Architecture

No Man Is an Island (2017)
Dominique Marchais
France
96′
No Man Is an Island travels across Europe, from the farmers working together in the Galline Felici cooperative in Sicily to the architects, craftspersons and elected representatives who collaborate in the Swiss Alps and in Austria. All are engaged in politics through their work and all believe in a common destiny. Is the local level the last possible place for a viable utopia?
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Gion A. Caminada
O Fim do Mundo (2019)
Basil Da Cunha
Switzerland
104′
Spira comes home from a juvenile detention center and reconnects with his loved ones in Reboleira (Lisbon), a slum on the verge of being destroyed. Kikas makes it clear that he’s not welcome.
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Habitat Favela
with bonus
Medianeras (2011)
Gustavo Taretto
Argentina
90′
Bonus: shortfilm
Mariana, Martìn and the city of Buenos Aires. Martìn and Mariana live across from each other on the same block, but never meet. They pass each other, not knowing about the other’s existence. She goes up the stairs as he goes down the stairs; he gets on the bus just as she gets off the bus. They go to the same video rental shop, but a video rack separates them; they sit in the same row at the cinema, but the auditorium is dark. The city brings them together, and, at the same time, keeps them apart. Director Gustavo Taretto told the story of Mariana, Martìn and the city of Buenos Aires once before: «MEDIANERAS is a short film that received 40 awards worldwide - a short film with a feature film hidden inside. Our aim is to bring the feature to light. In the film EL SOL DEL MEMBRILLO (QUINCE TREE OF THE SUN), Víctor Erice reflects, among other things, upon Antonio López’s obsession with painting a tree that he had planted and seen growing in his garden. The tree changes with the passing of time, the seasons, and especially in different shades of light. MEDIANERAS is my tree. I planted it over four years ago, and I’ve been watching it grow since then. Following the analogy with the painting, the short film unveils the gesture in the stroke, the artist’s palette, the trunk which holds it in place, the main branches and the colour of its leaves. Now, with the feature, the moment has arrived for going into detail, for exploring depth and hues, ambiguities and contradictions. The story changes in exactly the same way as the city that serves as its setting: Buenos Aires. Some of the scenes wither away, while others bloom.» (Gustavo Taretto)
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Behind the facades of a big city
Durak (2014)
Juri Bykow
Russia
121′
Dima Nikitin is a simple and honest plumber who works in a small Russian town. Except for his unusual integrity, nothing makes him stand out of the crowd, until one night in a dorm mainly occupied by drunkards and outcasts, the pipes burst, endangering the occupants. Everybody needs to be immediately evacuated but nobody cares, so Nikitin sets off on a night-long odyssey to fight an entire system of corrupt bureaucrats.
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Architecture also means: responsibility
Factory architecture says goodbye
Tokyo Story (1953)
Yasujiro OZU
Japan
137′
The Hirayamas travel from their hometown of Onomichi to Tokyo to visit their adult children. But the younger generation make them feel more in the way than welcome. It also emerges that their son’s career as a doctor and their daughter’s as a hairdresser are nowhere near as successful as the couple were led to believe from afar. The only one who really makes an effort to spend time with them is their daughter-in-law, Noriko, the widow of the Hirayama’s son who went missing in the war. On the journey home, mother Hirayama is taken seriously ill and the couple have to make an unscheduled stop in Osaka, where another of their adult children lives. In a succinct, objective and non-judgemental manner, Yasujirō Ozu uses images which are as simple as they are magnificent to tell the story of family estrangement and the isolation inherent in modern society. Ozu himself considered Tōky ō Monogatari his "masterpiece" and the 1963 Retrospective of the Berlin International Film Festival, the "film-historical screenings", was dedicated to him. This is the international premiere of the digitally restored version made by Japanese production company Shochiku.
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Living space city - countryside
Antoni Gaudí
Une ville à Chandigarh (1965)
Alain Tanner
India
53′
When, in 1947, a portion of Punjab province was assigned to the newly created Pakistani State, Albert Mayer began planning a new capital for the portion which remained in the possession of India. Le Corbusier had been responsible since the 1950s for general planning and, more particularly, for large-scale buildings typical of the governmental sector. A year after the death of Le Corbusier, Alain Tanner began shooting his film in a city still partially under construction, or even, in certain places, at the planning stage. The inhabitants of the metropolis, however, already numbered some 120,000. Among the most modern of cities architecturally, Chandigarh was archaically constructed by hand. Impressions of this green horizontal city-brick not permitting vertical development-are captured in long static shots and numerous traveling shots. John Berger's commentary inscribes the visual beauty of that reality within a larger reflection: climate did strongly influence the decisions of the planners, whereas the new city did not succeed in breaking the old social rules with a single blow. These rules continue to determine the level of education and income, and it is not even possible for these workers who are in the process of constructing Chandigarh to live in it themselves. However, the film partakes of Le Corbusier's optimism in its appreciation of architecture as an instrument aiding men to clarify their visions, to exercise their powers of discernment and to establish new relations, even if the results will only make themselves felt in the long term.
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Le Corbusier
Architektur der Unendlichkeit (2018)
Christoph Schaub
Switzerland
85′
Temporality and age are inherent in every object and creature and, depending on one’s outlook, may transcend to infinity. Schaub explores, together with the architects Peter Zumthor, Peter Märkli and Alvaro Siza Vieira, the artists James Turrell and Cristina Iglesias and drummer virtuoso Jojo Mayer, the magic of sacred spaces, defined here as far more than church buildings. Who owns spirituality?
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Peter Zumthor, Cristina Iglesias, Jojo Mayer, Alvaro Siza Vieira, Peter Märkli and James Turrell