficient lunchbox delivery system connects a young housewife to an older man in the dusk of his life as they build a fantasy world together through notes in the lunchbox.

Peter travels from Germany to Buenos Aires to find the woman he fell head over heels in love with some time ago and who wants to live with. But he doesn't know much more about her than her name, an address that is no longer true, and the memory of enchanting moments. He meets Olinda, who runs a local restaurant and was herself stranded in Argentina half a century ago in search of her great love.

Tokyo, cherry blossom time. Like every day, Sentaro is standing in his tiny bakery when the elderly Tokue passes by. She wants to start as a temp. Sentaro reacts negatively - until he tries Tokue's "An", a traditional sweet bean paste. This is so indescribably good that the baker immediately throws all concerns overboard and hires the woman. Soon a friendship develops between Tokue and Sentaro, who both have a secret. And the business blossoms - because the "An" preparation is not just a job for Tokue. Rather, it shows her deep connection with nature and her respect for life...

Abla runs a modest local bakery from her home in Casablanca where she lives alone with her 8 year old daughter Warda. Their routine of housework and homework is interrupted one day by a knock on the door. It is Samia, a young woman looking for a job and a roof over her head. The little girl is immediately taken with the newcomer but her mother initially refuses to allow a pregnant stranger into their lives.