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A small holiday house by the baltic sea. The days are hot and it hasn’t rained in weeks. Four young people come together (Thomas Schubert, Langston Uibel, Paula Beer and Enno Trebs), friends old and new. As the parched forests around them begin to ignite, so do their emotions. Happiness, lust and love; but also jealousies, resentments and tensions. Meanwhile the forests burn. And before long, the flames are there. Christian Petzold’s «Roter Himmel» was the winner of the Silver Bear Grand Jury Prize at this year’s Berlin International Film Festival.

Astolfo, a retired professor evicted from his apartment, decides to move into an old noble but decrepit palace, the last remnant of his family patrimony in a remote village of Abruzzo, where he hasn’t been for decades. Soon enough, as a newcomer, he befriends a vagabond, a retired chef and a young handyman. A group of four live harmoniously at his place when he comes across Stefania, a charming and generous woman of his age. Astolfo falls in love and struggles with feelings he thought belonged to the past. Encouraged by his loyal group, Astolfo makes a brave step and learns delightedly that it’s never too late to fall in love.

At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy. Director Valeria Bruni Tedeschi's new film screened in competition at the 2022 edition of Cannes and has autobiographical elements, as she herself was a student of Patrice Chéreau and Pierre Romans, who are embodied by Louis Garrel and Micha Lescot. Nadia Tereszkiewicz, who won the Best Promising Actress award at the Lumières Awards 2023, shines in the leading role.

Nora (Greta Lee) and Hae Sung (Teo Yoo), two deeply connected childhood friends, are wrest apart after Nora’s family emigrates from South Korea. Two decades later, with Nora now being married to Arthur (John Magaro), they are reunited in New York for one fateful week as they confront notions of destiny, love, and the choices that make a life, in this heartrending modern romance.

Two women, Janis (Penélope Cruz) and Ana (Milena Smit), coincide in a hospital room where they are going to give birth. Both are single and became pregnant by accident. Janis, middle-aged, doesn't regret it and she is exultant. The other, Ana, an adolescent, is scared, repentant and traumatized. Janis tries to encourage her while they move like sleepwalkers along the hospital corridors. The few words they exchange in these hours will create a very close link between the two, which by chance develops and complicates, and changes their lives in a decisive way

Sohee is a high school student focusing on a job training education. Hoping for a good job, Sohee starts an job training at a subcontracted call center, but she faces big pressure of greedy company. It is too hard for high school student to bear this situation and it leads to her death. Detective Oh Yoo-jin, who has something in common with Sohee, becomes in charge of this case. She starts to follow traces to reveal the causes of her death.

France, 1995. 17-year-olds Zahia and Fettouma Ziouani have been dreaming of becoming a conductor and a cellist since they were kids. Their wish is to make classical music accessible to all, and everywhere. But this is kind of an ambitious dream for suburban teenagers. One that can only become true with dedication, passion, courage – and a project: to create their own orchestra. Its name will be "Divertimento".

There's a theory that we should be born with a share of alcohol in our blood. That modest intoxication opens our minds to the world around us, diminishing our problems and increasing our creativity. Heartened by that theory, Martin (Mads Mikkelsen) and three of his friends, all tired high school teachers, embark on an experiment to uphold a constant level of intoxication throughout the workday. If Churchill won WW2 in a heavy daze of alcohol, who knows what a few drops might do for them and their students? Initial results are positive and the teachers' little project is elevated to a genuine academic study gathering results Both their classes and their results continue to improve, and the group feels alive again! As the units are knocked back, the experiment progresses for some and derails for others. It grows increasingly clear that while alcohol may have fueled great results in world history, some bold acts carry consequences. Director Thomas Vinterberg skillfully balances drama and comedy, kindness and despair, and manages to leave you not depressed or even warned, but with a lot of joie de vivre.

Carla Nowak, a dedicated sports and math teacher, starts her first job at a high school. She stands out among the new staff because of her idealism. When a series of thefts occur at the school and one of her students is suspected, she decides to get to the bottom of the matter on her own. Carla tries to mediate between outraged parents, opinionated colleagues and aggressive students, but is relentlessly confronted with the structures of the school system. The more desperately she tries to do everything right, the more the young teacher threatens to break. "The Teachers' Lounge" by award-winning director İlker Çatak shows how quickly a social conflict can escalate. Çatak holds up a mirro to society by critically examining the current culture of debate and values such as truth and justice through the microcosm of school. Leonie Benesch's passionate portrayal of a young teacher who gets caught between the fronts creates a dense atmosphere that captivates from the very beginning.

In search of significance and social prestige, a billionaire businessman decides to make a film to leave his mark. To do so, he hires the best: a stellar team formed by famous filmmaker Lola Cuevas (Penélope Cruz) and two renowned actors, both enormously talented, but with even bigger egos: the Hollywood actor Félix Rivero (Antonio Banderas) and radical theater thespian Iván Torres (Oscar Martínez). Both legends, but not exactly the best of friends. Through a series of increasingly eccentric challenges set by Lola, Felix and Iván must face not only each other, but also their own legacies.

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber (Diego Cremonesi), the charismatic bandoneon player of the "Vecinos de Pompeya," a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela (Marina Bellati), a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart. "Adiós Buenos Aires" is German Kral's feature film debut and was inspired by the real and tragic events that shook Argentina at the end of 2001.

On an impulse to reconnect with her origins, Freddie, 25, returns to South Korea for the first time, where she was born before being adopted and raised in France. The headstrong young woman starts looking for her biological parents in a country she knows so little about, taking her life in new and unexpected directions. In his follow-up to Diamond Island (Cannes Critics Week SACD Prize Winner) French-Cambodian director Davy Chou proves to be a new essential portrayer of today’s youth, demystifying the preconceived notions surrounding international adoption with this burning young woman’s quest to soothe her deep-rooted identity crisis.