Laafi

Sixteen-year-old Pougbila is an exuberant dancer, which causes her peers to remark cattily on her seductive moves. At the same time a village child dies of unexplained causes, Pougbila tells her mother Napoko that she's been raped. However, she refuses to reveal the perpetrator. As child deaths mount, the villagers speculate that a witch is behind the tragedies. Under the pretext of protecting his daughter, Pougbila's father hastens to marry her to a nearby villager, ignoring Napoko's objections. After Pougbila leaves, village elders call soothsayer to find the witch who is causing the child deaths. The village soon becomes convinced that Napoko is the evil one and she's chased out of town. Forced to wander the countryside, Napoko seeks refuge in one of the shelters for women accused of witchcraft. Pougbila hears of her mother's fate and sets out to find her and confront the village elders with the truth.

An african student in Paris needs to work by night to finance the rest of his studies. By coincidence he gets a lot of money and turns back home to Burkina Faso with his french friend - but life is not that easy anywhere. Still watching how it is to be a stranger here or there can be quite funny.

Along the Atlantic coast, a soon-to-be-inaugurated futuristic tower looms over a suburb of Dakar. Ada, 17, is in love with Souleiman, a young construction worker. But she has been promised to another man. One night, Souleiman and his co-workers leave the country by sea, in hope of a better future. Several days later, a fire ruins Ada’s wedding and a mysterious fever starts to spread. Little does Ada know that Souleiman has returned.

Mory, a cowherd who rides a motorcycle mounted with a cow's skull, and Anta, a university student, have met in Dakar, Senegal's capital. Alienated and disaffected with Senegal and Africa, they long to go to Paris and work up different con schemes to raise the money. Mory steals clothing and money from a wealthy gay man who had brought him home, and he and Anta book passage on a ship to France. One of the most important, engaged and fascinating movies from Africa - selected for the documenta 2007.

In Colobane, people expect the return of Linguère Ramatou, a former local girl now rumored to be richer than the World Bank. But her generosity has its conditions: she offers a check of ten billion for the death of Dramaan Drameh who refused to admit that he was the father of her child 30 years ago. "Life made made me a whore, now I'm turning the world into a brothel" she tells the citizens of Colobane.

Ken Bugul is a Senegalese writer who lives in Africa, where her soul is anchored. She has had an exceptional life. Silvia Voser’s film shows her as an iconic figure of the female condition and of relationships between Africa and the West. Ken Bugul is considered one of the most brilliant writers in Senegalese and French of these past decades. Over the years, thanks to her great command of the French language and the uncompromising care she takes with the wording of the meaning of Wolof vocabulary, her mother tongue, her novels have become absolute references in the realm of linguistic studies. "What you read in French in my novels is how we think and speak in Wolof in my village". Ken Bugul’s personal story is overshadowed by Africa’s turbulent history. She was born in 1947 in an isolated village in Senegal, at that time a French colony. Her father was 85 years old and her mother left them before Ken turned five. This was a fundamental event in Ken Bugul’s life. In spite of lacking a mother’s love, she was full of energy and a yearning for freedom, and she received an exceptional education for a village girl of that time. In 1971, she left for Europe to go to university and there she met people from the upper middle class and discovered new ideologies and liberties, modern art, drugs, alcohol, loneliness, incomprehension and disdain, and prostitution to relieve her need for affection. As she says in "The Abandoned Baobab": "For twenty years all I had learned was their thoughts and their emotions. I thought I’d have fun with them, but I ended up even more frustrated. I identified with them, but they didn’t identify with me." She came back to Senegal, a broken, lonely and penniless young woman. People thought she was crazy and she was rejected by her family and society. For two years, she slept in the streets of Dakar, hanging out with outcasts, beggars, prostitutes and artists. Dirty, hungry, almost naked, she started writing her first novel, "The Abandoned Baobab". Worn out, she decided to go back to her family. And there, in her mother’s village, she found refuge with the Serigne (marabout), a wise and much respected man. He took her as his 28th wife, enabling her to re-enter society, and he supported her in her desire to write and to be free. He died in 1981, a year before the publication of her first novel, "The Abandoned Baobab", which was an immediate success. Ken Bugul was invited to present her book all over the world. She met a doctor from Benin, married him and moved to that country, where she gave birth to their daughter Yasmina. Her husband passed away four years later. For the past thirty years, novel after novel, Ken Bugul has painted a picture of her life as a woman, of her loves, of the relationship between her continent and the West. "To write", she says, "is to dazzle the senses, and the senses are colourless." Silvia Voser leads us gently into the secret, tormented world of an artist whose writings show an understanding of the world that is rarely achieved.

After working as a babysitter for a French family in Dakar, a young Senegalese woman is invited to come to France as a governess. But in the West she is only "the black girl" for everyone. Deprived of her freedom, her dignity and her identity, she sees only a radical last act of resistance. Ousmane Sembène's feature film debut was one of the very first African feature films and is based on a newspaper report about the suicide of an African housemaid. From this, Sembène formed a parable about neo-colonialism and the new slave trade.